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Kent NerburnA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Nerburn feels moved by the Sitting Bull monument, which was designed by a Polish immigrant. Dan explains that the indigenous policemen who killed Sitting Bull were so afraid of retribution that they quickly and unceremoniously buried him in a pine box, violating indigenous burial traditions. Later, when the federal government decided to build a dam and flood the area, Sitting Bull’s descendants took back his body and reburied him near his birthplace in South Dakota. The monument was built shortly after. Dan and Grover place offerings of tobacco at the four corners of the monument, then release it into the wind.
As the men drive away, Dan begins a speech distinguishing between leaders and rulers. He argues that true leaders, like Sitting Bull, are not elected or appointed for a set period, but elevated by the collective decision for as long as they serve the people. He suggests that the federal government saw Sitting Bull as a threat because his people listened to him, and that they sought to replace him with false leaders like the “Indian agents”. Dan argues that modern rulers are not interested in leading, but in empowering and enriching themselves.
Grover drives the group across the Missouri River and into the white town of Mobridge, South Dakota. Nerburn explains to Dan and Grover how glaciers shaped the plains of the Western states. Grover is impressed by this knowledge, and Nerburn realizes that he has not felt validated by Grover or Dan until this point. He wonders if this is how it feels to be indigenous among white people.
The Mobridge Indian Bible College inspires a speech from Dan about indigenous religion. He argues that Jesus lived like an indigenous person, sharing his possessions and speaking to the Creator as his father. Sitting Bull was killed while travelling to investigate the Ghost Dance, a religious practice inspired by a Messiah-like figure named Wovoka. Wovoka preached that the Ghost Dance would resurrect the dead and lead to the creation of a new, peaceful world. Dan suggests that the government opposed the Ghost Dance because it feared that Wovoka was right, and Jesus really might return to punish white people for their treatment of indigenous communities. The fervor of Dan’s speech leaves him exhausted and depressed. Nerburn wonders if he can continue the project.
Grover announces that there are two hours left in their journey. As they drive into the night, Nerburn grows increasingly uncomfortable with Dan’s silence. Nerburn can sense Dan’s anger and depression building in the aftermath of his speech about the Ghost Dance and Sitting Bull. Although he knows Dan and Grover value silence, Nerburn begins to question Dan about how white people can atone for the crimes of their ancestors. Dan replies that he is too old to have a solution, and that young people must find the answer. When Nerburn protests that the purpose of their book is to find a solution, Dan accuses him of pushing too hard. He claims that white people have been pushing indigenous communities since they first arrived on the American continent.
Sensing Dan’s growing anger, Grover pulls over and turns off the car. Dan leaves the car and wanders off into the darkened plains, chanting softly to himself in Lakota. Grover explains that Dan is close to the spirit world, and can sometimes see across. Although Nerburn is anxious for Dan’s safety, Grover seems unconcerned. He points to a hawk flying overhead and explains that it is watching over Dan. Soon after, Dan returns to the car, his mood visibly improved.
After hours of driving, the trio arrives at their destination: a tiny, disheveled house in the middle of a wide basin. An old indigenous woman, whom Grover identifies as Annie, greets them. Dan disappears into a back room, and Annie tells Nerburn to sleep on a bed outside. The next morning, Nerburn sits with Annie as the sun rises. She prays in English with Catholic rosary beads then shows Nerburn a picture of herself and Dan as children at an Industrial School.
Another truck arrives carrying a young indigenous family who introduce themselves formally to Nerburn. Nerburn learns that the young woman, Danelle, is the daughter of Dan’s late son Bobby, and that Annie is Bobby’s mother-in-law. Danelle’s husband reveals that Dan’s wife was a white social worker. Danelle questions Nerburn’s intentions with her grandfather. When Nerburn promises that he is trying to help, Danelle makes him promise to follow Dan’s instructions. She warns Nerburn not to listen to Dan when it comes to women, noting that he married a white woman. She claims that Dan doesn’t understand indigenous women, but that they are the future of indigenous culture.
As Grover and Dan say their goodbyes, Danelle’s three young children approach Nerburn. The youngest boy, Eugene, has fair skin, curly blond hair and blue eyes, and looks dramatically different than his dark-featured siblings, Myron and April. Eugene asks Nerburn if he is white, and explains that his father is a white man living in California. The exchange makes Nerburn miss his own son even more. Nerburn gives the three children quarters and tries to speak to Myron, but he refuses. When Myron finally walks away, Eugene reluctantly follows him.
As the group drives away, Nerburn continues to think about Eugene. As if reading his mind, Dan asks why he dedicated so much attention to the boy. Nerburn defensively explains that Eugene reminded him of his son, but Dan insists that Nerburn was drawn to him because he is half-white. He argues that white people don’t see children like Eugene as indigenous, but they also don’t see them as white. On the other hand, indigenous communities treat mixed-race children as a full part of the indigenous community. When Nerburn protests, Dan gives him a drawing made by April depicting Nerburn and Eugene laughing apart from the other children.
This section of Neither Wolf Nor Dog reflects the book’s thematic interest in The Lasting Trauma of America’s Violence Against Indigenous Communities. The group’s visit to the Sitting Bull Burial Site gives Dan an opportunity to demonstrate this overt and historical legacy of violence. Dan explains that Sitting Bull was killed because of his involvement in the Ghost Dance movement, which the federal government viewed as a threat to their power. He explains that, after years of the federal government “killing us and chasing us from our land just so they could get rich,” indigenous communities “had all become dead in our hearts” (210). However, when the federal government saw indigenous communities “coming alive again” with the Ghost Dance movement, “it had to kill” powerful indigenous leaders like Sitting Bull to destroy the perceived threat (210). As Dan notes, the death of Sitting Bull and the fervor of the Ghost Dance movement led directly to the massacre at Wounded Knee, the deadliest mass-shooting in American history. Dan’s description of this bloody chain reaction demonstrates the historical legacy of violence in the federal government’s treatment of indigenous communities. As he notes grimly to Nerburn, indigenous people “have lived with you pushing against us for five hundred years” (220). This history of violence is central to Dan’s understanding of his world.
The chapters in this section also emphasize the continued traumatic impact of these violent events in the present. The oldest characters in the book—such as Dan, Annie, and Annie’s unnamed husband—offer poignant examples of this trauma. All three of these indigenous elders were taken from their families and sent to Industrial Schools to be forcibly assimilated. The forced assimilation distances Annie from her indigenous faith and she converts to Catholicism, while her husband joins the military and loses his legs. As Annie’s granddaughter Danelle puts it, the federal government robbed them of intrinsic parts of themselves: “they stole his body and they stole her spirit” (248). Nerburn depicts Annie and her husband as personal manifestations of the traumatic legacy of the federal government’s Industrial Schools. Dan also struggles to deal with the trauma of the way white people have treated him. Nerburn describes Dan as “stubborn but broken, empty of dreams, devoid of hope” (212). As the trio drives through the white town of Mobridge, South Dakota, Nerburn realizes that Dan “didn’t get to white towns often, and they made him uncomfortable” (205). Dan’s reluctance to be in primarily-white areas speaks to his personal history of trauma and experiences of both interpersonal and institutionalized marginalization, abuse and violence.
Throughout these chapters, Nerburn explicitly identifies the concrete ramifications of this legacy of violence, juxtaposed with the natural beauty and Power of the Western Landscape. As Annie’s granddaughter Danelle explains, federal policies make it difficult for indigenous people to work while remaining with their families on the reservation. Annie argues that when indigenous man “can’t provide for their families they leave, or drink, or get angry” (251), continuing a cycle of violence initiated by the federal government against indigenous communities. She worries that the disintegration of indigenous families will lead to the end of indigenous culture, and that “if our culture goes, we go” (248). Despite Danelle’s anxieties, Dan maintains a grim confidence that indigenous communities will outlast the federal government’s attempts to destroy them. Acknowledging the history of violence against indigenous populations, Dan nevertheless insists that indigenous people “will live with you pushing against us for five hundred [years] more” (220).
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