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81 pages 2 hours read

Sherman Alexie

Flight: A Novel

Fiction | Novel | Adult | Published in 2007

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Chapters 16-18Chapter Summaries & Analyses

Chapter 16 Summary

When Zits opens his eyes again, he’s looking at a rat and the rat is looking at him. It’s “a huge wharf rat, two feet long with intelligent eyes” (119). Zits wonders if he, too, is a rat now. He worries that this wharf rat has come to mate with him. He “[rolls] through rotten food and dog shit and rank water and moldy newspaper” (120). The rat remains in place, staring at him. He curses at the rat, then “projectile [vomits]” (120). The vomit scares the rat away; he thought that the rat would stay and eat his vomit. The image causes him to throw up again. There’s blood in his vomit. He wonders if he’s dying, which is possible because Zits knows that he’s entered the body of “a street drunk” (120).

He hears someone yell at him. It’s a concerned young man. He and his female companion are tourists—“[p]retty white people” (121). The young man asks if he’s okay. Zits says that he’s drunk and asks them questions about himself. He wonders if he’s young or old. They glance at each other, chuckle, and say that he looks to be about 50. He then asks them if he’s white; they declare him to be an Indian, which they assume based on his braids and T-shirt featuring the black-and-white image of “the Apache warrior Geronimo and the ironed-on caption ‘Fighting Terrorism Since 1492’” (121).

The young man and woman introduce themselves as Paul and Pam. The cuteness of their alliterative names makes Zits laugh. He asks them where he is—Tacoma, Paul says. When he asks them what year it is, Paul says that he’s “way drunk,” but tells him that it’s 2007 (122).

The drunk asks the young couple to help him up and they oblige. When he gets to his feet, he feels dizzy and vomits again. The vomit is filled with more blood. Pam asks Paul to call 911. Paul tells them that an ambulance is on its way, but the drunk doesn’t want help and begins to “shamble” away (122). Pam and Paul call after him and he hears the concern in their voices. Still, he figures that, when they return to wherever they’ve come from, they’ll just turn him into an anecdote that they’ll share at dinner parties. In their story, they’ll probably embellish and make themselves look like saviors.

The drunken man begins to hate the couple and decides to hurt them. He swirls around, points a finger at them, and says that it’s their fault—and the fault of all white people—that’s he’s the way that he is. He curses them and their whiteness. Pam begs him to wait for the ambulance. He asks if she told the operator that he was homeless and Indian. She says that she did. He tells her that they won’t come because he’s “way down on their priority list” (124).

Pam tells the drunk that he’s important to them. He laughs, though he believes that she means what she says, which causes him to hate her even more. To hurt her, he asks if she wants to “fuck [him]” (124). She responds with surprise, and he repeats the question. Paul’s eyes flash with anger and his fists go up. The drunk is excited by the prospect of the young man wanting to fight him. Instead, Paul prompts Pam to leave. The drunk continues to prod them, looking for a fight, repeating that Pam probably wants to “fuck [him]” (125). When Paul takes a step toward him, Pam grabs his arm and assures Paul that the strange homeless man doesn’t know what he’s saying. Still, Paul wants to protect her honor. The drunk hates him for having so much respect for her. For his final insult, he asks if Pam “[likes] it in the ass” (125). This time, Pam can’t stop Paul, who rushes toward the drunk and “punches [him] in the face” (125).

Chapter 17 Summary

Still in the body of the drunk, Zits “[shambles] through an alley” with “blood filling [his] mouth and nose” (126). He suspects that Paul broke his jaw. No one looks at him as he staggers along. Zits knows that “[t]here are other beaten and bloody Indians in this alley” (126). He doesn’t remember how he got into this alley, with dumpsters and garbage cans “filled with expired food and half-eaten meals” (126). He figures that this alley is between restaurants. Zits decides to wash his face and find some clean clothes.

When he emerges, people avoid him and one woman shrieks at the sight of him. He says that he wants some respect, but no one hears him, so he repeats himself louder this time. An older man in “a cheap three-button suit with better shoes” passes him, “[talking] loudly into a Bluetooth earpiece” (128). The drunk tells the man he wants respect. The man ends his phone call and hands Zits some cash, which he refuses, asking again for respect. The man laughs, turns, and walks away. Zits grabs the man’s shoulder, but the guy twists his wrist and pins him to a brick wall, warning the drunk not to touch him. Zits laughs, wondering aloud how many white men are going to beat him up today. The stranger asks if the drunk is going “to act like a gentleman,” but he continues to demand respect (129).

Zits is not clear about what he personally wants. He’s also unclear about what respect would look like. So, when the stranger asks how he can show the homeless drunk respect, Zits asks him to tell him a story' moreover, he wants to hear a personal story. The stranger relents, announcing that he has a story about a bird. He tells Zits that his seven-year old daughter, Jill, wanted a pet. He went to the pet store and bought her a parakeet, after having asked the clerk which animal would defecate the least. After he took home the bird—which defecated plenty—he realized the error in his choice.

Still, his daughter and wife loved the bird, who Jill named Harry Potter. She and her mother even taught Harry Potter how to say things to make fun of him, including insults to his cooking. One day, while he was boiling a pot of water for pasta, his daughter’s favorite meal, the parakeet—whose wings were clipped—jumped off of his shoulder and into the boiling water. The man scooped the bird out with a spoon. His daughter began screaming and his wife called an “all-night emergency vet,” which he never knew existed (133).

The drunk interrupts the story to ask if an ambulance was sent. The stranger irritably dismisses the question, telling him that he knows very well that no ambulance was sent for a bird. Instead, the office told them to get the parakeet to the ER as soon as possible. They piled into the family car and drove over. The wife had wrapped the bird in a towel. When they arrived at the hospital, the doctors took the bird into “the back room” while they remained in the waiting room (133). Now, both his daughter and his wife were crying. He, too, was crying—“bawling like a baby” (133). Then, as though they were in a movie, the ER doctor emerged and told them that “the bird was in critical condition and might not make it through the night” (133). They asked if they can seek him. The doctor led them into the ICU, where they saw the bird “hooked up to this tiny little oxygen machine” (133).

The thought of a tiny bird with a “little oxygen tube” in its throat makes the drunk laugh (133). He apologizes, but the stranger acknowledges that it’s both “funny” and “horrible” (133). In fact, when he saw the bird hooked up to the machines, he, too, laughed—to the consternation of his wife and daughter. They looked at him with shame and disappointment, particularly little Jill who seemed to feel that her father had “turned her love and pain into a big fucking laugh” (134). The man begins to cry as he describes how his wife and daughter soon left him and went to his mother-in-law’s house. They have cut off contact with him.

The homeless drunk asks what happened to the bird. Annoyed by the question, the stranger tells him that it died. He asks if the drunk feels respected now; he says that he does. The man asks if he can go. The drunk relents, but asks to see a picture of Jill. The stranger opens his wallet and shows him “a school photo of a pretty little blonde with missing teeth” (134). The drunk compliments the girl and says that, eventually, she’ll forgive the man. He asks the drunk if he has any kids. Zits feels surprised by the question. He doesn’t know if this body has children. Still, he’s compelled to dig into his pockets for a wallet. He finds “a mess of cards, photos, and receipts fastened with a rubber band” (135). He pulls off the rubber band and “[sorts] through the mess” until he finds “a familiar photo” (135). He examines the face of the boy in the photo. The stranger asks if that’s his son, but Zits says that it’s him. The man is confused, but has to leave for work. After the man departs, Zits stares at the photo. It’s him, as a five-year old. He realizes, finally, that the drunk is his father.

Chapter 18 Summary

Zits feels ashamed to know that he’s entered his father’s body and thinks that, if he had a weapon, he would kill himself. He goes somewhere to look at his image in a mirror. It is, indeed, his father’s face. He asks the reflection why he left and why he has a photo of him from when he was five. He can feel his father’s body fighting him, not wanting to remember the day that he left his son. Zits is determined to force him to remember. He “[pushes] against his father’s mind and soul” and “[rampages] into his memory” (136).

He finds the memory of his birth. His father is not in the hospital room with his mother, but outside. A nurse passes by and asks if she can help him. He tells her that his wife is giving birth in Room 812. The nurse wonders why he’s outside, but only assures him that everything will be fine. In the midst of her speech about the competence of the medical professionals at the hospital, Zits’ father covers her mouth with his hand. She’s surprised by this gesture. He apologizes for “[violating] her boundaries,” but tells her that he can’t handle anyone saying anything to him now (138). He asks her to leave him and she does.

Zits sees the nurse praying for his father to overcome his weakness. His father, however, doesn’t feel her prayers, only “a sharp pain in his chest” (138). He thinks back to his own childhood, when he was eight, and his father came into his room drunk, for no other purpose than to rebuke him while he lay awake in bed. Zits’ grandfather berates his father for not being a good enough hunter, for being “a pussy boy,” and for being worthless (139). Zits’ grandfather demands that the little boy repeat that he “ain’t worth shit” and the boy obeys, screaming that he “ain’t worth shit” (139).

Zits sees his father “pacing in the hospital hallway” (140). He stops, resolved about what he must do: He’ll leave because he cannot become a father. He runs away. Strangely, he closes his eyes while he runs, and Zits closes his eyes, too.

Chapters 16-18 Analysis

In this section, Zits becomes the person whom he loathes, resents, and misses the most—his father. Though this experience comes later in the novel, it is the climax of the story because it forces Zits to come into contact with his suppressed fears about what kind of person he can become if he perpetuates his attitude of indifference—that is, irresponsible, unloving, and socially outcast. There is, indeed, a difference between fraternizing with homeless, alcoholic Native Americans when he is between foster homes, and actually becoming one—as his own father did.

The confrontation with the rat in the alley foreshadows Zits’ realization that he has become his father. The rat is a creature symbolic of a debased existence rooted in mere survival—not too dissimilar from the life that a homeless alcoholic might lead. This experience also parallels his earlier one of living in an abandoned building by the waterfront with Justice—hence, the specificity of becoming a wharf rat.

Unlike Zits’ previous teleportations, Alexie initially avoids any explicit description of this character’s physical appearance. Instead, we learn his racial identity through the eyes of the white tourists. They are too politically correct to mention any phenotypical trait. Instead, they claim to know the racial identity of Zits’ father based on his shirt, inadvertently tying his identity to commerce. This encounter subtly alludes to early encounters between indigenous peoples and Europeans from the Age of Exploration to the 19th century, which were based in commercialism. The shirt’s caption, “Fighting Terrorism Since 1492,” further captures the point. The assignation of identity based on a shirt also signals the arbitrary ways in which people assign social membership based on superficial characteristics.

Similarly, Zits’ father is annoyed by the white couple based on what they superficially present—marital happiness, harmony, and enough success to have the means to travel. The fact that they are white, attractive, and have alliterative first names exacerbate his sense of being ill-suited to a country that is supposed to belong to him. He articulates his knowledge of his oppression by telling them that the ambulance will never come for him and becomes irritated with their obliviousness to institutional oppression and the historical circumstances that he believes led to his degeneracy. Inevitably, he becomes belligerent with the couple because his anger has no other outlet.

Aside from getting a look at his father’s life of depravity, Zits also sees how his father’s feeling of inadequacy, rooted in his own childhood abuse, led to his refusal to accept the responsibility of being a father. Zits learns the difficulties that some men feel in measuring up to the paternal role. Though he doesn’t forgive his father for abandoning him, Zits comes closer to understanding how his father could do something that most would judge as unforgivable.

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