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44 pages 1 hour read

Anne Morrow Lindbergh

Gift From The Sea

Nonfiction | Autobiography / Memoir | Adult | Published in 1955

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Chapter 8-PostscriptChapter Summaries & Analyses

Chapter 8 “The Beach at My Back” Summary

Picking up her sisal bag and walking over the sand of the beach in her bare feet, Lindbergh ponders a remaining and pressing question for her project of self-exploration and discovery. Namely, to what extent is “the search for outward simplicity, for inner integrity” (139) a partial perspective that does not take account of broader political and ethical concerns? Does the pursuit of inner peace, she asks, cause people to neglect the suffering of others in the rest of the world? In one sense, says Lindbergh, this is a very modern problem. Modern communication and the increasing interconnectedness of the world mean that “we are asked to feel compassionately for everyone in the world” (139). Newspapers, radio, and television all continually provide up-to-date information on events as far away as Asia, Africa, and the Middle East.

However, argues Lindbergh, people cannot respond to all this information or act on all the feelings of compassion they have for everyone they know to be suffering. There are simply too many people in need and too few resources. Thus, Lindbergh suggests, people should not break themselves by trying to complete an impossible task, nor should they despair of the fact that helping everyone is beyond the scope of their powers. Rather, they should acknowledge limitations and focus first on recovering and developing the inner self. This will better position them to assess and deal with the ethical demands the world places on them.

Postscript "Gift from the Sea Re-Opened" Summary

In Lindbergh’s postscript to Gift from the Sea, written 20 years after its original publication, she expresses astonishment that the book continues to be read and reflects on this fact. Since the 1950s, huge strides forward have been made in technology and science: “We have watched a man walk on the moon” (150) and witnessed political upheaval. Yet the work retains its relevance. Lindbergh also talks about her own life in the intervening years. When she wrote the book, she says, she was still at the “oyster bed” stage of development. In the years that followed, she experienced what she calls “the abandoned shell” (151) as her children all left home. The “abandoned shell” can be seen as a transitional stage between the “oyster bed” and “argonauta” stages of development. It is not mentioned explicitly in the original text but is both painful and necessary. Finally, Lindbergh reflects on the new generation of women who were brought up after the book’s publication. She is hopeful on this score, claiming that with this new generation there is a “new consciousness and questioning” (154) and a greater willingness to talk openly about the challenges facing women.

Chapter 8 “The Beach at My Back” and Postscript Analysis

Many people consider what Lindbergh calls “planetal awareness” (140), a concern for the problems of the world, a marker of ethical and spiritual virtue. For instance, there is a common belief that one should care about foreign famines and wars and act to help the victims of these disasters. Likewise, society might question someone who had no interest in the “long, divisive and conscience-searing war” (150) in Vietnam or was not affected by the horror seen there. Yet, for Lindbergh, this assumption of virtue is problematic. Although it seems that one should care about global issues and that doing so is constitutive of a well-adjusted person, concern with global affairs can, she suggests, become a form of escape. It can become a way of evading a deeper and more immediate spiritual responsibility to both the present moment and toward oneself.

The problem does not lie with compassion itself. It is natural, and to some degree inevitable, to feel compassion upon becoming aware of other people's suffering. Nor is there anything wrong with the instinct of wanting to help alleviate that suffering. Rather, Lindbergh posits that the problem comes from the fact that since most people cannot, in practice, do anything about the vast majority of global suffering, they are pushed into a “compromise” (141). As they cannot help the innumerable individuals who need assistance, they “simplify the many into an abstraction called the mass” (141). Similarly, since people cannot cope with the immense complexity and challenge of the present, they consolidate their temporal concern with the world into “a simplified dream of the future” (141).

People, thus, slough off their initially legitimate concern for individuals and the present into the abstract pursuit of a vaguely defined better future for everyone. Lindbergh attempts to draw attention to this point by highlighting tragedy and suffering in her own life. As she explains, her husband’s death occurred when they had just entered the “argonauta” stage of their relationship, two decades after she left Captiva Island. Thus, with this individual anecdote, Lindbergh encourages the reader to focus on the immediate and the personal before taking on the problems of the world.

Lindbergh also argues that this process of abstraction from the personal and the present allows people to feel that they are doing something about the world and being ethical. But this abstract pseudo-compassion becomes a constant distraction. As Lindbergh says, “Because we cannot solve our own problems right here at home, we talk about problems out there in the world” (141), using a concern for the future of the masses to evade the challenging questions of existence in the here and now. Worse, people may claim that the problems of the individual—their own problems—can be resolved only at that indeterminate future point when the world’s problems are solved. This, argues Lindbergh, addresses the issue in the wrong way.

People will not, she suggests, save themselves by first saving the world and the future. Rather they will save the world and the future by redeeming themselves and the sanctity of the present. The latter can be achieved only after one realizes that the wisdom found in Gift from the Sea “is only a beginning” (144). In keeping with its mission as inspirational literature, the text encourages readers to explore new beaches for themselves. In other words, the author advises taking her experiences and words as signposts to something of one's own, not as destinations. Thus, Gift from the Sea attempts to inspire a true return to the personal as a response to the modern tendency toward abstraction away from the self.

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