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42 pages 1 hour read

Maya Angelou

Mom & Me & Mom

Nonfiction | Autobiography / Memoir | Adult | Published in 2013

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Part 2, Chapters 20-25Chapter Summaries & Analyses

Part 2: “Me & Mom”

Part 2, Chapter 20 Summary

Angelou meets a woman at dance class who suggests she work as a strip-tease dancer at the nightclub where she works. She considers the choice since she needs money but asks her mother for advice. Vivian helps her make a costume. Angelou rehearses and auditions for the job. Eventually, she gets hired.

San Francisco columnists praise Angelou’s dancing and working skills. Her performances draw more customers to the nightclub. She becomes friendly with a group of men and a woman and visits the club they own. One night, Angelou sings a calypso song at an apartment, and the owner of the club suggests she work as a singer. She is nervous about singing, but her friends find a vocal coach and she eventually takes the job. Her opening night is successful, and her salary increases. Despite being divorced, Angelou maintains Tosh’s surname because she likes the way it sounds.

Part 2, Chapter 21 Summary

Angelou is offered a role in the opera production Porgy and Bess. However, the production is going to tour Europe, and she does not want to leave her son. Vivian says it is an opportunity for her to see Europe and that Guy can stay with her. Angelou is afraid that her son might feel abandoned but explains the situation to him. Weeks later, she prepares to leave. Her son cries because he already misses her, and she feels guilty.

The production includes some of the best African American opera singers. Angelou makes friends who teach her about music; she also learns French and Spanish. She enjoys her work but is distraught being away from her son. Angelou knows “how lost a child feels when a parent is missing” (132). When she and Guy reunite, she embraces him as he sobs, promising to never leave him again.

Part 2, Chapter 22 Summary

Angelou stays in Vivian’s house with Guy when she starts experiencing anxiety. She feels it is impossible to raise her son in a racist society. During a mental health crisis, she has the impulse to take her son and jump out a window. Angelou calls a taxi and goes to a psychiatric clinic. She explains she must see a doctor because she might hurt herself or another person. When the doctor receives her, she sees he is a young white man and cries, believing he could never understand “the heart of a black woman” (133). Angelou leaves the hospital.

Angelou talks to her vocal teacher, and he suggests she write her blessings. She recognizes she is “alive and healthy” and feels better (136). She decides that despite her struggles, she will be grateful for her life.

Part 2, Chapter 23 Summary

Angelou continues to sing at a nightclub and meets poet Langston Hughes and novelist John Killens. She tells them that she is a poet and wants to pursue writing. The men suggest she go to New York. Angelou decides to move there with her son. She calls her mother to inform her, and Vivian says she is going to be a “seaman,” despite societal expectations. Angelou meets her at a hotel, and Vivian says she must be prepared for anything and do what she thinks is right. Eventually, Angelou moves to Brooklyn. She rents a house with her son and works at a Manhattan nightclub as a singer. Guy gets an afternoon job at a bakery while continuing school. Angelou starts writing songs, joins the Harlem Writers Guild, and then decides to move to Manhattan. Vivian visits and approves of her new life. One night, they head to a party in Long Island and pick up a friend in Harlem. Vivian dislikes the “drug sellers and buyers” who frequent the block (143).

Part 2, Chapter 24 Summary

Porgy and Bess will be made into a movie, and Angelou participates as a dancer. The shooting takes place in California, and she invites some of her castmates and friends to San Franscisco. She calls her mother, wanting to introduce these friends to her. The group eat dinner at Vivian’s house and stay with her. At night, Vivian asks Angelou to call a man named Cliff Thomas. She calls, and a woman swears at her. Vivian explains she had an affair with Cliff, but he lied to her and returned to his wife.

Angelou wakes to a man’s voice begging for her mother. During the night, Vivian went to Cliff’s house, holding a gun. She drove him to her house and ordered him to get on his knees. Cliff leaves, and Angelou protests Vivian’s behavior as her friends are in the house. Vivian claims that “[a] woman needs to support herself” (149). Years later, Angelou comes across Cliff at a bar in San Franscisco. He tells her that he recently visited Vivian, and “she is […] one hell of a woman” (150).

Part 2, Chapter 25 Summary

Vivian forms a group called Stockton Black Women for Humanity with friends. She also includes some of “her white sister friends,” whom she calls “honorary black women” (151). The group collects clothes for people in need. They also give scholarships to students finishing the 11th grade, who often drop out of school because they lack proper clothes.

The mayor of a town close to Stockton asks Vivian to help a white family in need. She invites them to her house the following day, cooks them breakfast, and gives them clothes; she also finds them jobs. The mayor calls Vivian to thank her, saying she wants to meet her. When the mayor, a white woman, visits Vivian, she is surprised that she is Black. Angelou notes the mayor is unable to understand that Vivian’s volunteers “[are] gathered to serve all humanity” (154). The mayor is uncomfortable and leaves, and Vivian pities her.

Part 2, Chapters 20-25 Analysis

After her divorce, Angelou embraces her independence again, gradually starting an artistic career. The theme of Resilience and Forging a Black Female Identity is evident in Vivian’s praise of her daughter. When Angelou gets a job as a strip-tease dancer at a nightclub, Vivian recognizes she will “[go] far in this world” due to taking risks (123). This encouragement instills confidence in Angelou, who initially hesitates to leave her son to tour Europe. Vivian urges her to go, and Angelou’s travels enrich her musical knowledge and experience. However, her trauma reemerges as guilt: She fears Guy might feel abandoned like she did. Upon their reunion, she experiences a mental health crisis, exacerbated by both personal and social factors. Angelou feels unable to raise her son in a racist society, and this distress causes suicidal ideation. She seeks treatment, but her doctor turns out to be a white man—reinforcing the theme of Oppression and Violence Against Black Women. She feels unable to explain her situation to him, as “a privileged young white man” would not understand “the heart of a black woman” (133). Angelou manages to overcome her crisis with her vocal teacher’s advice, recognizing the significance of being “alive and healthy” and having familial support (136).

A turning point in Angelou’s life is her move to New York to pursue writing. At the same time, Vivian decides to become a “seaman,” defying racial and gender discrimination in the occupation. Again, she offers advice to Angelou, telling her to act with courage. She also shares personal issues with her daughter: She confesses she had an affair with a married man, who lied and ultimately returned to his wife. For better or for worse, Vivian believes in protecting herself by any means, so she threatens the man with a gun. Yet she notes that “[not] every negative situation can be solved with a threat of violence” (141). She knows the many dangers that threaten Black women, but only so much can be done to protect oneself from systemic racism and sexism.

In order to rectify these problems, Vivian forms a group called Stockton Black Women for Humanity. Despite the name, the group is open to women of all races and meant to support people, especially students, in need. The group’s emphasis on “humanity” frames Black feminism as seeking the support and liberation of all people. Vivian believes in the power of sisterhood and calls white members “honorary black women” (151)—a sentiment reflecting empathy. As Angelou notes during her mental health crisis, there is a limit to white people’s understanding of Black struggles—even if they consider themselves allies to Black advocates. The mayor of a town close to Stockton is a white woman who wants to honor Vivian for helping a white family in need, but she is surprised and uncomfortable when she sees that Vivian is Black. Angelou notes the mayor is unable to “understand Stockton Black Women for Humanity [are] gathered to serve all humanity: white, black, Spanish-speaking, and Asian; fat, thin, pretty, plain, rich, poor, gay, and straight” (154). However, Vivian’s morality is never shaken; instead, she feels empathy for the mayor’s limited perspective.

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