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81 pages 2 hours read

Sherman Alexie

Flight: A Novel

Fiction | Novel | Adult | Published in 2007

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Chapters 13-15Chapter Summaries & Analyses

Chapter 13 Summary

When Zits next opens his eyes, he’s flying. He’s in a small airplane and flying the plane alone, which is ironic, given Zits’ fear of flying. In his own life, he’s only been on two flights—one to visit New York with the Seattle-based philanthropist, and another when his mother was pregnant with him. He believes that he remembers being on the latter flight, though no one would ever believe that. He has a photograph of his mother sitting on the plane, a commercial jet, during that flight; he thinks his father took the picture. He recalls the image of his mother looking into the camera and smiling. He misses her and figures that he’s now in the body of a pilot because the last time he thinks his mother was happy was when she was on that plane. Zits wonders if he’s now flying to meet his mother.

Meanwhile, in his current body, he begins to assume the pilot’s memories. He remembers the face of “a brown-skinned man” (101). He sees more of this man in his mind’s eye: he’s short, “thin but muscular” and “wore a black shirt and blue jeans […] every day that [the pilot] knew him” (101). Zits looks over at the passenger seat and feels the memory of the man who once occupied that space. He also hears his “slightly accented” English (102). The man pokes fun at Zits, now Jimmy. He recalls the day that he went to Jimmy and asked him for help to become a pilot. He accuses Jimmy of believing that he was a terrorist, which Jimmy denies. The brown-skinned man recalls having been turned away by seven other instructors before Jimmy and how one instructor even pulled a gun on him. He laughs at the story. Zits imagines that this man whom he envisions in the passenger seat must have been very “kind and funny and forgiving” to laugh at such a memory (102).

The memory disappears and Zits feels alone again in the plane.

Zits feels what Jimmy feels. Jimmy misses his old friend, whose name was Abbad. Jimmy lands the plane at a small airport, parks it in a hangar, and shuts it down. He gets out, gets a bucket of soap and water, and proceeds to lather the plane “with great care, even affection” (105). He washes every part of the aircraft. As he does so, he names each of its parts aloud. It makes Zits think of how, when he was a baby, his mother washed him in a small tub and named each of his parts as she bathed him.

Jimmy thinks again of Abbad. He remembers how Abbad made fun of him for spending all of his time with his airplane when he had “a beautiful wife at home” (105). Jimmy replied that his plane was “more dependable” (105). The memory fades away and Jimmy is alone again until a real person appears “in a nearby doorway” (106). It’s a very pretty and voluptuous young woman wearing “a T-shirt and blue jeans” (106). Zits hopes that this is Jimmy’s wife. Her name is Helda, which Zits thinks is a name only “cruel and cold” parents could have given her (106). She asks Jimmy how his flight went. He says that it was great and invites her to go up with him one day. She refuses, telling him that he knows how much she hates to fly. She then asks if he’s hungry; he agrees that he can work up an appetite.

When Jimmy walks into his office, he sees that Helda has set up a picnic on the floor. She’s prepared fried chicken, bread, fruit, and wine. Zits wonders if their marriage is shaky, which might explain the romantic gesture. He can feels that Jimmy “is touched by this” gesture (107). Jimmy bites into a dry chicken leg. Zits thinks that Helda “isn’t much of a cook,” but her effort is still praiseworthy (107).

Helda turns on a CD player and starts dancing for Jimmy, much to his surprise. As Zits wonders if Helda will begin to strip, he hears “a choked sob” (107). He turns around in Jimmy’s body and sees another woman, this one “older, gray-haired, a little bit pretty and a little bit chubby” standing in the doorway (107). Her eyes are wide and she covers her mouth before it can release another sob. She then turns and runs off. Helda asks who she was. Jimmy announces the departed woman is his wife.

Chapter 14 Summary

Zits figures that Jimmy “is a dirty liar and a cheat,” just like his father (108). He figures that falling into the body of a man similar to his father “is another kind of justice” (108). Jimmy tells Helda that, in the 12 years that he’s been a pilot, that was the first time his wife ever visited the hangar. Helda asks what they should do. When Jimmy looks at Helda, Zits can feel that he doesn’t love her and is even irritated with her. Jimmy tells her that he’s going to go find his wife, whom he loves. Helda begins to cry. Zits feels disgusted with Jimmy for making “two women weep and wail in two minutes” (108). He hopes that he never loves anyone as much as these two women love Jimmy, because most people are like him and will only “use your love” and “take advantage of you” (110). Helda continues to cry as Jimmy “jumps into a big pickup truck and drives off” (110).

As Jimmy drives, he thinks about infidelity and betrayal. He thinks of how fathers abandon their children and how people go to war against each other. Zits then thinks about how “[he] betrayed those people in the bank” (110). He wants to cry, but he can only make Jimmy cry for him. Jimmy’s eyes, however, are filled with his own tears, summoned from hurt over his own situation. He’s crying not only about his wife but about Abbad, who was a refugee. Jimmy thinks that he’s now “turned his wife into a refugee” by destroying his home (111).

When he arrives at his house, he sees his wife tossing his belongings out onto the lawn. He remains in his truck and watches as his “magazines and books and CDs and DVDs and trophies” fly onto the lawn (111). His wife also tosses out “plastic airplanes, toy airplanes, model airplanes, remote control airplanes,” which “crash onto the lawn” as well as into the driveway, “the apple tree in the front yard,” and the driveway (111). Jimmy watches and does nothing because he knows that he deserves this destruction. Finally, his wife pulls off her wedding ring and tosses that, too, into the street. With that act, she collapses onto her knees, weeping.

Alas, Jimmy emerges from his truck and says her name: Linda. She doesn’t respond. When he says her name for the third time, she asks him, without looking up at him, how long he’s been having an affair. He estimates that it’s been a year or 13 months. She asks Jimmy if he loves Helda; he says he doesn’t. Linda then asks her husband if he’s ever brought Helda into their bed. He lies at first, saying that he hasn’t; she sees through his lie, which prompts him to confess that he has. Linda rises, pulls a pistol out of her coat, and aims at Jimmy.

Chapter 15 Summary

Jimmy stands before his wife, wanting her to pull the trigger of her pistol. Linda pulls it. The gun clicks. Jimmy doesn’t move or express fear. Linda admits that she removed all the bullets. She only wanted to frighten her husband. Instead, Jimmy’s only disappointed that he isn’t going to face some kind of punishment for all that he’s done. When his wife asks why he’s merely standing there, silent, he finally says that he wishes that she had loaded the gun. She expresses pity for her husband, declaring him “sad,” and says that she’s going to stay at her mother’s house (113). In the meantime, Jimmy should clear his things out of the house. She doesn’t ever want to see him again. He agrees and she drives off in her own car.

When Jimmy is alone again, he looks at his things strewn across the lawn. Some of his neighbors are watching the scene; he starts to clean up. He carries “a broken model plane, a DC-10,” inside his house and “sits in his chair in the living room” (115). He stares at the television screen, which is turned off. He replays a memory onto the screen. The memory is of a video of Abbad, “shouting in a foreign language” (115). He thinks of another video, “shot from a boat in the harbor, of a passenger airplane falling from the sky into downtown Chicago” (115). This video is followed by “a photograph of Abbad, his wife, and his baby” (115). Sometime after boarding the plane, Abbad overtook it and crashed it.

Reporters came to Jimmy’s house, asking him what he could tell them about Abbad. Jimmy could neither answer nor wanted to answer. They asked him how it felt to know that he had trained a man who used that training to kill what turned out to be dozens of people. Jimmy felt guilty, though he hadn’t harmed anyone. He still feels guilty and at fault for trusting Abbad.

Jimmy runs outside to his truck, jumps in, and drives back to the airport. Helda is no longer there. He has the awareness now of being completely alone. He starts his plane, taxis, then takes off. He imagines Abbad again. He thinks of the moment that he allowed his old friend and student to take control of the plane for the first time. Abbad didn’t feel ready, but Jimmy assured him that he wasn’t alone. Abbad reached for the controls and screamed in excitement that he was flying the plane. He had a rough time landing, but Jimmy reassured him that it’s always hard to land the first time. They went out afterwards, got drunk, talked for hours, then returned to the hangar. They both collapsed on the floor. Jimmy reached out for Abbad’s hand and declared the man his best friend. Abbad called Jimmy his “brother” (118).

Jimmy feels himself alone in his plane again. He flies out over a large lake. He waits until he sees nothing but blue above and below him. He then “pushes down on the controls and sends the plane plummeting toward the water” (118). Zits is in Jimmy’s body and “[thinks] about all the people [he] loved” as well as those whom he betrayed and those who betrayed him (118). He shuts his eyes and says a prayer, but Jimmy stays quiet “all the way down” (118).

Chapters 13-15 Analysis

In Jimmy’s body, Zits explores his feelings about betrayal. His fear of flight is likely rooted in worries over loss of control and the necessity of trusting someone else with his life when flying. Jimmy and Abbad, however, were able to establish that trust. They also developed a fraternal relationship that mirrors those between Zits and Justice, and Art and Hank. In all three instances, the pairs trust each other with their lives and receive some form of emotional sustenance they cannot acquire on their own or with women. Zits relies on Justice’s validation of him, due to his perception that Justice is smarter and better-looking because he’s white and has clear skin. Art relies on Hank for a sense of family. Alexie demonstrates, too, how Hank’s relationship with his wife is not his primary one. She’s merely a beautiful prop who exists to validate his virility—the mother of his children who depends on his role as a protector and provider. Art, on the other hand, is the one to whom Hank must declare a willingness to kill and, if the occasion arises, a willingess to be killed.

Similarly, Abbad relies on Jimmy for a sense of legitimacy, while Jimmy relies on Abbad to assuage his inexplicable loneliness. Jimmy and Abbad also bond over their sexism. Unable to regard the women in their lives as anything more than sources of obligation and sexual fulfillment, they can only envision friendship with other men.

Zits perceives that his experience in Jimmy’s body gives him a sense of what it’s like to be a dishonorable man who emotionally abuses others, as his father did. He uses the experience to distance himself from Jimmy and to declare himself antithesis in character. What Zits doesn’t realize is that the experience is also a warning of what kind of man he can become if he continues to numb himself to feeling. Jimmy’s inability to allow himself to grieve for Abbad is yet another form of masculine posturing. It’s similar to Art’s insistence that Hank embrace violence to prove himself strong and loyal, akin to the warrior’s stance that his son take violent revenge against the young man who stole his voice. Instead of confronting his feelings of guilt and loss, Jimmy distracts himself with an affair and, ultimately, commits suicide, choosing to become altogether devoid of feeling rather than giving in to his vulnerability and pain.

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