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In the morning, Prisca resists sharing a horse with Lorian but ultimately has no choice but to ride with him. Their physical closeness intensifies her discomfort, especially given his domineering attitude and physical presence. As they travel through the dense forest, he insists that they don’t need to rush, even though Prisca is anxious about being caught by the king’s guards. During the ride, Prisca talks with some of the men, but Lorian shuts down the conversation before too much information is shared. As they stop to make camp for the night, Lorian tells Prisca that it is time for her to practice using her magic. She struggles to control her power, and Lorian resorts to throwing rocks at her to provoke a reaction, but her attempts to stop time fail.
Throughout the day, Lorian finds himself increasingly distracted by Prisca. She falls asleep during the ride, and although he is tempted to let her fall off the horse, he holds onto her instead. When she wakes and realizes that they are heading in the wrong direction, he tells her that their deal has no set timeline.
Prisca becomes more comfortable with the group, even though they remain secretive about their mission. The men begin to open up about their abilities. Marth says he can see into a person’s past, and Galon has control over water. However, Lorian remains demanding and controlling, particularly regarding Prisca’s magic. When they enter a village, Prisca is anxious about being recognized, and her fear intensifies at the inn when a drunken man accosts her. Lorian steps in to defend her and repeatedly slaps the man to humiliate him. Afterward, Galon offers to teach Prisca how to fight, and she agrees.
The man whom Lorian humiliated sneaks into Prisca’s room at the inn, pins her down, and threatens to kill her. Prisca uses her magic to momentarily freeze the man, buying herself enough time to stab him with her knife. The others burst in, and Lorian deals with the attacker. Prisca explains what happened, describing her use of magic to defend herself. The men decide that she should stay in their room for the rest of the night. Though she tries to sleep, she is haunted by the attack and by thoughts of her mother and brother. She breaks down and cries. Lorian notices her distress and lies down beside her, and his steady breathing helps to calm her.
Prisca wakes up to find the body of her attacker hanging from a hook in the inn’s common room. The group prepares to leave the inn, and Rythos provides her with new clothes. As they head toward the Gromalian border, Prisca is tense around Lorian because of what he did to the man, and he reminds her that she has killed more people recently than any of them. They argue, and he eventually attacks her, forcing her to use her power.
Later, when Lorian tells Prisca to stay behind with Galon, she instead sneaks away to follow him. She spies on a meeting in which Lorian and his men exchange a vial with two cloaked strangers. She is shocked to learn that one of the strangers is a fae. While her knowledge that the mercenaries are working with fae could become potential leverage against Lorian or even a bargaining chip with the king, she is unsure of what to do with this information. She returns to the group and tries to hide the fact that she spied on them, but Lorian gives her a knowing look that leaves her on edge.
Prisca continues to train with the mercenaries and learns to fight and defend herself. Lorian, as usual, maintains control over her, keeping her close and insisting that she ride with him. His behavior towards her is very condescending. The group arrives at a new town, and as Lorian books a room at the inn, he claims that he and Prisca are married, much to her embarrassment. She tries to maintain her dignity and turns the teasing back on the mercenaries when she implies to the barmaid flirting with them that they are all her sexual partners. Rather than upsetting Lorian, this declaration makes him laugh. Later, in their room, Prisca finally has a hot bath, after which Lorian enters. While he bathes, Prisca fights her desire after seeing him naked. She questions him about working with the fae, but he refuses to answer. His silence frustrates her, but their unspoken attraction lingers as they settle in for the night.
Prisca wakes to the sound of bells that signal the start of a Taking ceremony. She panics, but Lorian urges her to attend the ceremony with him, explaining that leaving now would draw more attention to them and likely end with their capture. Despite her fear, Prisca agrees. At the ceremony, she sees the familiar ritual of magic being stolen from an infant. As the crowd disperses, the mercenaries find a wanted poster featuring Prisca. She also learns that Asinia has been captured and is listed as one of the corrupt. Lorian pushes Prisca to use her time-freezing power to help them escape the town undetected. She manages to hold time long enough for the group to flee, but this effort takes a physical toll on her. Later, Prisca is consumed with thoughts of saving Asinia before it’s too late. However, her anger towards Lorian and the mercenaries grows as she realizes they had another way out of the village that wouldn’t have required her to use her power.
Prisca spends the night practicing her ability to stop time. The following day, Lorian explains the truth behind the kingdom’s magic, revealing that King Sabium has been stealing magic not for the gods but to distribute it among his court and strengthen his control over the kingdom. Prisca realizes that her father’s death may have been preventable if Tibris had kept all of his magic. Lorian further reveals that Prisca and Asinia are part of a group of hybrids descended from a lost kingdom that once existed across the Sleeping Sea. Due to their partial fae heritage, their magic cannot be fully taken, and it regenerates over time. Finally, he tells her that if she wants to know more, she needs to find a narminoi, someone with the power of knowledge; such people are now rare because they are hunted by the king.
She and Galon continue their combat training but are interrupted when Marth captures Tibris, who is spying on their camp. The siblings talk, and Tibris explains that he has been working with Vicer to overthrow the corrupt king. He has been searching for Prisca since they were separated. She convinces him to help her save Asinia, but they keep this plan a secret from the mercenaries. As they all head toward Lesdryn, Lorian continues to push Prisca to use her time-freezing powers so that they can slip past the guards at the gate. She does so long enough for them to slip inside. However, she notices a strange man at the gate who is unaffected by her power.
After successfully entering Lesdryn, the group says their goodbyes. Prisca shares emotional farewells with the mercenaries, and Lorian kisses her in a final, passionate gesture.
These chapters focus on building the relationship between Prisca and Lorian, adding nuance to the stereotypical enemies-to-lovers pattern Lorian teaches Prisca how to master her powers. While the choice to have the characters journey together is a common fantasy trope and a method to create forced proximity between love interests, A Court This Cruel and Lovely differs from the usual execution of these patterns by altering the emotional atmosphere surrounding these moments. At this point in the story, fear and control are the defining factors of the relationship between Prisca and Lorian. Her fear of being captured and killed fuels her desperation to master her magic, while he uses this fear to motivate her and maintain his control over her.
In many ways, Lorian himself demonstrates The Corruptive Influence of Power, for his coercive behavior intensifies as he dominates every interaction and insists upon manipulating Prisca’s emotions. Additionally, he does not shy away from delivering threats of physical violence. When she argues with him, he declares, “I’ll tie you to the saddle and make you walk behind us” (99), and this threat and others are designed to keep Prisca in line and to remind her of his power. His calculated oscillation between cruelty and tenderness also furthers the unpredictability of their dynamic, and he uses violence to trigger her magic during their lessons, even going so far as to throw stones or threaten her with a rope. However, he is also quick to rush to her aid when she is faced with danger from outside sources. Ultimately, both characters need each other. Although Prisca doesn’t want to trust him and experiences repeated examples of why he should not be trusted, she has no choice but to cooperate with him. Likewise, Lorian needs Prisca’s magic to pass into the city undetected. Further complicating matters is the growing sexual tension between them, and as Prisca becomes increasingly aware of his physical presence, she finds herself caught in conflicting feelings of anger and attraction as the power imbalance between them only grows. However, as she learns to control her power and regain her confidence, Prisca becomes more adept at challenging Lorian’s authority and navigating the psychological games that he plays.
In addition to developing the relationship between Lorian and Prisca, this section explores the growing camaraderie between Prisca and the other “mercenaries,” who begin to show her a measure of brotherly affection that sustains her in the face of Lorian’s abuses. While Tibris resumes this role upon his return, the regard of the mercenaries provides Prisca with a source of stability that Lorian denies her as she struggles to adjust to her new life. Despite her initial mistrust, she begins to feel more comfortable around them; Rythos’s easy charm helps to alleviate Prisca’s fears, while Marth is open about his magic. While Galon is more reserved, he trains her how to fight. These interactions give her a sense of normalcy as she realizes that she no longer has to hide her abilities.
The Implications of Identity and Heritage also take center stage in this section as Prisca redefines her understanding of herself, her power, and her emotions. At the novel’s beginning, she cannot use her ability to stop time at will, and her lack of control over her talents intensifies her sense of helplessness. As she works to improve her control of her abilities, she must also process her emotions over losing her family, and for the first time, she allows herself to mourn. Regarding her complicated feelings over her mother, she reflects, “I’d forced myself not to think of her. Attempted to focus on the fact that she’d kidnapped me and then lied to me my whole life […] She also cared for me. She loved me […] I was the reason she was dead” (122). Her complicated feelings over her mother act as a microcosm of her broader challenges, for Prisca is caught between two identities: the innocent village girl who values life and the survivor who is willing to kill to protect herself. At this point, she still clings to her old, simple identity with the exception of dangerous moments that force her to act in self-defense. However, as Lorian points out when she expresses disgust over his murder of the man at the inn, “Of all of us, you’ve been the most murderous lately. Perhaps you should think twice before judging us as savages” (126). Thus, while she is resistant to losing her humanity, she is also at serious risk of becoming numb to the violence that is now a part of her world.