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52 pages 1 hour read

Ana Huang

King of Pride

Fiction | Novel | Adult | Published in 2023

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Chapters 1-10Chapter Summaries & Analyses

Chapter 1 Summary: “Isabella”

Isabella Valencia is discussing condoms with her coworker, Tessa, while they work the bar at the exclusive members-only Valhalla Club when they’re interrupted by the arrival of Kai Young—the wealthy heir to the Young Corporation, a billion-dollar multimedia company. Kai orders a drink before sitting at the bar with a copy of For Whom the Bell Tolls by Ernest Hemingway, which he is translating into Latin as a form of personal relaxation. 

When Isabella notes the change to his usual, predictable schedule, Kai teases her for tracking his comings and goings. The conversation is interrupted by the arrival of Dominic Davenport, who has come to meet with Kai. After her shift, rather than return home and stare at a blank page of the erotic thriller novel she’s been trying to write for two years, Isabella visits the piano room in Valhalla Club, where she decides to decompress by playing for a while.

Chapter 2 Summary: “Kai”

Kai is captivated by Isabella’s presence at the bar, as usual, which aggravates him. Kai attempts to drag his attention away from her by telling Dominic about the call he got today. Alongside five other candidates, Kai is in the running to become CEO for Young Corporation—his family’s business, which he’s been the presumptive heir to since birth. Kai is confused as to why his mother, Leonora Young, would cede her power as CEO so early and why she has not given him a straightforward answer. Though the other five candidates are solid, Kai is sure that he will win the vote purely because he is the best option.

When Isabella’s shift ends, Kai makes an excuse to Dominic that allows him to tail her. Kai discovers Isabella playing Beethoven’s “Hammerklavier” on piano. Her ability to play the challenging piece well impresses Kai, who has been practicing complex piano pieces himself since childhood.

Chapter 3 Summary: “Kai”

Kai has played this piece dozens of times before. However, there is something he witnesses in Isabella’s interpretation that pulls at his heart strings. When Isabella is done, Kai surprises her by complimenting her performance but notes that she was too aggressive at the start of the second theme when it’s supposed to be lighter. Isabella challenges Kai to do better, and he accepts. 

He plays the piece to technical perfection, something he is proud of, but Isabella insists that hers is better. Though it bothers Kai to be labeled as lacking, he cannot disagree, admitting to himself that “the piece inspired…nothing. The ebbs and tides of emotion that’d characterized her rendition had vanished, leaving a sterile beauty in their wake” (21). Before leaving the club, Isabella suggests that Kai loosen up a bit, as it might help with his piano playing.

Chapter 4 Summary: “Isabella”

Isabella’s older brother, Gabriel, calls her to check in. Rather than express concern, Gabriel chides Isabella for moving to New York to chase her dreams yet continuing to live “in a rat-infested apartment and slinging drinks at some bar” years later (25). Gabriel insists that she move home and figure out an alternate plan since she’s been working on the same book for over two years with no success. Bristling at Gabriel’s lack of faith in her, Isabella lies and says that she is almost done with her novel. Though Gabriel is skeptical, he insists that she bring it to their mom’s birthday party in four months’ time. He adds a stipulation that if she’s unable to produce the full manuscript by then, they’ll need to sit down and have a serious chat. After the call, Isabella’s mind is awash with self-criticisms and the fear that she’ll always be a failure.

Chapter 5 Summary: “Kai”

At work, Kai meets with Tobias Foster, the head of the Young Corporation’s Europe division and Kai’s biggest competition for CEO. Tobias mentions that Richard Chu—the Young Corporation’s longest-serving board member—invited him to lunch with Peter Lugar to discuss the rapidly expanding Europe division. The conversation suggests that Tobias might have a real chance at the CEO position, but Kai is unconcerned, as he feels that he has the vote regardless.

After the meeting, Kai’s mother calls to tell him that his childhood acquaintance Clarissa Teo—who comes from a wealthy family that owns one of the biggest retail chains in the UK—is moving to New York. Leonora suggests that Kai show Clarissa around and take her as his date to the Valhalla Club’s fall gala. Though Kai is not keen on the idea, he reluctantly agrees. Leonora believes that Clarissa would make a wonderful wife befitting high society. Kai isn’t as sure, as he has dated many women like Clarissa, and the connections were either nonexistent or quickly fizzled out. 

Later, Kai goes boxing at the Valhalla Club with his friend Dante Russo. He grabs a drink at the bar afterward and looks for Isabella, but she doesn’t seem to be working. Kai walks toward the same piano room and runs into Isabella on her way out.

Chapter 6 Summary: “Isabella”

When Isabella jokes that Kai should be practicing more piano to catch up to her talent, he challenges her again. He picks the piece “Winter Wind” by Chopin. Isabella goes first, but Kai distracts her by sitting close to her on the piano bench, which throws her off balance and disrupts the piece. Isabella tells Kai about her late father who was a music teacher and who taught her and her four older brothers the piano from a young age. Playing well was one of the few things in Isabella’s life that she ever received praise for. Kai mentions having a younger sister named Abigail who lives in London. 

They share a romantically charged moment before a sound outside the piano room door jolts them apart. Isabella flees the room before she can do something she regrets—such as break the no-fraternization rule between Valhalla staff and patrons. Upon leaving the piano room, Isabella runs into her boss, Parker, who congratulates her on her upcoming work anniversary. Though Valhalla Club is only a temporary steppingstone in her career, Isabella feels pride at someone being impressed with her work.

Chapter 7 Summary: “Isabella”

Isabella watches a Christmas rom com with her friends, Sloane Kensington and Vivian Lau, at Sloane’s apartment. Vivian speaks about her relationship with Dante. Sloane is single and complains about the unrealistic romantic ideals perpetuated by rom coms. Vivian invites Sloane and Isabella to dinner with her and Dante at the Monarch, an extremely exclusive restaurant in New York. Sloane can’t attend because she’s picking up her new client, Xavier Castillo, tonight at the airport; she runs a boutique public relations firm with an impressive client roster. Isabella agrees to go, if only to tell her brother Romero about it afterward because he loves food. 

Thinking of Romero jogs Isabella’s memory. Romero works at a leading adult toy manufacturer as a senior design engineer and has sent a new sex toy for her friends to review. She is attempting to convince them to try and review it when the doorbell rings. Isabella answers the door with the toy still in her hand and discovers Dante and Kai on the other side. The tension between Isabella and Kai reaches a high as they join Dante and Vivian for dinner.

Chapter 8 Summary: “Kai”

Kai and Isabella are stuck in the backseat while Dante drives the group to the Monarch. In an attempt to avoid his attraction to Isabella, Kai answers a work email on his phone. He has been attempting to acquire the video-streaming app DigiStream for over a year but has been encountering pushback with its owner. When they arrive at the Monarch, Kai runs into Clarissa Teo. She tells him about moving to New York to help with an upcoming exhibition at the Saxon Gallery, where she’s in charge of artist relations. When he introduces her to Dante, Vivian, and Isabella, Clarissa is perplexed by Isabella, whose appearance does not fit in with the sophistication of the others’. 

Afterward, Isabella comments that she must be an ex-girlfriend. Kai clarifies that she’s a childhood friend and teases Isabella about being so interested in his love life. They exchange witty quips while Dante and Vivian observe with smug, knowing expressions. Vivian and Dante share their Christmas plans of heading to St. Barts. When asked, Isabella mentions that she’s headed home to California in February to celebrate her mother’s birthday, Christmas, and the Lunar New Year all at once. When their hands accidentally brush at dinner, Kai is thrown so off-kilter that he takes a bathroom break to catch his breath. Upon exiting the bathroom, he runs straight into Isabella just as the power goes out in the restaurant.

Chapter 9 Summary: “Isabella”

Kai pushes her against the wall, using his body as a protective shield in case the power outage is due to more nefarious reasons. When the lights come back on, they awkwardly step away from each other to break the sexual tension that’s occurred between them. They return to the dinner table where Vivian and Date wait.

Chapter 10 Summary: “Isabella”

Isabella does not see Kai for another week after the Monarch. He usually shows up for a drink at Valhalla Club on Thursdays but is absent this week. Isabella visits her brother Felix, who is putting the finishing touches on his sculpture for a big art show next month. While there, she attempts to finish chapter 10 of her novel while ignoring Gabriel’s insistent calls. When Felix asks if she’s bringing a boyfriend to their February family get-together, Isabella remembers her past relationship, which digs up “memories long buried beneath piles of guilt and shame” (72). She admits that she hasn’t dated anyone seriously for two years. She promises to attend Felix’s upcoming exhibition before rushing to work. 

Victor Black—the CEO of media company Black&Co—waits for Isabella at the bar. He flirts with her shamelessly, but Isabella is uninterested. When Victor continues to pursue her, Kai arrives and puts a stop to it. When Victor leaves, Isabella asks Kai why he’s been disrupting his usual schedule. Kai explains that he showed up last Monday when he usually doesn’t because he’d learned that his company’s CEO vote is happening earlier than expected. Kai is worried that his mother is sick, as he can’t imagine another reason why she would give up the company.

When Isabella admits that she is writing an erotic thriller, Kai asks what she’s stuck on. Isabella claims that it’s the characters and plot, but really, it’s her own impostor syndrome and pressure to succeed in finding purpose in her life. Kai encourages her by saying that he has confidence that she will finish the novel.

Chapters 1-10 Analysis

These opening chapters of the novel lay the narrative’s foundation by establishing the characters’ internal and external conflicts, the setting, and the themes of legacy, family expectations, pressure to succeed, and personal pride. The novel begins by immersing readers in a key aspect of Isabella and Kai’s daily environment—the exclusive Valhalla Club. The clubs serves as a pivotal point around which the novel’s social dynamics revolve. The initial conversation between Isabella and her coworker Tessa, discussing causal topics like condoms, swiftly establishes Isabella’s humor and spontaneity, as well as her characterization as a modern woman. The fact that she discusses such taboo topics in a prestigious club filled with the wealthy, polished elite alludes to how different her character is to those who attend the establishment as its patrons—such as Kai Young. This first viewing of Isabella’s character sharply contrasts with the character of Kai, a disciplined and refined figure with corporate wealth who has a hobby of translating classic texts into Latin. 

This early character development introduces Isabella and Kai as foils for each other: Isabella’s free-spirited lifestyle contrasts with Kai’s rigorous, orderly nature. Huang avoids heavy exposition and instead uses Valhalla as a “safe zone” for readers to witness these differences organically. Because Valhalla Club is a commonly visited and discussed location throughout Huang’s recent works—including the Twisted series and King of Wrath, the previous installment of the Kings of Sin series—seasoned readers of Huang feel at ease with the setting and can focus their attention more on other aspects of the novel. 

The contrast between their characters is further explored through their connection in the piano room over pieces such as Beethoven’s “Hammerklavier” and Chopin’s “Winter Wind.” The way in which each character plays the pieces showcases the distinction in their personalities. Isabella’s emotional approach contrasts with Kai’s technical perfection. This scene foreshadows future relationship dynamics, highlighting how Kai’s rigid outlook benefits from Isabella’s emotional spontaneity and how Isabella’s confidence in herself and her novel benefits from Kai’s surety and practicality. Their shared skill at the piano and knowledge of pieces suggests that under the surface, they have similar backgrounds and interests. 

Isabella’s internal conflict is also introduced in her relationship to writing and the interactions she has with her brothers. She’s plagued by a Debilitating Pressure to Succeed due in large part to Legacy and Familial Expectations, both represented by her eldest brother, Gabriel. Huang effectively uses Gabriel as a voice of familial pressure, catalyzing her insecurities and creating internal conflict that centers on Isabella’s fear of inadequacy and failure. Her greatest fear is living a life without purpose and Gabriel consistently accuses her of doing just that. Gabriel’s chiding about her career path and insistence on seeing her full manuscript by February encapsulate the family expectations that weigh on her, heightening her self-doubt and feeding her impostor syndrome every time she sits down to write. 

In parallel, Kai grapples with his own Legacy and Familial Expectations. His mother, Leonora, appears as an influential but minor character whose traditional, elite expectations shape Kai’s romantic and professional decisions. She describes Clarissa as his “ideal” partner. In contrast to Isabella’s revealing clothing, purple hair, and tattoos, Clarissa is “an elegant, polished woman with a beauty pageant smile and an outfit straight out of a society magazine” (60). These dynamics provide Kai with an internal conflict of his own—balancing familial obligation with personal desire—as he attempts to reconcile his mother’s rigid expectations with his own romantic inclinations toward Isabella. 

The foundations of the theme of Excessive Pride and Self-Confidence are laid in the groundwork of Kai’s character. His contemplative thoughts about the CEO position at Young Corporation and his fellow competitors in the vote give readers more perspective to a character whose personal pride is both his motivator and his potential weakness. Kai’s self-confidence borders often on arrogance, and this causes him to become nonchalant about Tobias and Russell as competition for the CEO position. Pride, in this novel, is a double-edged sword for Kai. On the one hand, it motivates him to succeed and perfect everything he sets his mind to. On the other hand, it makes him blind to real challenges and causes him to underestimate certain threats. However, self-confidence is something Isabella is lacking in, and this deficit has negative consequences for her. Her writing suffers from her lack of confidence in her ability, and her brother’s harsh words about her lifestyle and lack of achievements hit harder because she does not have the personal pride to entirely dismiss them. Kai’s excess confidence is positive when he employs it to encourage Isabella. Huang uses these juxtaposed levels of self-confidence to show that the two are a complementary match. 

Huang adheres to a familiar romance structure while also including her signature style by setting up an initial meet-cute with Kai and Isabella that includes him overhearing a conversation about glow-in-the-dark condoms. Huang also engages with the genre by adding familiar tropes such as the forbidden romance dynamic between Isabella and Kai—due to their positions in the Valhalla Club and the professional boundaries that must be maintained for Isabella to keep her position as a bartender. The forbidden romance element gives the story an edge, enhancing the allure of their attraction through suspense and the possibility of danger and ruin.

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