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19 pages 38 minutes read

Natasha Trethewey

Graveyard Blues

Fiction | Poem | Adult | Published in 2006

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Background

Literary Context

“Graveyard Blues” is written in the literary context of the elegy, which is a melancholy poem that laments the death of someone, but which ends in a consolation to the reader. “Graveyard Blues” follows this form and carries these characteristics. A slow-moving poem built on tones and moods of sadness, the poem is told largely in retrospection, in which the speaker remembers their mother’s burial. Moments of melancholy are invoked with phrases like “It rained” (Line 1) and lines like “The suck of mud at our feet was a hollow sound” (Line 3). These phrases set the scene as dark and full of sadness.

The elegy, which typically reflects a death or a loss, is a very popular form throughout literature and poetry and it takes many forms. “Michiko Dead” by Jack Gilbert is another contemporary take on the elegy. Like “Graveyard Blues,” “Michiko Dead” is told in the aftermath of a loved one who has died–in this case a partner. However, unlike “Graveyard Blues,” “Michiko Dead” does not follow a narrative, but instead follows a metaphor of a man carrying a heavy, unwieldy box–a box which symbolizes his grief. In both poems, however, grief is strikingly present. Another contemporary example of elegy is Mary Jo Bang’s “You Were You Are Elegy.” This poem serves as a contrast to “Graveyard Blues.” While “Graveyard Blues” is written in formal and structural restraint, “You Were You Are Elegy” is a free verse poem spoken in the voice of a speaker almost spilling over with love and grief. The contemporary elegy does not follow any set parameters other than being a poem about death.

Historical Context

“Graveyard Blues” is characteristic of the subject matter Trethewey is drawn to writing about: Family history and historical moments from the past. Death is forefront in the poem, specifically the speaker’s mother’s death. When Trethewey was 19, her mother was murdered by her stepfather with a gun. Even though Trethewey has stated that she attempted to leave this past behind, it continued to haunt her until she confronted it.

 “Graveyard Blues” is a poem written in the wake of her mother’s tragic and unexpected death. Knowing this, many lines become clearer and more understandable. For example, the feeling of time pressing on despite this loss, “Though we slow down, time’s wheel still rolls,” (Line 12), and the speaker’s inability to accept what has happened, “I wander now among names of the dead,” (Line 13), reflect the effects of grief from the poet’s own experience. The poem reflects the complex feelings of regret, confusion, and loss that emerge with such a tragic loss, and Trethewey explores them through the repetition and tone in “Graveyard Blues.”

Trethewey not only devoted a poem to her mother’s death, but an entire collection. Native Guard, published in 2006, and winner of the Pulitzer Prize, uses elegiac verse to honor her mother through many of the poems. As a young woman of only 19, her mother’s death shaped Trethewey significantly. She wrote many poems tied to the incident, including one titled “Letter to Inmate #271847 Convicted of Murder, 1985,” which was written following her stepfather’s release from prison.

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