59 pages • 1 hour read
Katherine Applegate, Gennifer CholdenkoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of animal death.
At its heart, Dogtown is an exploration of what makes a creature alive. Through exploring the differences and similarities between organic and robotic dogs, the novel offers different definitions of life and ideas of how those definitions intersect. In particular, it suggests that biological definitions of life not only fail to capture what being alive truly means but also potentially exclude sentient, feeling creatures.
Chance and the other organic dogs (as well as Mouse and the human characters) are alive in the most limited and conventional sense of the word. They are biological beings who exhibit signs of life, such as a heartbeat and breathing. They are also subject to the pressures of life, including the need to obtain energy and the possibility of death. For example, Mouse and Chance’s hunger becomes a plot point during their adventures outside Dogtown, while anxiety about the List—i.e., of dogs slated for euthanasia—is an omnipresent reality in Dogtown. This calls into question whether robot dogs are “alive,” as they are not organic beings and do not experience the same struggles that organic beings do. Nevertheless, if the robot dogs do not exhibit life signs in the traditional sense, they do have inner circuitry that mimics the functions of the vital organs, as well as processes that are similar to natural functions, such as requiring recharging instead of sleep.
Moreover, it is clear that life involves more than simple biology for Chase and the other characters. For instance, they are aware of and able to interact with their surroundings. These qualities mean that they are subject to what the world offers them, good or bad, and they react accordingly, howling when they are frustrated or cuddling when they feel loved. These aspects of being alive, such as consciousness and intention, potentially apply to robotic dogs, who exhibit the awareness and independence of organic dogs, if sometimes in different ways. For instance, while Chance relies on her instincts to understand her world, Metal Head seeks answers in his user manual; however, both dogs possess the ability to think critically. They also both take independent action and revise their plans based on new information. Metal Head wishes to return home and orchestrates an escape but then chooses to return to Dogtown when Jimmy rejects him. Similarly, Chance is initially reluctant to leave Dogtown but realizes that she has little choice once she learns that her name tops the List. Moreover, Metal Head shares Chance’s capacity for love, as evidenced by his loyalty to Jimmy. His character thus expands the definition of life beyond the strictly biological.
This exploration of life dovetails with the novel’s exploration of prejudice. For example, in Chapter 30, Chance describes reading buddy day, saying that children can cuddle with organic or robot dogs but that “few kids want[] to cuddle with a machine, or curl up next to an electrical outlet” (78). Organic dogs are warmer and softer than robot dogs; moreover, these dogs react to the story and offer support when the children need it. By contrast, most robot dogs are passive participants on reading buddy days. Instead of interacting with the children and responding to the story, robot dogs sit still and listen. Initially, Chance takes this to mean that the robotic dogs are just “machines,” but the counterexample that Metal Head provides suggests that this is overly simplistic. Robotic dogs may not be alive in exactly the same way as organic dogs, but that does not mean they aren’t thinking, feeling creatures.
The central power imbalance in the novel exists between humans and dogs (or, more broadly, animals). Whether because (like Chance) they are a domesticated animal in need of adoption or because (like Mouse) they are seen as vermin, the very survival of the novel’s animal characters hinges on the whims of the human characters, and the animals’ inability to speak to the humans means that they cannot even advocate for themselves. Dogtown thus shows the pervasive harms of systemic inequality.
While some of the human characters are depicted simply as cruel, the portrayal of Management reveals how this kind of power imbalance taints the actions of even those with good intentions. Management’s power is most keenly seen through the List, which represents the power of humans to decide the fates of dogs. For Management, the List is a practical necessity—Chance acknowledges that there aren’t enough humans to take care of all the dogs at Dogtown and that decisions have to be made—but this doesn’t make it right or fair. Indeed, when Chance is put on the List in the book’s final portion, Management isn’t happy about it, suggesting the toll that unjust power takes on those who wield it. Nevertheless, Management can do little to change the situation, as she has limited resources and too many charges to care for. That Management’s power has a negative impact on both her and the organic dogs of Dogtown underscores the systemic nature of the problem.
To make matters worse, the inequality between humans and dogs causes divisions among the dogs themselves—particularly by causing a schism between those who are organic and those who are robotic. Most humans who come to Dogtown adopt robot dogs because robot dogs require less work to care for. As a result, robot dogs have risen to a place of prominence within Dogtown because they are more worthwhile to the establishment. This results in an unfair power dynamic between the robot and organic dogs, as exemplified by the differences in the treatment that Chance and Metal Head experience. When Metal Head and Chance return to Dogtown in Chapter 109, Metal Head is celebrated while Chance is punished, causing Chance to reflect bitterly, “Metal Head was a genius. And I was a bad dog” (286). Metal Head and Chance undertook the same action, but it is perceived differently due to their difference in status. Such episodes lead to resentment among the organic dogs, but the novel ultimately implies that this is misdirected; the robotic dogs may be privileged relative to the organic dogs, but they are still vulnerable to humans’ cruelty and carelessness, as Metal Head’s abandonment demonstrates.
A similar phenomenon occurs among the organic dogs. Certain characteristics make some organic dogs more prized by humans than others. Typically, smaller and younger dogs are adopted more often, which makes these groups privileged as compared to older and larger dogs. Certain breeds, like golden retrievers, are also given preference, and these dynamics create a hierarchy among the organic dogs, both within their group and in the eyes of humans. Management gives the more popular dogs better placement so that they can be more easily discovered by humans looking to adopt, reinforcing the imbalance: Preferred dogs don’t need to work as hard to get noticed, while dogs like Geraldine must work doubly hard to garner attention. It is telling that Geraldine is ultimately saved as a result of all the dogs working together: Because the inequality is systemic, the solutions must be as well.
Just as Dogtown explores whether a creature must be biological to be alive, it questions whether biology is a prerequisite for family. Through embracing found-family dynamics, the novel suggests that cooperation, empathy, and love are what define family relationships.
Dogtown’s focus on pets immediately introduces this idea. When the novel’s dogs talk about their “families,” they’re typically not talking about their parents or littermates but rather about the humans who adopted them. For many of the dogs, these bonds are deeper even than the ones they forge with other dogs, who are, if not “relatives,” at least members of the same species. Indeed, Chance’s entire character arc centers around how she deals with being separated from her family. Chance’s separation from her family was not willing and is therefore the source of much trauma. At first, she pushes their memories away, believing that part of her life is over and can never be gotten back. Once she sees other dogs finding homes, Chance starts to hope again, remembering the joy of having a family. When her life at Dogtown is threatened, she finally gains the courage to go after what she wants, and once she is back among her humans, she learns that Jessie never gave up on her. This highlights the durability of family bonds, even when they are rooted in choice rather than blood, and once Chance and her family are back, the sense of rightness is undeniable.
Found-family dynamics also characterize Chance’s most important relationships at Dogtown. Once again, the novel shows her bonding most closely not with those she is “related to”—the other organic dogs—but with a robotic dog and a mouse. Before the novel even begins, Chance has established a relationship with Mouse that’s based on mutual assistance. Chance helped feed Mouse’s family, and in exchange, Mouse helped keep Chance off the List. Based on their respect and trust for one another, Mouse and Chance have become a kind of family; their closeness is shown in the ease with which they work together to free Metal Head from the trunk of a car. They are slower to accept Metal Head due to both their pre-established dynamic and the fact that he is a robot. However, when Metal Head proves to be an asset during their adventures outside Dogtown, Chance and Mouse realize that there is more to the robot dog than they thought. Giving Metal Head a chance allows the family to grow and highlights that families can be diverse, encompassing people (or animals) of varying natures and with differing perspectives. Trust, love, and understanding are what matter, and these qualities so thoroughly define Chance’s relationship with Mouse and Metal Head by the end of the novel that she is sorry to leave them, even to reunite with her human family.
By these authors