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51 pages 1 hour read

Natalia Sylvester

Breathe and Count Back from Ten

Fiction | Novel | YA | Published in 2022

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Background

Medical Context: Hip Dysplasia

Hip dysplasia, also called developmental dysplasia of the hip (DDH) is a developmental condition that people are born with, but it may go undiagnosed until adolescence or even adulthood. DDH “occurs when the top of the thigh bone (femur), which normally fits tightly into the hip socket (acetabulum), has an imperfect fit” (“Developmental Hip Dysplasia Fact Sheet.” Boston Children’s Hospital) It’s also possible a child is born with a normal bone structure, but, as they grow and develop, misalignment slowly occurs (“Hip Dysplasia.” Boston Children’s Hospital). The most common symptoms are hip pain, knee pain, and uneven leg length. Verónica’s hip dysplasia was present from birth, but it was not diagnosed until it was too late for simple treatments, and she had to endure several surgeries. In hip dysplasia, the part of the femur (thigh bone) that connects to the hip does not align properly and causes pain, trouble walking, and limited activity. For Verónica, a major surgery that required her leg to be in a cast for several months caused her muscles to atrophy, so her doctor recommended swimming to strengthen her legs. Her doctor discouraged her from running and jumping, but Verónica did these things anyway to rebel against the implication that she was fragile. In adolescence, hip dysplasia can lead to issues such as bone necrosis, such as what Verónica experiences, early arthritis, and damage to other related joints such as the knees. In severe cases, a total hip replacement may be needed. Verónica feels isolated and treated differently because of her disability. She has her own definition for the condition, which is “the state of being displaced, inside and outside of your body” (52). Verónica eventually learns to accept her condition and to consider it an essential part of who she is.

Cultural Context: Mermaids in Legend and Culture

Mermaids are a major part of Verónica’s life and of the culture in both Peru and Florida, her two homes. The legend of la Huacachina, a princess who became a mermaid after her tears created an oasis in the desert, resonates with Verónica. Huacachina is also the name of the village that surrounds the real-life oasis in the deserts of Peru. There, a small town and tourist destination is built around the oasis where the mermaid is said still to reside today. The Huacachina oasis is the only one of its kind in all of South America, making it particularly significant to Peru. Verónica’s Mami tells her the legend of Huacachina in moments when Verónica needs comfort.

Along with the Peruvian mermaid legend is a general mermaid culture that exists in Central Florida. The novel’s Mermaid Cove is based on Florida’s real life Weeki Wachee Springs, “home to the deepest known freshwater cave system [explored to a depth of 400 feet] in the country” (“Weeki Wachee River.” Southwest Florida Water Management District, 2018). The springs are the headwaters of the Weeki Wachee River, a short but fast-moving river that empties into the Gulf of Mexico. Weeki Wachee Springs is home to manatees, turtles, and fish (and much more), all of which Verónica sees while working at Mermaid Cove. At Weeki Wachee Springs, mermaid shows are performed for fans from around the world. The location is so well known for its mermaid culture that it is commonly referred to as “The City of Live Mermaids.” Verónica becomes immersed in this mermaid culture and has a dream of becoming one herself, which she gets to live out the summer she is 17.

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