60 pages • 2 hours read
Leigh BardugoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Alex wakes up in the Il Bastone parlor and finds Dawes’s note, which mentions unwelcome news and a call needed later. When she contacts Dawes, she learns they need four murderers for the Gauntlet ritual and that they might not return. They agree to meet at the library. Returning to her dorm, Alex finds Michelle Alameddine, Darlington’s mentor, waiting. Michelle warns Alex about the afterlife and recommends reading Kittscher’s Daemonologie. Michelle reveals she knows the snares and entrapments that can take place in the realm of the dead because she narrowly escaped after a suicide attempt. When Mercy asks what happened, Alex finally confides in her about the secret societies, Darlington, and the past year’s events. Mercy opens up about her feelings regarding her friend Blake’s death and her struggles with anger and guilt. Alex reassures her, expressing similar feelings and validating their emotions.
Mercy questions Alex about magic and Lethe. Later, Alex meets with Dawes, who is exhausted from researching the Gauntlet. Dawes considers stopping due to limited records, but Alex insists they must continue. Exploring Sterling Library, they find clues related to the Gauntlet’s path, mentioning Jost Amman, linked to Darlington’s “just a man” comment. They hit a dead end, failing to complete the required circuit for the ritual. Alex gets a call from Turner about another murder at Morse College. Before leaving, Dawes suggests Lethe might have built the Gauntlet but kept it hidden, and Alex wonders why there is no record of it.
Alex arrives at the scene of a second murder, this time of Dean Beekman. They examine the body and find that his neck is broken. The message on his desk, “Bewray not him that wandereth” (124), completes the biblical quote they discovered with Professor Stephen. Alex and Turner discuss the theatricality of leaving biblical quotes behind as clues. They wonder if someone is playing a game with them. They recognize the strange nature of these murders and acknowledge that magic blurs moral boundaries. Alex asks Turner if he has ever killed someone, implying she might want to involve him as one of the “murderers” for the Gauntlet ritual.
Turner agrees to meet Alex the following day, and they drive to Black Elm. Upon arriving at the house, they are greeted by Dawes, who expresses concern that Turner might report their activities. Alex insists that they need Turner’s help. Inside, Turner is shocked by the sight of a transformed Darlington and demands answers. Alex explains that he is trapped, and they need Turner’s assistance to free him. He initially refuses to get involved, but when Darlington recites the same biblical quote from the crime scenes, Turner gets frustrated. Downstairs, the doorbell rings, and Dawes checks the cameras to find Darlington’s parents at the door.
Turner and Dawes leave Alex to handle Darlington’s parents, Daniel and Harper Arlington. She seeks out the Gray of Darlington’s grandfather, who resides in Black Elm, to use his memories. They reveal the complexities of the Arlington family, including strained relationships, secrets, and regrets.
The Arlingtons insist on seeing their son, unaware of his condition. Alex poses as a house-sitter and tells them Darlington is in Spain, implying he wants distance from them, and urges them to leave. Tensions rise, and Darlington’s grandfather briefly takes control of Alex, expressing bitterness toward his son, which frightens Daniel. Eventually, the Arlingtons depart, promising to return with their lawyer. After they leave, Alex regains control and dismisses Darlington’s grandfather.
Alex ponders what she learned from Darlington’s grandfather about the Arlingtons pressuring Darlington to sell Black Elm. Despite the risks, she is determined to help Darlington confront his family. She and Dawes need a fourth murderer for the ritual, which requires accessing the Peabody Museum’s basement. Dawes hesitates about involving Turner, but eventually agrees.
Back on campus, Alex meets with Mercy and Lauren, discussing Dean Beekman’s murder and faculty jealousy, particularly in the English department. Alex wants to identify potentially motivated professors. Lauren suggests a Halloween party to lift their spirits, and they reluctantly agree. Alone with Mercy, Alex hints at a connection between Beekman’s and Marjorie Stephen’s deaths, implicating the secret societies. Mercy is horrified and tearfully urges Alex to stop the perpetrators.
Turner, Alex, and Dawes meet outside the Peabody Museum. Alex shares her findings on aging poisons in connection with Marjorie Stephen’s death. While Turner is interested, Alex doubts any are the culprits. In the museum’s hidden basement room, they find an amethyst model of New Haven that reveals the locations of individuals who committed specific crimes. In their case, they are looking for murderers. Turner gets suspicious and asks about the age of the artifact. When Dawes says it dates to the 1850s, he realizes it was created to locate Black people trying to escape enslavement. Alex offers to help destroy it, but Turner angrily tells them to finish.
The map points them to the tomb of Skull and Bones, which they discover is empty except for Tripp Helmuth, a former member of the society. Tripp explains that he has not graduated and has been stealing food due to financial constraints. Alex and Turner strike a deal with Tripp. In exchange for his help, he will avoid trouble with the Bonesmen and receive payment. Tripp accepts their offer.
This section is the final setup section for the novel. Bardugo finishes establishing the critical characters on the protagonist side by introducing Tripp Helmuth. The second faculty murder is committed, this time of Dean Beekman. He does not exhibit the unnatural aging that Professor Stephens had. Instead, there are signs of a struggle, and his neck was snapped. However, he has the other half of the quote seen at the first murder in his possession. Alex and Turner discuss the theatrical nature of the murders, suggesting that the killer might be leaving intentional clues. This revelation hints at a more sinister agenda beyond personal revenge.
In Chapter 11, Alex talks with Michelle, Darlington’s mentor. While she is a minor part of the narrative, the conversation imparts crucial information about the dangers of the Gauntlet and what lies beyond the Veil. Michelle’s candid words regarding her attempted suicide and subsequent encounter with the afterlife emphasize that the world beyond is not a simple place to visit. While she is overtly trying to protect Alex, this interlude calls her motives into question as she may be still entwined with her experience in the realm of the dead. She also advises Alex that she should read Kittscher’s Daemonologie. This book provides information that is pivotal later in the story.
The relationship between Alex and Mercy transforms when the former breaks the inherent secrecy around Lethe and talks about the secret societies, Darlington, and what happened during the past year. It emphasizes the want and need for trust shared between the two of them, which goes against Alex’s tendency to lie as a form of self-preservation. Metaphorically, Alex is opening Lethe and the protected elite magical realm to outsiders, which will come at a cost.
Alex suspects that Lethe is intentionally concealing the location of the Gauntlet. This touches on later points regarding the power dynamics within institutions and the deliberate manipulation of information. It invites readers to consider how institutions, especially those with a history of privilege, can shape narratives to protect their interests and maintain control. While the characters are fully invested in Seeking Redemption, the institutions are not.
Continuing this thread of social commentary, Chapter 17 introduces the element of racial injustice. The characters are presented with the knowledge that the amethyst map, which they need to find a fourth person for the Gauntlet ritual, was created to find Black individuals escaping enslavement. This revelation is a stark reminder of the historical complicity of institutions in perpetuating oppressive systems such as slavery. This historical background within the narrative underscores the idea that prestigious institutions, often celebrated for their intellectual achievements, bear the stains of darker aspects of American history. Yale’s secret societies, often perceived as exclusive and cloaked in secrecy, function as microcosms representing larger societal structures that exclude and perpetuate inequality. The narrative invites readers to consider how these institutions reflect broader issues of privilege and discrimination. The map symbolizes the historical misuse of power and privilege to oppress marginalized communities.
The characters’ reactions to this information also reflect their personal beliefs and values. Turner’s outrage stems from using the map as a tool for the oppression of his community. Dawes, however, shares a more privileged view of the world with Lethe and is willing to overlook the map’s past because of its utility. This narrative device reflects real-world debates about the ethical use of historical artifacts associated with injustice for contemporary purposes. It raises questions about the responsibility and accountability of individuals when they possess knowledge or tools rooted in a problematic history. These chapters serve as a testament to the power of storytelling to provoke critical thinking and reflection on the complexities of privilege, power, and the consequences of one’s actions.
By Leigh Bardugo
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