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61 pages 2 hours read

Vicki Constantine Croke

Elephant Company: The Inspiring Story of an Unlikely Hero and the Animals Who Helped Him Save Lives in World War II

Nonfiction | Biography | Adult | Published in 2014

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Part 2, Chapters 17-20Chapter Summaries & Analyses

Part 2: “Love and Elephants”

Part 2, Chapter 17 Summary: “Tiger Hour”

Williams is now in his early thirties and ready to forgo the prospect of love and marriage—he has his elephants and his dogs in the forest. A new dog, Molly Mia, becomes one of his most loyal and intelligent companions. As it happens, just as he is ready to settle into bachelorhood, he meets an extraordinary young woman, Susan Rowland, the cousin of one of the most famous Burmese forest men still working, Stephen Hopwood. She calls him Uncle Pop. It is apparent from their first meeting that there is a spark between them, especially as Molly Mia—usually attached only to Williams—takes an immediate liking to Susan.

Susan falls quickly for Williams’s devotion to his animals, as well as his indefatigable energy. But he is set to leave soon for the Andaman Islands, an untapped and untamed bit of land in the Bay of Bengal, where he will scope out whether logging there would be feasible. Susan is devastated to see him go. However, Williams decides to let Susan have Molly Mia since the dog seems so attached to her, and he cannot take her on the journey. Susan is delighted at the prospect: “It would solve a few things for me, too, Susan thought. By sharing Molly, she would gain a solid connection to Jim” (161). Like Williams’s family, Susan calls him Jim, while his colleagues and casual friends call him Bill. Williams already realizes that if he is ever to get Molly back, he will have to wed Susan.

Before he leaves for his three-month-long journey, Williams throws a lavish dinner party in Rangoon. He witnesses Susan’s popularity with the other men in town—in particular, a jocular fellow nicknamed He Man strives to impress her—but she has only time for Jim. When Williams asks the guests to write down items he might have forgotten to pack on their dinner menus, “[s]he had written one word: Susan” (163). Williams assures her that he has not forgotten, and he puts the note in his pocket. On his last night in Rangoon, he takes Susan to the Shwe Dagon Pagoda, a beautiful and holy site within Burma’s Buddhist faith. There is an unspoken understanding between them: when he comes back from his expedition, they will return to England and marry—if, that is, he makes it back, and her love remains steadfast.

Part 2, Chapter 18 Summary: “The Cannibal Islands”

Williams embarks upon his survey of the Adaman Islands—once called “The Cannibal Islands” by Ptolemy—with “a crew of forty-eight hardened criminals” (167). While his colleagues are somewhat appalled at his choice to take along prisoners, Williams continues to feel, as he did in the case with Aung Kyaw, that giving these men a second chance would prove fruitful. While on his expedition, Williams begins to fret, doubting Susan’s love for him. He sends only a poem, found in a book called Jungle Tide, while he is away. Otherwise, he fears that he would be “making a fool” (169) of himself.

Tasked with assessing whether the islands could support the elephant workers’ foraging needs, Williams finds everything satisfactory. In fact, an elephant who had been exiled there is still alive, wandering through the thick forests. However, the other company man on the expedition conclude that “there were too many potential hazards in extracting [the wood] from the remote islands, which had no infrastructure in place” (169). Thus, Williams decides that the entire journey was “useless” (169), and he is disappointed that the prisoners will be returned to jail rather than made permanent workers. Nevertheless, he is happy to be back in Rangoon and ready to see Susan. He is met at the docks by He Man—his heart falls at the prospect that his rival might have won her—but He Man is only there to inform him Susan is running a day behind. Her telegram affirms her love for him, and they will go to England in a couple of months to marry and take an extended leave. The only hitch in Williams’s happiness is that Molly Mia died in an accident while he was away. True to form, Williams does not speak of it in his journals or memoirs.

Still, he has the elephants to comfort him before returning to England. He “raced to his up-country headquarters in Mawlaik,” which “was where he had spent most of his service as a young man, and further, it was Bandoola country” (172). He sets about getting everything in order for his temporary successor, Edward. In May of 1932, he and Susan set off on a new adventure: to England and into matrimony. Williams recalls, “I date this as the end of my being a young man” (173).

Part 2, Chapter 19 Summary: “Sunlight and Shadow”

Williams and Susan are married in the fall of 1932, and by October, they are back in Burma. Williams is now responsible for the entire town and station at Mawlaik, and with his change in status, both in rank and in marriage, the couple is afforded a grand entourage as they tour the forests, checking in on the logging camps and elephants. They also are given a spacious home with all the comforts that could be found in a colonial outpost. Susan herself enjoys the forests and wildlife nearly as much as her husband. Williams is genuinely and completely happy: “This is what Jim had been dreaming of for a decade: his life among the elephants shared with his true love” (177). He tends to paperwork and inspections, while Susan “oversaw domestic tasks” (178). When reception is available, they listen to music or news from England in the evenings.

Susan enjoys the local people as much as the forest, and she becomes a nurse to Williams’s amateur doctor; there are no other options out in the jungle settlements. As the author notes, “[l]ife was too harsh in the forest for him to be reticent about treating the most horrifying diseases and wounds” (179). Mostly, though, there are pleasant discoveries, as when Susan meets Bandoola for the first time. She agrees with Williams that Bandoola is “a wonderful animal” and teases her husband that he is “quite paternal about him, aren’t you darling?” (182). Indeed, the Burmese workers, the indigenous communities, and—especially—the elephants are Williams’s family, and now he has Susan with whom to share all this.

Alas, “[t]he spell of their magical honeymoon was broken” on the last leg of their journey (184). One of Williams’s favorite assistants contracts typhoid fever, and though they try to get him to a hospital in time, he cannot be saved. Susan notes her husband’s deep depression over this unfortunate tragedy in her journal.

Part 2, Chapter 20 Summary: “Into the Cauldron”

According to company policy, wives cannot travel with their husbands during the monsoon season. So, Williams travels to his camps for a month alone while Susan remains at their house in Mawlaik with one English-speaking servant. The heavy rains that year delay the mail delivery, but once Williams finally gets word from home, he receives some startling news: there is suspicion that the English-speaking servant is trying to poison Susan. Fortunately, Bandoola is available—along with the fastest young uzi in the crew—to speed back to headquarters as quickly as possible. Williams follows upon their heels as soon as he is able. He and Susan meet on the road coming into Mawlaik: she is fine as the message had reached her in time. In fact, she is better than fine: she is expecting her first child.

The servant is fired immediately, of course, and the incident allows Williams to restore Po Toke—who is still handling Bandoola—to his previous rank. It seems that all will be well for the foreseeable future. Unfortunately, “[t]he larger world began to intrude immediately” (189). The Great Depression impacts the teak business, and companies are laying off workers and consolidating camps. The Williams family is relocated to a new district in Shwebo, and Jim is again separated from Bandoola. Worse, their new camp is shabby and depressing, marked by a graveyard filled with former English colonists who had succumbed to tropical diseases.

Before being relocated, though, Williams has the opportunity to repay Bandoola’s life-saving trek across the river for him. The massive elephant has taken ill and will not stand—elephants will often perish quickly if they do not stand, as their organs cannot take the pressure. It appears that Bandoola had broken into a storage of raw rice, siphoned up the lot of it, and then followed that by drinking gallons of water: the rice has swollen in his stomach and stopped his system from digesting. Williams attends to the elephant—“plunging my arm a dozen times [into the rectum] as far as the armpit” (193)—finally restarting digestion and restoring the elephant to health.

The disappointment with their new posting is followed by the joy of the birth of their son, Jeremy. However, that happiness is also short-lived. Williams takes ill with yet another round of malaria, then contracts dengue fever; he also fears he may have caught rabies from one of the dogs. His anxiety becomes all-consuming, and his health continues to fail. The family returns to England for “an urgent medical leave” (195). It takes months for him to heal, and as Susan notes in her journal, “[i]t was a psychiatrist in England [...] who eventually cured him” (195). Tragedy strikes again, though, as Jeremy succumbs to pneumonia. As will all the deeply tragic events in his life, Williams never speaks or writes of this loss.

Once Williams is healthy, he and Susan return to Burma in 1935, where she is reluctant to leave his side. Over the next couple of years, rumors of unrest in Europe and elsewhere begin to reach them. There are also changes to Burma’s status, as it becomes a territory independent of India, though still ruled by the British. Susan gives birth to another boy, Treve, in 1937. The couple dotes on him, and he becomes a true child of the forest. By 1938, war in Europe is all but inevitable, and Williams ponders returning to England to enlist. However, he ultimately decides that “with the war effort, ‘teak would be as important as steel’ and that’s how he could best serve” (198). The Williams family takes a break in Maymyo during the hot season, where “Susan felt, ‘the war seemed further away than ever’” (199).

However, such detachment from world events does not last. As they “prepared for what they did not know would be their last jungle tour” in 1941, the family returns to their “treasured routine” (200). That December, though, with the attack on Pearl Harbor, it becomes clear that the Williams family will not be able to avoid the war altogether. War is formally declared against Japan, and the Japanese begin to conduct air strikes on Rangoon. The family is ordered back to Mandalay at once, and they embark on the journey with trepidation, not knowing what lies ahead.

Part 2, Chapters 17-20 Analysis

Part 2 concerns itself with matters both domestic and international. Williams meets Susan Rowland, who will become his wife and partner in his jungle life. Her presence is marked by the wealth and privilege that accompanies the colonial elites in colonized territories: she is known as “Lady Rangoon” for her lavish purchases of clothing suitable for jungle treks, not to mention the extravagant events held by the expatriates in the capital (153). Susan “had membership in all the top colonial clubs” and buys supplies and outfits “all on limitless credit” (157). In addition, she is trailed by “young Englishmen interested in her” (157). But Williams is most striking to her, and he displays his wealth and privilege in elaborate English—emphasis on English—dinners: “They started with chicken soup, then moved on to a roast duck served with green peas and fancy duchess potatoes” (158) on one of their first dates. This is only one of many elaborate descriptions of the importation of English culture into the colonial margins. Further, it stands in stark contrast to the provisions and work of the Burmese natives and servants who surround the privileged ruling classes.

Indeed, English attitudes toward their subjects are revealed at the dinner party Williams holds before his expedition to the Andaman Islands, as “the guests teased Williams, taking bets on how he would meet his demise: whether he would starve to death or be fattened by cannibals and cooked in a pot” (163). These racially charged colonial tropes underpin the entire enterprise of empire. The author, seemingly without conscious irony, titles the following chapter “The Cannibal Islands,” taking the name from the writings of Ptolemy.

Williams’s experiences in the Andamans read as an adventure tale—the author even describes him as a “pirate” at one point (170)—and the author romanticizes what is essentially a reconnaissance mission to develop more resources for England’s economic gain. The empire’s mission—to appropriate land and resources from indigenous inhabitants—is made easier by a narrative in which the lands are full of “natural marvels” but not peoples (168). A depopulated landscape, after all, paves the way for guiltless appropriation. In addition, Williams takes with him a crew of “hardened criminals” whom he sees as “prisoners in the mold of Robin Hood” (167). This furthers the adventure fantasy and subsumes indigenous identity into English folk tales; that is, the Burmese prisoners become English swashbucklers in Williams's (or the author’s) eyes.

Williams adventurous expeditions are stopped short by his impending domestication: in another common literary trope, marriage is the end of youth and dangerous exploits—not to mention freedom. As the author puts it, Williams “was, quite clearly, leaving something significant behind” (173). His “dream of the Andamans” would not be fulfilled, and his youthful explorations were coming to a close. It is replaced by first-class travel back to his camp as the boss, surrounded by servants and as much comfort as can be mustered in the colonies: their house is “enclosed by a white picket fence” with “bedrooms [that] were ample” and “two baths” per bedroom (176). Since there is no plumbing, it is the job of the indigenous servants to “hef[t] jugs of hot water” into the baths for the colonists, while “toilets were emptied by a lowly Indian worker” (176). The disparities between the white English colonizers and the indigenous Burmese and Indian servants could not be more pronounced.

Susan’s comments that she finds the local people to be welcoming and generous—at each stop, they “would come by to pay their respects and bring offerings” (179)—omit the power structure that is in place. These “respects and offerings” might not be as freely given as they seem; certainly, such gestures are tainted by the imbalance of status between the English colonizers and the indigenous locals. The fact that Susan also finds “their culture and customs to be reassuringly kind and family oriented” (179) emphasizes the power of the imperial gaze—the natives exist and live according to Susan’s approval. On the heels of her husband’s trip to a place called “The Cannibal Islands,” the discovery that the people are not cannibals must have been reassuring.

Still, the Williams family finds joy in life in the jungle, and their attentiveness to the humane treatment of animals and the local people is refreshing. Williams’s amateur doctoring of the local populace—not to mention his horrible ordeal in saving Bandoola from deadly indigestion—foreshadows what is to come in the encroaching war. The graveyard in Shwebo, “dotted with the tombstones of youthful British soldiers who had succumbed decades before to tropical disease” (193), also prepares the reader for what is coming as World War II ravages Europe and reverberates across the globe.

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