49 pages • 1 hour read
Louisa May AlcottA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Mr. Bhaer and Mrs. Jo, who are also known as Fritz and Jo or Mother and Father Bhaer, are characters from the novel’s prequel, Little Women, in which Jo March becomes Mrs. Jo when she agrees to marry Professor Friedrich “Fritz” Bhaer. The two are attracted to each other’s intellect. In Little Women, Jo, the protagonist, is portrayed as transforming from a headstrong young girl to a gentle and wise mother through her union with Professor Bhaer. In Little Men, through her role at Plumfield, and motherhood, Mrs. Jo is shown to have taken the lessons of her own childhood to heart; she uses her experiences to guide her as a mother and teacher. For example, she decides to invite Nan to the school for the benefit of her niece Daisy, and because she recognizes Nan’s unique needs as similar to her own: “because I was such a naughty child myself that I know all about it. […] Those quick wits of hers would enjoy lessons if they were rightly directed […] I know how to manage her, for I remember how my blessed mother managed me” (98). Mrs. Jo is empathetic and kind, able to reflect on her own shortcomings and use them to help raise others.
In Little Men, both Mrs. and Mr. Bhaer are static characters who represent ideal parents capable of self-reflection, wise counsel, and deep care for their children and students, whom they treat as their own. Mr. Bhaer is intelligent and well-educated, but often prioritizes moral lessons over academic ones. He takes a firm stance with the boys on issues of right and wrong, demanding for example that Jack deal honestly in his business transactions, and lecturing the boys on how to treat each other with understanding. Both he and Mrs. Jo take a stance of non-violence in their approach to punishing the children for their wrongdoings, instead focusing on developing the child’s moral consciousness through storytelling and experience. By demanding that Nat hit Mr. Bhaer, the professor’s self-sacrificing act and reversal of roles instills in Nat a sense of the consequences of his lies in his relationships, and the value of their bond. When Mrs. Jo punishes Nan for running away by tying her to the couch instead of whipping her, Nan can reflect on her reasoning for leaving the allowed field and realizes the value of her life in Plumfield. These punishments support The Development of Morality in Children, as Nat and Nan are enlightened rather than shut down with corporeal punishments.
Both Mr. Bhaer and Mrs. Jo are portrayed as loving parents with tender hearts. They have faith that innate goodness will prevail in their children, which is a core transcendental belief. Mr. Bhaer is generous and kind to the boys, and his love is unshaken even when they act cruelly or dishonestly. His emotional bandwidth is expansive, emphasized by the hyperbolic statement that he “had room in his fatherly heart for all the naughty neglected children in the world” (99). Similarly, Mrs. Jo’s motherly instincts are highlighted throughout all her interactions with the children, crystallized by the sentimental description that “she loved to make them happy, and always felt miserable when she had disturbed the serenity of her little sons; for she believed that the small hopes and plans and pleasures of children should be tenderly respected by grown-up people, and never rudely thwarted or ridiculed” (167).
Nat is a young orphan sent to Plumfield by Uncle Teddy Lawrence, who discovers him in a basement, grieving his father after his guardian rejects him for being sickly. Nat becomes one of the main protagonists in the novel, and his transformation from a lonely and shy child with health challenges to a healthy and well-liked part of Plumfield community is one character arc that conveys the success of the Bhaers’ unusual educational methods.
Initially, Nat is portrayed as a stereotypical orphan who has suffered from a harsh childhood as a penniless street musician before arriving at Plumfield. He is weak and ill, with “thin temples and feverish lips, as well as the hoarse voice and frequent fits of coughing that shook the bent shoulders under the patched jacket” (6). Yet despite his rough beginnings, he is young enough to have retained his innocence, indicated by the Bhaers’ observation of his “sensitive mouth that trembled when a kind glance fell on him; while a gentle speech called up a look of gratitude, very sweet to see” (10).
The Bhaers’ belief in Education Nurturing Individual Talents and Personalities, rather than punishing or indoctrinating into a strict system, brings out their pupils’ innate moral character. Here, the kind attitude of the Bhaers encourages Nat’s sweetness. Nat grows in confidence at Plumfield. Through his personalized education, he is also given time and opportunity to develop his musical talent, which he applies by playing his fiddle for picnicking couples to earn wages. He also discovers that he is skilled at carpentry and making things. Finally, his charitable and caring nature leads him to bring Dan to Plumfield, which ultimately saves Dan from a life of abuse and isolation. Through Mr. Bhaer’s self-sacrifice and non-violent practice, Nat learns a difficult lesson and conquers his habit of dishonesty, learning to weigh self-preservation against his newfound code of morality. In Chapter 14, Nat matures through his ordeal with Tommy’s stolen money, learning the importance of reputation and an honest character. He is rewarded for his growth by Uncle Teddy’s promise to Mrs. Jo to use his influence and wealth to help Nat’s musical career.
Dan’s dynamic character arc is the most extreme transformation in the novel, and his relationship with Mrs. Jo is one of the most sentimental. He acts as a foil to Nat, who starts out weak and grows strong, whereas Dan starts out strong and rough but grows in gentleness. Their contrasting trajectories demonstrate the value of Education Nurturing Individual Talents and Personalities, as each boy requires different treatment and support.
Dan is initially characterized as ungrateful, ill-mannered, and violent. He speaks gruffly, swears, and starts fights with the other boys. He is unable to receive the love the Bhaers offer and runs away. Dan’s return to Plumfield, a turning point in the story, solidifies the maternal bond between him and Mrs. Jo, as both are grateful for a second chance.
Dan’s talent for natural sciences and affinity with animals is portrayed as a redeeming trait, highlighting growth through an Interconnectedness with Nature. Dan’s love of animals endears him to the Bhaers, who view it as a sign of his good nature and builds their trust and care for him. Dan has a nurturing relationship with the wild horse Charlie, whose rambunctious nature mirrors Dan’s own: “the two loved one another as if they felt some tie between them, inexplicable but strong” (243). Dan's taming of Charlie soothes Dan’s instinct for violence and unrest and symbolizes his mother-son bond with Mrs. Jo, who feels an instinctual kinship with Dan’s wild spirit. Dan’s studies in botany impress the students at Plumfield, and, along with his bravery and loyalty, help him gain their love, respect, and acceptance despite his shortcomings.
Demi and Daisy, the nephew and niece of the Bhaers, represent the outcome of a privileged and caring upbringing by attentive parents and role models. Their morality and manners have been cultivated throughout their lives, in contrast with those of many of the other children at Plumfield, who generally come from impoverished, neglectful, or abusive circumstances.
Daisy represents ideal femininity and possesses a quintessential interest in domestic tasks and a lack of knowledge about feminism and women’s rights in comparison to her friend Nan. On the other hand, Demi represents the perfect gentleman, but lacks street smarts that will ensure his success in adulthood. His father’s death is a turning point at which Demi transforms from a well-mannered but impractical boy to a level-headed young man determined to fill his father’s shoes and live up to his legacy.
By Louisa May Alcott
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