59 pages • 1 hour read
Jodi PicoultA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In the middle of the night, Brian and his crew respond to a house fire and learn that a child has been left behind in her bedroom. Brian can’t find the child in her bedroom, instead finding her in her mother’s bedroom. He pulls her out, reflecting on how he is often able to save strangers, but can’t always save the people who matter most to him. Julia arrives at the firehouse as Brian makes breakfast for his crew. He tells her that Sara thinks Anna only wants attention.
At the Fitzgerald home, Brian and Julia find Anna making herself a bowl of cereal in the kitchen. Brian greets Anna, and they briefly talk about his night, including Anna asking if the arsonist struck again. Sara calls and briefly speaks to Anna. When Julia asks Anna if anyone has spoken to Kate about the petition for medical emancipation, Anna becomes upset and spills her cereal. After Brian has showered and changed, he takes Julia and Anna to the hospital to see Kate. Sara asks Julia not to tell Kate that Anna hasn’t dropped her petition. She then defends herself by saying she loves both Kate and Anna and wants what’s best for both of them. Julia speaks to Kate about her illness and history of procedures. Kate mentions Jesse and tells Julia that Jesse is often in trouble because he is overshadowed by her illness. She also describes her relationship with Anna as a typical sisterly relationship.
The novel cuts to the past. On Kate’s eighth birthday, Sara notices a bruise on the back of her leg. Kate has been in remission for five years, but Sara’s thoughts immediately go to relapse. Not long after, a routine bone marrow aspiration reveals that Kate is experiencing molecular relapse. While struggling with this news, Sara brushes off a promise to Jesse, who reacts by attempting to remove his braces himself so his mother will not have to deal with his orthodontic needs any longer.
Dr. Harrison Chance puts Kate on a drug called ALL-TRANS Retinoic Acid (ATRA). The drug works for a short time, but Kate develops resistance to it. Dr. Chance then suggests a donor lymphocyte infusion. Brian balks at the idea of using Anna as a donor, but Sara convinces him that they have to try. They bring Anna to the hospital for the procedure; however, not enough lymphocytes are extracted the first time, so Anna has to go back two more times.
Sara struggles with balancing Kate’s health issues with her everyday life. At one point, her sister Zanne takes her to a hotel in Boston where they drink several expensive bottles of wine. Zanne calls Sara a martyr, and Sara expresses how hard it is to be strong all the time. At home, Sara finds herself forced to save the family goldfish twice, worried that she’s used her only miracle on a fish after the second time.
Anna reflects on a time when she attempted to act as though Kate were already dead in order to adjust to the idea that she might one day die. Sometime later, Anna stole some of Kate’s makeup to go on a date with a male classmate, and the two wrestled until Kate made the comment that Anna was “killing me” (181). This comment sobered them both.
Anna sits in the hospital cafeteria with her parents, where her mother once again attempts to convince her to drop the petition; Anna refuses. As they argue, the sheriff, Vern Stackhouse, comes over with paperwork from the court informing Sara that Campbell has filed a restraining order against her; the order will require Sara to move out of the family home. Sara and Brian fight all the way to the courthouse. There is press outside wanting to know more about Anna’s petition. Anna and Brian wait in the hallway, while Sara and Campbell speak to Judge DeSalvo. Julia arrives and Anna, upset over her parents’ fighting, tells her that she’s changed her mind about the petition. When Julia leaves, Brian suggests that Anna needs some space to figure things out. He offers to allow her to move into the firehouse with him.
Campbell wades through the press to meet with Judge DeSalvo and Sara. Judge DeSalvo is outraged to hear that Sara has spoken to Anna about the case despite his order against it. Julia joins the meeting and tells Judge DeSalvo that she doesn’t believe Sara should be removed from her home. Judge DeSalvo tells Sara that she can remain in her home, but if she speaks to Anna again about the case, he will personally have her removed. Campbell rushes out of the room, demanding to see Anna, but Anna is gone. Julia rushes after Campbell, arguing with him over the position he has placed Anna in; she questions his motives. Campbell’s dog Judge is alerting, but Campbell continues to argue with Julia as he searches for a private place to go. Finally, he finds a small conference room and tells Julia that he has a meeting inside.
Julia visits Jesse at his home, where he attempts to flirt with her. When Julia asks Jesse what it was like growing up in the Fitzgerald family, he tells her a story about a time when Kate had an infection, and she was hospitalized along with Anna who was donating granulocytes. Left with the neighbors, Jesse snuck out and chopped down a tree in his front yard on Christmas Eve, decorating it alone. The next morning, he opened presents his parents clearly bought last minute from the hospital gift shop. He says he’s always forgotten, but Anna isn’t because of her ability to donate to Kate. At the same time, Jesse says no one truly has a choice in these decisions.
Anna settles in at the firehouse, but Sara is annoyed with Brian for allowing her to move out of the house. During the night, the firehouse gets an ambulance call; Anna goes along for the ride. The call is for an elderly woman who fell and cut her head. Anna is hopeful about the woman’s survival and Brian is saddened that she only sees that the woman can be helped, not how difficult her situation truly is. When it’s time to leave the hospital, Brian finds Anna asleep in her mother’s arms.
There is irony in Brian’s career as a fireman because he is trained to rescue people, but his own child is dying and there is little he can do to help her. At the same time, Brian is beginning to realize that Sara’s hyperfocus on Kate has placed Anna in a difficult position that his wife isn’t taking seriously. It is clear that Brian doesn’t always agree with Sara’s decisions because he offers Anna the space she needs to think through her petition for medical emancipation. There aren’t necessarily “sides” in this situation, but Brian seems to understand that his and Sara’s expectations of Anna are unfair. However, this understanding isn’t necessarily new, as he previously balked at the idea of using five-year-old Anna to provide a leukocyte transfusion for Kate. Regardless of his feelings, he still doesn’t oppose his wife in a way that fully protects Anna—making him complicit in Anna’s lifestyle thus far.
The Fitzgerald family’s dynamics are further revealed as Julia delves into Anna’s case. The shadow of Kate’s potential death is a common theme in the conversations Julia has with the family members, even Kate herself. This sword of death hanging over everyone impacts the way they interact with each other and how the children develop psychologically. For example, it is not normal for a child to pretend her sister is dead because it might become reality the way Anna has done in the past.
The history of Kate’s treatments is interlaced with the history of Anna’s donations. These backstories are presented from Sara’s perspective, concentrating on Sara’s drive to keep Kate alive. The novel’s flashbacks not only touch on Sara’s determination, but show how she separates Anna’s pain from Kate’s needs in her mind. She professes to loving both Kate and Anna, and that her actions are for the benefit of both girls, but it is clear that she sees Anna’s pain as lesser. This framing of both girls’ pain foreshadows the court hearing in which Campbell will reveal how many times Anna was hospitalized and suffered complications from procedures.
Ironically, Kate is the only member of the family who seems to notice that Jesse is the child who is most often pushed aside and forgotten. Not only does Kate outright say that Jesse acts out because of her illness, but Jesse himself tells a story about a forgotten Christmas (when Sara and Brian left him with their neighbors, and he had to celebrate alone). While health-related emergencies can understandably cause disruption, Kate and Jesse both understand that Sara and Brian’s hyperfocus on Kate has caused them to neglect Jesse. This again foreshadows Jesse’s motive to cause arson.
The restraining order foreshadowed in Part 3 brings Campbell and Sara back to court, increasing the pressure on Sara not to speak to Anna about the case. It is at this point that Brian stands up for Anna, showing that he doesn’t completely agree with Sara’s neglect of Jesse and Anna. Sara’s reaction reinforces her focus on Kate, as she is angry with Brian for interfering (despite him at least attempting to protect his younger daughter). At this point in the novel, Sara is clearly the antagonist; she lacks concern for Anna’s physical and mental well-being, and actively opposes her petition. At the same time, Picoult continues to show the mental toll of Sara fighting for Kate’s life through flashbacks. There is a flashback in which Sara tries to relax with her sister, but her thoughts remain on Kate. Once again, Picoult paints a picture of a family caught in an impossible situation with no clear resolution.
By Jodi Picoult