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70 pages 2 hours read

Mary Elizabeth Braddon

Lady Audley's Secret

Fiction | Novel | Adult | Published in 1862

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Volume 1, Chapters 1-5Chapter Summaries & Analyses

Volume 1, Chapter 1 Summary: "Lucy"

Audley Court is a noble old house owned by Sir Michael Audley. His wife died 17 years ago and he has recently remarried—much to his daughter’s displeasure. Now 18 years old, Alicia had always been the lady of the manor and feels that her father’s wife has usurped her role.

 

Alicia’s stepmother was formerly known as Lucy Graham. Prior to marrying Sir Michael, she had been a governess working for Mr. and Mrs. Dawson. Little is known of her background, but she charms people with her gentle nature and graceful beauty.

 

Sir Michael had not loved his first wife but is besotted by Miss Graham. He regrets that he is 56 years old and hopes to win her affections with kindness and care, rather than with his money and status.

 

When he proposes to Lucy, Sir Michael insisted that she should only accept him if she loves him. Lucy remains quiet before exclaiming that Sir Michael was good and noble but that he should not ask too much of her. She had indeed had a hard life and could not pretend that the advantages of the marriage to Audley were irrelevant to her.

 

At this moment, “there was an undefined something in her manner which filled the baronet with a vague alarm” (15). Moreover, he noticed “her hands clutching at the black ribbon about her throat, as if it had been strangling her.” When he asked her if she loved anyone else, she replied, “I do not love anyone in the world,” though Sir Michael found her “strange laugh” (16) perturbing. Nevertheless, he agreed not to ask too much of her, and Lucy accepted his proposal

 

Despite her acceptance, Sir Michael feels disappointed that she is marrying him for his fortune and position. Lucy, meanwhile, is conscious that her past identity was buried—except for a ring wrapped in old paper, attached to a ribbon at her throat.

Volume 1, Chapter 2 Summary: "On Board the Argus"

Aboard the Argus, a young man looks at the waves wearily after three months at sea. He is sailing to Liverpool following three-and-a-half years in Australia. Thinking of his return, he mutters, “Poor little girl, how pleased she'll be!” (17).

 

The man is George Talboys, and his fellow passengers are accustomed to seeing him as “the life and soul of the vessel” (17). However, as they approach England, he has become anxious and short-tempered in his eagerness to reach his destination.

 

One evening, a fellow passenger strikes up a conversation with George. She is a governess returning home after 15 years in Australia. She and her fiancée had been too poor to start a life together, and she now hopes that they will be able to marry. Unlike George, however, she is nervous—who knows what may have happened in the past 15 years? George is rattled by this, but the governess tells him that her situation has no bearing upon his.

 

George then tells her that his wife’s father had been a miser who was willing to sell his daughter to the highest bidder, while George’s father was rich. The couple consequently got married but, upon hearing that his son had married a penniless girl, George’s father cut all ties with him.

 

With money dwindling, the couple moved in with the girl’s father, who proceeded to fleece them of their remaining funds. However, upon hearing about gold-digging opportunities in Australia, George saw a chance to provide for his family. It took longer than he had hoped, but he ultimately prospered.

 

George tells the governess that, if anything has happened to his wife, he “shall fall down dead” (25). The governess tries to reassure him, but he cannot stop brooding. 

Volume 1, Chapter 3 Summary: "Hidden Relics"

During a quiet evening at the grounds of Audley Court, a young woman makes her way across the gardens. She is a country girl called Phoebe Marks, who is employed as Lady Audley’s maid.

 

In one of the garden’s recesses she meets Luke: her cousin and suitor. They talk for a while, and Luke mocks Phoebe’s claims that she has become “genteel” (28). He does not want a wife who is genteel; he hopes to set up a public house when they have enough money.

 

Phoebe talks wistfully about how Lady Audley had been a mere servant like her not so long ago, but Luke tells her that she should focus on herself. Luke then asks whether the Lady is at home, and Phoebe informs him that she is at a dinner party. Luke consequently asks for a tour of the house, and Phoebe agrees.

 

As they walk through the house, Phoebe says that she would show Luke the Lady’s jewels, but she does not have the key. Then, she notices that the Lady has left the key behind. They look at the jewels, and Luke notes that even one of them could set them both up for life. Phoebe chides Luke for speaking such things, but, when Luke presses upon a brass knob on the jewelry box, a drawer flies out containing a baby’s shoe and a lock of hair. Phoebe’s lips curve into a “curious smile” (32) and she announces, “you shall have the public-house” (32).

Volume 1, Chapter 4 Summary: "In the First Page of the ‘Times’"

Sir Michael’s nephew, Robert Audley, became at barrister at the advice of his friends. He was already well provided for by his father, but being a barrister would enable him to supplement his allowance. Still, being a “lazy, care-for-nothing fellow” (32), he does not take on cases.

 

Alicia is especially fond of Robert and writes him an angry letter berating her father’s decision to marry the new Lady Audley. Robert has no doubt that Alicia and her new stepmother will quarrel incessantly.

 

It is the morning after the events of the previous chapter, and Robert is waiting for a cab when a man runs into him. Robert chastises him for not looking where he is going, but the man exclaims “Bob!” (34). Robert finds the man familiar but cannot place him until he reveals himself as George Talboys. Robert then remembers his old friend and asks how he has been.

 

George recounts the story that he told the governess, adding that he has some Australian notes that he needs to lodge in the bank. Robert accompanies him to the bank and afterwards, they go to a coffee house where George is expecting a letter from his wife. However, the waiter informs him that there is no letter. They sit down and George picks up a newspaper. Upon seeing the obituaries, he turns pale: one entry reads, “On the 24th inst., at Ventnor, Isle of Wight, Helen Talboys, aged twenty-two” (36).

Volume 1, Chapter 5 Summary: "The Headstone at Ventnor"

George faints upon reading of his wife’s death and, the next thing he knows, he is lying in Robert’s chambers. Suddenly, George recalls the news about his wife. Trying to comfort him, Robert suggests that it might have been another person called Helen Talboys, or a misprint. However, George is certain. That night, he dreams of his wife in old age and his son as a grown man.

 

The next day, they try to find information about George’s wife. Inquiring about her father at a hotel, they are told that a man of that name had stayed there and are given the address of his cottage.

 

When they arrive at the cottage, Helen’s father is not home but the landlady invites them in. She tells them that Helen had come to the cottage a week before her death, in the final stages of decline.

 

When George says that he is her husband, the landlady refers to him as a deserter. George, however, denies this and retells his story. When he asks if Helen ever spoke of him, the landlady replies that she did not, although she had once talked wildly about her mother. George is upset to think that his wife spoke of her mother—who died when she was a child—but not of him.

 

The landlady gives George a lock of his wife’s hair, and George notices that, whereas it used to be wavy, “it seems smooth and straight” (41). The landlady replies that it changes in illness. They then walk to the churchyard in which Helen is buried. George says that he would like to see the local stonemason, to whom he gives an inscription for his wife’s headstone. 

Volume 1, Chapters 1-5 Analysis

The first chapter introduces readers to Sir Michael Audley, his daughter Alicia, and his new wife, formerly known as Lucy Graham. Little is known of Lucy’s background but virtually everyone in the village of Audley finds her enchanting; especially Sir Michael. Such is the extent of the Lady’s charm and beauty that the reader is inclined to wonder whether she really is as perfect as she seems.

 

Sir Michael is 56 65 years old, and hopes that Lucy will help to restore his youth. He harbors romantic fantasies about her, but, while she accepts his proposal of marriage, makes it clear that she does so because of the wealth and lifestyle that Sir Michael offers. The novel therefore does not shy away from the cold reality of the situation, which is that the arrangement is mutually beneficial for the two parties. Sir Michael’s fantasies, in particular, appear naïve and clichéd.  

 

While everyone assumes that Lucy is lucky to have made such a beneficial match, she makes the cryptic remark that some people are doomed to be unlucky—a comment that proves to be prophetic. Her reaction to Sir Michael’s proposal is also at odds with her usually gentle, charming demeanor. She becomes emotionally volatile, suggesting that there is more to her than meets the eye. 

 

This is borne out when we gain a window into Lucy’s thoughts. She thinks about how she has finally left her former life behind but proceeds to take out a ring that she always keeps hidden. It is clear that this relates to her cryptic past and is a significant motif.

 

The second chapter shifts to a different setting: a ship heading to England. Here, we are introduced to George Talboys, who is returning to his wife. When George becomes engaged in conversation with another passenger, a governess, he reveals that he is from a wealthy family but that his father cut ties with him upon learning he had married a woman of a lower social station. Ultimately, George sought employment abroad, abruptly leaving his wife and young child behind.

 

George is excited to see his wife again, but the governess’s own worries affect him. She is nervous about returning to her fiancé, and, even though he has only been away for three-and-a-half years, George realizes that a lot could have changed. As with Sir Michael’s romantic dreams, then, George’s optimism suffers a setback.

 

George’s conversation with the governess causes him to question his complacency and the manner in which he left his wife. What awaits him in England? One senses from the tone of this discussion that he is unlikely to find his wife waiting in anticipation. An atmosphere of foreboding envelops this scene.

 

The third chapter begins with Lady Audley’s maid, Phoebe, meeting her cousin and suitor Luke. She talks about her envy of Lady Audley, who had previously occupied a position much like her own. Luke, however, is much less of a social climber, and is coarser in his language and manner than his wife-to-be. The novel here evokes some of its prominent themes: social divisions and aspirations.

 

Phoebe gives Luke a tour of the house, and, upon examining Lady Audley’s jewelry box, they find a secret compartment containing baby shoes and a lock of a baby’s hair: objects that we infer are connected with the Lady’s past. These objects mean nothing to Luke, but Phoebe is shrewder and smiles with the knowledge that she can use these objects to her advantage. At this juncture, then, the novel suggests that extortion is going to come into play.

 

Chapter 4 introduces readers to Sir Michael’s nephew: an idle, eccentric barrister called Robert. Though a barrister in name, he is comfortable enough financially that he does not bother to pursue his profession. The novel thus gives the immediate impression that Robert is someone who meanders through life with no ambition or vocation. 

 

Though he does not know it at the time, Robert’s life is to change forever when he runs into his childhood friend, George Talboys, who has returned to England. George and Robert seek news of Helen, but George is horrified to read that she has died.

 

Chapter 5 finds George plagued by grief and nightmares. He pays a visit to Helen’s father to find out what happened, and the landlady tells him that Helen had been very ill. She gives George a lock of his wife’s hair, and he is surprised that it is straight rather than wavy. The landlady says that this is caused by illness, but, again one senses that all is not as it seems. This lock of hair therefore constitutes another relevant motif.

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