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37 pages 1 hour read

Reyna Grande

Across A Hundred Mountains

Fiction | Novel | YA | Published in 2006

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Pages 125-155Chapter Summaries & Analyses

Pages 125-155 Summary

Adelina remembers when she first met Diana begging on the streets on Christmas Eve. Adelina convinced Diana to come with her to the shelter. Later, Adelina remembers her first date with Sebastian at a seafood restaurant, where it is revealed that she attended college at Cal State.

Juana’s mother used to keep an altar to La Virgen de Guadalupe in their home, but lately she has stopped maintaining it. One day, in mid-March, Amá says cryptically, “‘I must try to offer something more powerful than prayers or tears’” (128). Juana remembers that the town’s annual reenactment of the passion of Christ—when Jesus carried the cross to his crucifixion—is in just a few weeks. Juana only attended the reenactment once as a child, and was horrified by the flagelantes, men and women who self-flagellated to show their penitence. Amá has stopped drinking, and spends her nights making something that she won’t allow Juana to see. One day, Juana finds a paper bag filled with small metal nails and realizes her mother is participating in the flagelantes. At the reenactment, Juana wants to stop her mother, but Doña Martina insists, “‘Let her finish, Juana. Perhaps her sin will be absolved. It might be her salvation, and yours’” (133).

Juana discovers that Don Elías and his wife intend to have Miguel baptized. The day of the baptism, Juana asks Doña Martina to keep Amá busy, but Amá makes her way to the church anyway. By the time Juana arrives at the church, Amá is being arrested. Amá tried to take Miguel away from Don Elías’s wife, but when Don Elías wouldn’t let her, Amá stabbed Don Elías, murdering him. That night, her mother in jail, Juana picks up her mother’s whip and brings it down on her back, thinking, “the saints wanted her blood, too. Maybe then they would finally listen to her prayers” (140).

Two weeks later, Juana takes the train to Cuernavaca, beginning her journey to cross the border and find her father. In Cuernavaca, she transfers to a bus. On the bus, Juana sees a woman holding a baby on her lap. She also sees a father and daughter, speaking of their plans to cross the border. She overhears the father talking about how they don’t have papers. Later, Juana notices that the baby boy will not wake up. The father tells the baby’s mother not to cause a scene in case the bus driver kicks her off. When the bus reaches Mexico City, Juana wants to ask the father and daughter if she can join them, but she decides to help the mother holding her dead son find her bus instead.

Juana eventually buys her ticket to Tijuana, a three-day journey. At the first stop, in Guadalajara, Juana gets off the bus to buy food and stops to help a beggar whose coins were knocked over, causing her to miss the bus to Tijuana. Juana tries to fall asleep in the bus station while she waits for the next bus, which leaves the next morning.

Pages 125-155 Analysis

The theme of religion continues to be explored in these pages. Despite praying often and keeping an altar of La Virgen de Guadalupe in their home, Amá has not been able to avoid tragedy, and decides to self-flagellate as penance for her sins. Though Juana is initially horrified by her mother’s involvement in this practice, she picks up her mother’s whip herself after Amá is arrested for murder. In addition, when Juana gets on the train to Cuernavaca, Doña Martina tells Juana “‘God will provide’” (142) and makes the sign of the cross, demonstrating again how important religion is to this community, and how much faith they put in God to protect them. Characters often turn to religion when things are at their worst and they have nowhere else to turn, but the question remains as to whether or not God is able to bring good fortune.

When Juana sees a father and daughter on the bus, alongside a mother and son, it is a metaphorical representation of Juana’s own family. First, Juana overhears the father explaining the journey across the border to his daughter, which parallels conversations between Juana and Apá. As everyone gets off the bus, Juana must decide whether to follow the father and daughter to the border or whether to help the mother return home with her dead child. Similarly, Juana made the decision to leave home and search for her own father, rather than stay behind with her mother, who is also grieving the loss of her children. The families Juana meets on the bus are used to represent the tough decisions Juana had to make in her own life with her own parents, underlining just how difficult the choice to leave home was for Juana.

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