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Mrs. Piggle-Wiggle is the eponymous and primary character in the novel. She is a complex but ultimately enigmatic character. Her motivations for the friendships with children are never explained in detail, and it is unclear whether she is telling the truth about elements of her past (like that her husband was a pirate). While the novel is in third-person omniscient point-of-view, it omits descriptions of Mrs. Piggle-Wiggle’s thought processes. The interior thoughts and emotions of children and their parents appear throughout the chapters, but Mrs. Piggle-Wiggle’s are excluded. She is characterized in the first chapter via a description of her actions and relationships with the children, then in later chapters by her conversations with the parents and the cures she suggests. Her character remains constant throughout the novel, and she does not have a character arc.
Physically, she is “very small and has a hump on her back” (9), as well as “brown sparkly eyes and brown hair which she keeps very long, almost to her knees, so the children can comb it” (10). Her skin is “a goldy brown and she has a warm, spicy, sugar-cooky smell that is very comforting to children who are sad about something” (10). Mrs. Piggle-Wiggle cultivates a whimsical space around her, living in an upside-down house with her dog, Wag, and her cat, Lightfoot. She has a curious attitude, noting that she wondered as a little girl what it would be like to live in an upside-down house. She is kind and prioritizes children’s enjoyment over worrying about her home or possessions. For example, “When Hubert Prentiss dropped the glass ball that snowed on the children when you shook it, she said ‘Heavens, Hubert, don’t cry. I’m so glad this happened. For years and years I have wanted to know what was in that glass ball’” (73). While she is friends with all the children in town, she “says grown-ups make her nervous” (12). In the novel, she interacts personally only with children, though she is shown speaking to parents via phone.
Despite her wealth of knowledge about children and her ability to change their behavior, Mrs. Piggle-Wiggle is represented as respectful rather than intrusive. She doesn’t intrude even though she notes that “I love all children but it distresses me when I see a child who has a disease like Selfishness or Answerbackism or Wong-Put-Away-Toys-it is and his parents don’t do a thing to cure him” (56). Despite being bothered when she sees parental inaction, the impetus for Mrs. Piggle-Wiggle’s cures is always either a child asking for help (as in the case of Mary Lou running away from home in the first chapter) or a mother calling Mrs. Piggle-Wiggle for advice. Though she has children in her house and makes observations about their behavior, she later mentions she doesn’t offer unsolicited advice about behavior modifications. She is understanding and gives children the benefit of the doubt. She is emphatic about mentioning children’s good qualities alongside their behavior issues. She doesn’t let negative behavior define a child, instead insisting that their bad behavior is a type of ailment or disease.
Alongside Mrs. Piggle-Wiggle as a central character, the children represented in the rest of the novel’s chapters function as secondary characters throughout the work. They are described in detail within the individual chapters with regard to their behavior problem and its cure. After their chapter, they largely disappear from the narrative, with the exception of later passing mentions. None of the children are characterized in as much detail as Mrs. Piggle-Wiggle, but all function as complex characters. They do not undergo an arc in terms of personality, but they do experience a journey within each chapter in terms of behavior. As such, they are characterized primarily through their original behavior issue and how they respond to the proposed cure for it.
Hubert Prentiss is “a very lucky little boy whose grandfather always sent him wonderful toys for Christmas” (23). Hubert’s father suggests that the toys are sent “to make up for that awful name they had wished on him. Hubert was named for his grandfather. His full name was Hubert Egbert Prentiss” (23). The subject of the Won’t-Pick-Up-Toys-Cure, Hubert’s initial ailment is a refusal to clean up his many toys. Despite this, one of his positive traits is being fairly generous in terms of sharing his toys with other children, which makes him somewhat of a foil to Dick, who initially refuses to share anything with anyone. Despite his nice and presumably expensive toys, Hubert is not described as snobbish. He enjoys the orange crate/tomato can car he is building at Mrs. Piggle-Wiggle’s house as much as the fancy ones his grandfather has sent him. Hubert eventually learns to clean up his toys and demonstrates a significant change in behavior by the end of the chapter. He has clearly been influenced by spending time with Mrs. Piggle-Wiggle since he plays games to amuse himself while he cleans. After cleaning his room, he feels proud of his accomplishment and then joins the parade enthusiastically, “carrying the flag and yelling the loudest” (36).
Mary is the subject of the Answer-Backer cure. Physically, she has red braids, and Mrs. Piggle-Wiggle notes that she has “beautiful red hair and such lovely brown eyes” (41). She is clever and, at several points, is represented as being pleased with herself for coming up with her witty, rude expressions. When she tells her mother about being rude to her teacher, she “looked up at her mother expectantly to see if she would appreciate how smart she was” (38). Later, when Penelope arrives, the parrot says something Mary thought she made up. She is disappointed that her thought wasn’t as original as she’d assumed. Mary’s behavior transformation is a shift from replying rudely to being asked to do anything, then eventually returning to being pleasant when her mother makes a request of her. At the end of the chapter, she still has the impulse to answer back but has developed an increased level of empathy for how it feels to be spoken to rudely from her time with Penelope. She, therefore, decides to reply politely to her mother instead.
Dick is the subject of the Selfishness Cure. One of his positive traits is politeness; he “was certainly a nice-looking boy and was smart in school and behaved well at the table” (51), and Mrs. Piggle-Wiggle notes that he is “the most well-mannered child who comes to visit me, never once forgetting to say Thank you and Please” (55). He is also described as being very obedient. However, his ailment is that he is very greedy and selfish and “cared more about being a selfish, greedy boy than about what people said” (51). He exhibits violence as well as selfishness; when his mother asks him to share peppermint sticks with the neighborhood children, and he refuses, Mary O’Toole attempts to take a candy anyway, and he hits her hand with his baseball bat. Dick’s cure focuses on empathy and how his behavior affects other children. He is mocked by the other children, who begin to exclude him, so he is able to see how it feels to be left out. He changes his attitude completely by the end of the novel, giving his toys to other children and saying, “Do you want to use these? I don’t care” (66).
Patsy is characterized primarily by her ailment and the Radish Cure. The narrator notes that “up to the time of this story Patsy was just an everyday little girl. Sometimes she was good and sometimes she was naughty but usually she did what her mother told her without too much fuss” (68). She then becomes hysterical one day at the thought of taking a bath. When she begins the radish cure, she is again “sweet and didn’t act like a wild animal” (75) and begins collecting dirt until she develops “straggly, uncombed, dust-caked hair” and a “rapidly forming layer of topsoil on her face, neck and arms” (75). When her mother pulls a radish from her forehead, Patsy requests a bath and emerges from a long shower “clean, sweet and smiling” (77).
Siblings Bobby, Larry, and Susan Gray are characterized collectively as the Never-Want-To-Go-To-Bedders. They initially begin whining each evening at bedtime, so Mrs. Piggle-Wiggle suggests letting them stay up as late as they want. They enjoy playing games together and are often described as playing parchesi or tiddlywinks. They become increasingly irritable and quarrelsome with each other as they get more tired. Larry is represented as the ringleader and negative influence on the others in one instance when both Bobby and Susan have fallen asleep, and he wakes them and suggests that they go downstairs to see “if there are any sandwiches or cookies left” (89) from their parents’ guests earlier in the evening. By the end of the chapter, the siblings realize their lack of night sleep is preventing them from enjoying daytime activities like birthday parties, and they request an early bedtime.
Allen is the subject of the Slow-Eater-Tiny-Bite-Taker cure because he suddenly starts eating all his food extremely slowly and in minuscule portions. Physically, he has “curly brown hair and sturdy legs and a very shiny smile” (91). As the cure progresses and he hasn’t eaten enough for a few days, he becomes much paler and more sickly looking. Allen’s mother describes his eating habits as being those of “a scared mosquito” (95), and he takes great enjoyment in eating slowly and cutting his already small portions into even smaller bites. He is, therefore, characterized as methodical and detail-oriented. By the end of the chapter—when he begins eating again after he realizes he is unable to ride the pony—he exhibits pride at his changed behavior via his upright posture on the horse.
Twins Anne and Joan Russell are the subjects of the Fighter-Quarrelers cure and the last chapter of the novel. Mrs. Piggle-Wiggle describes them as “darling little girls and so pretty” (111). They share first names with Betty MacDonald’s real daughters, also named Anne and Joan. They are initially characterized as argumentative and prone to constantly fighting with each other. In the opening scene, Joan pinches Anne awake and tells her there is a spider in their bed, and Anne runs screaming from the room. Joan is thus characterized as the instigator, and Anne as more gullible (because their parents insinuate this has happened before and Anne has fallen for the same trick in the past). They are later described as sensitive. The cure, in which Mr. and Mrs. Russell fight like Anne and Joan so the girls learn what they sound like, works quickly, driving the girls to tears after only one day. At the end of the chapter, the girls are cured of the Fighter-Quarreleritis and behave more kindly toward one another.