logo

57 pages 1 hour read

Tiffany D. Jackson

Let Me Hear a Rhyme

Fiction | Novel | YA | Published in 2019

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 42-55Chapter Summaries & Analyses

Chapter 42 Summary: “Jasmine”

Outside the neighborhood bodega, a car stops and some men from the Guerillas corner Jasmine. Ronnie and some of her friends come out of the bodega and notice the men. Ronnie asks the men to leave Jasmine alone, but they tell her to stay out of it. Ronnie makes a bird call to signal a bunch of other men who work for her father, who immediately arrive and drive the Guerilla men away.

Ronnie takes Jasmine back to her family’s apartment while they wait for Quadir and Jarrell to come pick her up. Jasmine doesn’t know these girls well and hasn’t hung out with them before, and she feels awkward around Quadir’s ex-girlfriend. However, she’s also grateful Ronnie saved her. They discuss women in hip-hop and Jasmine says she doesn’t like women artists who are overly sexualized or concerned mainly with their own physical appearance. The other girls argue that there is feminist power in using the patriarchy’s own tools against the patriarchy, and that Jasmine could be less judgmental. Jasmine appreciates their viewpoint and hasn’t thought of it this way before.

Jasmine and the girls pause as Pierce announces the rap battle between the Architect and Fast Pace on Ronnie’s radio. Quadir arrives and hugs Jasmine, happy she’s safe. Quadir thanks Ronnie for seeing about Jasmine, but she says she didn’t protect Jasmine for him and slams her door in his face.

Chapter 43 Summary: “Jarrell”

On the tape of Steph that Jarrell stole from Fast Pace, one song mentions that Rashad was killed likely by someone nicknamed “Bumpy.” The kids don’t know who Bumpy is, though. The newer recording of this same song doesn’t contain this verse about Bumpy, so the kids think maybe Kaven took it out because he knows Bumpy. They need to ask him about it, but it could be dangerous, so Jarrell searches for his gun to take, but he can’t find it. He thinks Steph probably took it.

Chapter 44 Summary: “Jasmine”

Jasmine calls the detective from Steph’s business card. He’s happy she called because he’s been looking for Steph, who contacted him the previous August after getting his number “from a friend” (327). They only learned he was dead when the police beat up Jarrell, Quadir, and Dante a while back. The police didn’t notice Steph’s death because his birth name is Michael Stephon.

Chapter 45 Summary: “Jarrell”

The boys approach Kaven’s studio unarmed, and when they’re confronted by a large group of men, they say that they’re just about to leave. One man says this change implies that they were planning to kill Kaven until they realized how many people were around. The boys say they just want Steph’s songs that he recorded with Kaven and Jarrell accuses Kaven of having Steph killed. Quadir attempts to defuse the tension when Kaven asks the other men to handle them.

Chapter 46 Summary: “Jasmine”

Someone knocks on Jasmine’s apartment door at 3:00 am. Jasmine assumes it’s the Guerillas and tells her mom to hide. It’s actually Pierce, who barges in, yelling and complaining that the Architect didn’t show up to his rap battle. Jasmine’s mom slaps him, asking who he is and why he’s at her home speaking to her daughter like this. Pierce calms down and apologizes. Jasmine admits that she disobeyed her mom and continued to sell Steph’s CDs, which has resulted in him nearly being signed by Red Starr. Pierce was just fired from the label because the Architect didn’t show at the rap battle. Jasmine’s mom tells Pierce that Steph is dead. Pierce and Mom both take the news about the CDs and Steph’s death better than Jasmine was expecting. Mom seems to understand they were trying to get the word out about Steph’s talent, and so does Pierce.

Chapter 47 Summary: “August 23, 1998”

Quadir and Jarrell haven’t seen Steph for nearly a day, which is unusual. Police arrive and the boys assume it’s routine patrolling. However, they get out of their car and enter B-Voort. Dante approaches Quadir and Jarrell, saying he came right when he heard Steph got killed. The boys assume he means a different Steph, but he clarifies that he means their best friend. They still don’t believe him until they hear screams from the building.

Chapter 48 Summary: “Quadir”

Kaven’s friends beat up Quadir and Jarrell pretty badly, so Quadir can’t play basketball for the remainder of the season. They hang out near the bodega, and Dante appears, asking if they got beat up by police again. They say it wasn’t the police. He tells them to be careful and not slip up, because maybe if Steph didn’t slip with the police, he’d still be alive. Jarrell asks Dante to repeat what he said, and Dante runs away, realizing he’s said too much.

Jasmine appears with Pierce. Even though Steph is dead, and Pierce was fired by Red Starr, Pierce wants to start his own record label and help the kids.

Chapter 49 Summary: “Jarrell”

Pierce accompanies the kids to Kaven’s studio. Fletch pretends to be a lawyer, then coerces Kaven into cooperating by pointing out that he hasn’t paid taxes in years and stole money from a previous employer. Kaven reveals that Steph visited his studio the previous summer to record. Kaven thought Steph’s music was great, so he sent it to Fast Pace, hoping he could help Steph get connections in the industry. Fast Pace told Kaven to cut the track calling out Bumpy, who is a friend of Fast Pace’s. Kaven didn’t delete the whole song, just the verse mentioning Bumpy. Steph didn’t like that Kaven edited the song, and Kaven warned Steph to stop sharing details that could get him hurt. Steph argued it was the morally right thing to do. He was supposed to come back for another session, but never did.

Quadir asks Kaven to tell the police the same story, and that it’s not snitching, but helping to minimize future harm. Pierce suggests Kaven could just share the camera footage and not get involved. Kaven still thinks snitching is against the code. When Kaven mentions that Steph made more tracks, Pierce and Kaven make an EP for Steph.

Chapter 50 Summary: “Jasmine”

Sergeant Vasquez meets Jasmine, Mom, Quadir, and Jarrell at Jasmine’s apartment. Vasquez originally gave the business card to Steph’s father, who was a police informant. Steph first contacted Vasquez to share that he heard a young guy with braids and acne say he killed Rashad. Vasquez gave Steph a pager and kept in contact. This is how Steph got money for Kaven’s studio, not by working at a shipping company or by selling crack cocaine. He helped them solve some cases, then wanted to discuss the Guerillas, but Vasquez didn’t know a lot about them. Steph met up with Vasquez to tell him where he last saw Bumpy, a.k.a. Fernando Ramirez, the person who killed Rashad. Vasquez dropped Steph off a few blocks from home but never saw or heard from him again. The police caught Bumpy but needed Steph to identify him, which is why they were searching for Steph before they realized he was dead. They had to release Bumpy with no identification, but Vasquez thinks Bumpy is working under someone else.

They review the security footage from Kaven’s studio. Steph walks in, records, draws his symbol, argues with Kaven, and leaves. The camera is partially obscured by a bush, but someone gets out of a car parked outside and speaks to Steph. They can’t see the person’s face or the full license plate number, but Vasquez asks if anyone recognizes the car. Jarrell does—it’s a black Range Rover, like Mack’s.

Chapter 51 Summary: “Quadir”

The kids are invited on a radio show with a famous host named Angie Martinez. Pierce is there, too, and they tell Steph’s story. Pierce is signing the Architect to his new, independent record label, Home Court, even though the Architect is dead. His friends and sister have been selling and marketing his music to keep his memory alive although his life was tragically cut short. Pierce invites everyone to an event the following day to celebrate Steph’s music.

At the event, they sell and play Steph’s music while the radio station gives away swag and snacks. Reporters cover the event and want to learn about Steph. The Brooklyn Borough president says it’s time to stop violence and embrace bright futures.

Chapter 52 Summary: “Jarrell”

The kids attend another party at E. Rocque’s, and DJ Cash plays mostly music by Steph. They now know the truth about Steph’s and Rashad’s murders. Rashad was selling drugs on Mack’s territory, and Dante told Mack. Mack had Bumpy kill Rashad, and Steph heard Bumpy talking about killing Rashad. Steph then called it out on his song and told the police. Fast Pace heard Steph’s song, and wasn’t okay with Bumpy’s name being dropped because he’s friends with Bumpy. This led to Mack directing Bumpy to kill Steph. Jarrell thinks it’s ironic that people discourage snitching, yet Steph and Rashad died because they did it anyway.

Jarrell now realizes Steph was risking his own life for the benefit of his community. He thinks the best way to repay Steph and make him proud is to make the most of life.

Chapter 53 Summary: “Jasmine”

Jasmine’s mom signs the paperwork for Steph to be on Pierce’s new label, Home Court. Pierce signs Jasmine to the label as well.

Chapter 54 Summary: “Quadir”

Quadir reflects that “thinking outside the box” (373) was beneficial in terms of their scheme with Steph’s music. He’s decided not to go to Bishop or leave home.

Chapter 55 Summary: “June 22, 1998”

School’s out for summer break and Steph’s friends ask for a rhyme. In the rap, Steph hopes he can be immortalized in some way once he’s dead.

Chapters 42-55 Analysis

The novel develops The Power of Music as it relates to the community’s sense of justice in this section when Steph’s music reveals the identity of Rashad’s murderer. Through his music, Steph inspires a change within his community’s values as classmates at school begin to reevaluate their stances on snitching. Steph’s music shows them how their silence contributes to the violence that is already the norm and makes them accomplices in the process. His music transforms the community’s tolerance of violence from individuals like Mack and Bumpy, as Steph demonstrates the bravery of using his voice for justice.

The Power of Music also offers Jasmine and her family the possibility of upward mobility. Jasmine is able to secure her own deal with Pierce’s label, and her future career in music will open the door for her family to become more financially stable, alongside the revenues from Steph’s music. Music, therefore, both helped to heal a community burdened by a moral code that only served the most violent community members (i.e., snitching) and paved the way for Steph’s family’s escape from a life of scarcity and violence.

The Limits of Legal and Extralegal Justice—and the importance of cooperation between the police and the communities they serve—come to a head as the information Jarrell and Quadir learn from Kaven closes the gap between legal authority and extralegal justice to achieve true justice for Rashad and Steph’s murders. Steph’s friends and family must set aside their distrust for law enforcement due to a history of assault and misuse of authority, while the police must listen to the community they have been commissioned to serve—a rare occurrence for the borough’s B-Voort projects. Once Steph’s loved ones team up with Sergeant Vasquez, they secure the closure and peace not only for Steph’s family, but also for Rashad’s loved ones, all while making their neighborhood safer.

The Complexity of Grief is layered further as the narrative moves back and forth from the present day and past memories of Steph and his friends. The novel’s tone continues to be haunted by Steph’s memory as his loved ones think back to their interactions with him. The flashbacks continue until the narrative’s end, where Steph is asked for a rhyme, incorporating the significance of the novel’s title, and his response alludes to his impending murder. While Steph’s absence changes Jasmine, Jarrell, and Quadir, their request for Steph to give them a rhyme is fulfilled throughout the story as they promote his music, and it creates a cyclical narrative format. Tiffany D. Jackson communicates that while the story has come to an end, Steph’s impact and the changes he inspires in his community live on through his music and memory.

blurred text
blurred text
blurred text
blurred text