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110 pages 3 hours read

Silvia Moreno-Garcia

Gods of Jade and Shadow

Fiction | Novel | Adult | Published in 2019

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Character Analysis

Casiopea Tun

Casiopea Tun is the protagonist of Gods of Jade and Shadow. She is named after the constellation, which is named for the beautiful queen Cassiopeia in Greek myth. Casiopea does not believe she is attractive because she has dark skin and hair, features that colonialism and white supremacy have deemed unattractive because they represent Indigenous, rather than European, heritage. She is, in fact, beautiful, as Hun-Kamé tells her throughout the novel. Distancing herself from her family gives her she confidence, and she realizes she no longer bound to society’s exclusionary norms. Though the narrative establishes Casiopea’s beauty, her courage and willingness to venture into the unknown define her as a heroine. These characteristics develop over the course of the narrative through her willingness to sacrifice herself for Hun-Kamé and her ultimate decision to forgive Martín.

Gods of Jade and Shadow follows a traditional fairy-tale structure, but Casiopea challenges the genre’s female archetype in several ways. She has a Cinderella-like rags-to-riches story, but rather than marrying a prince and gaining royalty and jewels, her happily-ever-after is freedom. Whereas fairy tales reward their heroines for their meekness and ability to endure injustice, Moreno-Garcia’s novel makes Casiopea’s anger her source of strength. The narrative describes Casiopea as “[q]uiet and defiant at the same time” (30), but she uses her voice to stand up for herself. Unlike a traditional fairy-tale heroine, she voices her displeasure at Hun-Kamé’s expectation that she will make all the sacrifices on their journey.

Opening the forbidden chest is a direct reference to the Greek Pandora myth; it also echoes the biblical Adam and Eve creation story. Like Pandora and Eve, Casiopea gains forbidden knowledge by defying a powerful patriarch. Her curiosity brings evil into the world, but unlike the mythical heroines, she uses the same traits that led her to break the taboo—courage, curiosity, and defiance—to rectify the damage her action caused. The bone shard embedded in her finger gives Casiopea godly power (the finger prick references Princess Aurora in Sleeping Beauty, who pricks her finger while spinning flax and activates Maleficent’s curse). Though Casiopea does not become a god, her courage, curiosity, and defiance catalyze the story and make her indispensable to Hun-Kamé's quest. Her final sacrifice does not elevate him but restores balance in the universe, something neither Hun-Kamé nor Vucub-Kamé can achieve on his own. Unlike the stories of Pandora and Eve, the novel does not punish Casiopea for her transgression. She returns to the earthly realm, and her strength and self-determination help Martín, her former oppressor, live a more authentic life.

Hun-Kamé

Hun-Kamé is the Lord of Xibalba, the kingdom of the Underworld. In the fairy-tale framework, he is the archetypal handsome prince with “beauty sketched from smoke and dreams” (22). His fatal flaw is his arrogance born of immortality and inherited power. As the Lord of Death, he was never questioned and expected deference at all times. Vucub-Kamé’s betrayal was the first time Hun-Kamé experienced defiance against his rule, and as a god, the only path he knows is of regaining power and punishing Vucub-Kamé. Only with the humanity provided through his connection with Casiopea can he gain perspective on his power lust and save himself, Xibalba, and his brother. If Hun-Kamé had punished Vucub-Kamé for his betrayal, Vucub-Kamé could have found a way to betray Hun-Kamé again continuing a violent cycle that could lead to the gods’ extinction. Casiopea’s humanity and his awakened love help Hun-Kamé forgive his brother forever change the character of Xibalba. Instead of taking Casiopea as a prize like a traditional fairy-tale prince, Hun-Kamé maintains his freedom, keeping his love for Casiopea in his eyes. Unlike the traditional fairy-tale hero, he does not save Casiopea; she frees him from his enchanted confinement, and together they help defeat Vucub-Kamé. These departures from the traditional fairy tale show that myths need not operate within patriarchal narrative boundaries to produce exciting, epic stories and that good and evil are nuanced rather than binary concepts.

Vucub-Kamé

Vucub-Kamé is the antagonist of Gods of Jade and Shadow. He thinks of himself as “a selfish creature, prone to nursing grievances” (49). These characteristics establish the backstory of Gods of Jade and Shadow: Vucub-Kamé’s entrapment of Hun-Kamé—using Martín as bait—creates the situation from which Casiopea rescues him. In addition to playing the role of a fairy-tale villain, Vucub-Kamé is Hun-Kamé’s narrative double. As twins, they already represent two sides of the same person. Symbolically, they represent two different ways of dealing with society’s changes. While Hun-Kamé understands the evolving nature of human religion, Vucub-Kamé wants to return to the old ways that involve brutality and human sacrifice. Humanity’s fate does not matter as long as it helps him regain his power.

Rather than casting Vucub-Kamé as a one-dimensional villain, the novel reveals that Hun-Kamé's inability to share power drove Vucub-Kamé to seek other means of survival. The novel does not excuse Vucub-Kamé’s actions, but it puts them in perspective. Hun-Kamé’s forgiveness allows Vucub-Kamé to grow, and the brothers’ union rather than their division strengthens Xibalba as a result.

Martín Leyva

Martín is Casiopea’s cousin and represents the patriarchal system under which Casiopea and her mother suffer. At the beginning of the story, Martín is the primary antagonist for Casiopea. He is physically imposing and the threat of violence to make Casiopea afraid. Martín shows the power men have traditionally held over women in Mexican family and society. The people of Martín’s small hometown respect him because of his grandfather’s status: Martín does not earn anyone’s respect on his own. Casiopea is smarter and more skilled than Martín, but Martín holds power over her because of his masculinity. Once Martín leaves his town and family, he realizes what little power he has. Without the structures that elevate him, he is insignificant. This revelation and the power which Vucub-Kamé holds over him are the catalysts for his transformation. By the end of the novel, Martín has reassessed his self-concept. The race on the Black Road has taught him humility, and he realizes that does not have Casiopea’s strength or courage. It is not specified what happens at the end of the novel, but it is likely that Martín will embark on a journey of self-discovery.

Loray

Loray is a demon with eyes that are “an impossible shade of green” (35). He resides in a mansion in Mérida, and he takes the appearance of a polished member of the upper class, which makes his eyes the only marker of his supernatural existence. Loray symbolizes the power of self-interest. He believes Hun-Kamé has the ability to emerge victorious over Vucub-Kamé and so chooses to help him, but he also prepares for the possibility of Vucub-Kamé’s victory. He advises Casiopea do the same and tells her that cutting off her hand to kill Hun-Kamé would endear her to Vucub-Kamé. As a demon, Loray has no problem with such sudden switches of allegiance, making him morally ambiguous. His moral ambiguity brings Casiopea’s strong moral compass into stark clarity. Even when she does not know Hun-Kamé, she is unwilling to entertain Loray’s suggestion because betraying Hun-Kamé feels wrong, and Casiopea strives to do the right thing.

Xtabay

Xtabay is a figure from Mayan mythology. In the myths, she is a demon who lives in the forest and takes the form of a beautiful woman in order to seduce men. She left her forest home on Vucub-Kamé’s behest to guard one of Hun-Kamé’s pieces. She dislikes being so far from her home, which shows how Moreno-Garcia updated the myth to fit the book. Xtabay remembers her woods and life of seduction fondly, but by contrast, she has forgotten her mortal beginnings like “the imprint of a shell in the sand long erased” (168). Her selective memory symbolizes how we keep the parts of us we most wish to cultivate and let the rest fall aside to be eroded by time.

Cirilo Leyva

Cirilo Leyva is Casiopea’s grandfather and a secondary antagonist of Gods of Jade and Shadow. According to Casiopea, he is a cruel man who has “more poison in his shriveled body than was in the stinger of a white scorpion” (3). Cirilo’s unkind treatment of others stems from his own feelings of inadequacy. Like Martín, he is of average talent and intelligence, and he builds himself up by pushing others he deems less than himself, like Casiopea, down. Cirilo’s willingness to help Vucub-Kamé destroy Hun-Kamé shows how desperation will drive people to do anything Cirilo wanted a better life, and when Vucub-Kamé offered that life in exchange for help, Cirilo did the god’s bidding without question.

Aníbal Zavala

Aníbal Zavala is a sorcerer who aids Vucub-Kamé with his plan to take over Xibalba. Zavala symbolizes the power of loyalty and of false information. Vucub-Kamé wants power for himself and has convinced Zavala that such power is what the world needs. Zavala is willing to assist Vucub-Kamé in his takeover, even if the result brings back brutal practices and halts centuries of progress. The consequences don’t matter to Zavala because he is completely enthralled by Vucub-Kamé’s desires, and Zavala believes the takeover can only benefit him, either not knowing or caring how it could harm him.

Casiopea’s Parents

Casiopea’s father died before the opening of Gods of Jade and Shadow, and her mother appears only once in an early chapter. Together, they represent the person Casiopea has grown to become and are the influence on the choices she makes. Casiopea romanticizes her father in the words of old poems. To her, he is a symbol of defiance because her mother chose to marry him even after Cirilo expressed his displeasure. In the early chapters of the novel, Casiopea’s mother is beaten down by the circumstance of being little more than a maid in her father’s home. Casiopea strives to be more like the romanticized version of her father and less like the mother she sees daily. As a result, she is willing to do whatever it takes to earn her freedom, which is why she gives little thought to leaving home with Hun-Kamé.

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