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45 pages 1 hour read

Leila Mottley

Nightcrawling

Fiction | Novel | Adult | Published in 2022

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Chapters 8-14Chapter Summaries & Analyses

Chapter 8 Summary

Kiara takes the bus to the halfway house to visit her mother; Marcus refuses to accompany her. She thinks about the day their father was released from prison and she and Marcus went with their mother to pick him up.

At the halfway house, Kiara repeatedly asks her mother for Uncle Ty’s phone number, but her mother avoids the subject, telling Kiara that she will return home soon. Kiara grows frustrated, especially when her mother asks her to write a recommendation letter on her behalf. Kiara recalls the circumstances that led to her mother’s incarceration—her toddler sister Soraya’s death by drowning in the pool at the apartment complex—and demands that her mother take responsibility for her action.

Chapter 9 Summary

After returning from the visit with her mother, Kiara walks the streets in search of potential johns. She is approached by one, but instead of taking her to a car or hotel room, he pulls her down a street and assaults her. Police arrive and tell Kiara she will be taken into custody.

Chapter 10 Summary

The police have offered Kiara a deal: They won’t arrest her, and in exchange she will be “on call” for officers of the Oakland Police Department. She describes how she is the “prize” for the winner of card games at secret parties and, though the money she is paid has helped her pay the rent, she regrets agreeing to this arrangement.

After seven days with no calls, Kiara decides to go to Bottle Caps, the liquor store where she worked previously, to inquire about additional hours. On the way she stops to visit Alé at the taqueria. Alé decides to accompany her so that she can skate at the skatepark near Bottle Caps. Kiara learns that Ruth, her contact at Bottle Caps, has died; the new owner is not willing to rehire Kiara. She joins Alé, telling her the news. As they sit together, Camila approaches. She encourages Kiara to let her introduce her to a friend of hers, Desmond, who can become Kiara’s pimp. When Kiara leaves, Alé admonishes Kiara for engaging in sex work, but Kiara is certain she has no other option.

Chapter 11 Summary

As she arrives home, Kiara receives a phone call from Shauna, who is worried that Marcus, Cole, and their friends may be involved in some illegal activities. Just as Kiara hangs up, insisting she can do nothing to help Shauna, Marcus arrives. He tells Kiara he has a surprise for her, and they bike to an overpass, where Marcus unloads a backpack filled with cans of spray paint in several colors.

Kiara explains that she began tagging—making graffiti art—when she was 13. Marcus supplied the paint and later encouraged her to make paintings to sell. When they did not sell, Kiara stopped painting. But the array of paint in front of her excites her, and Kiara proceeds to paint an image from a recurring dream she’s been having: that of a young girl standing in a meadow. Kiara decides to tell Marcus about her arrangement with the police, and an argument follows. Kiara begs him to try asking Uncle Ty for help. When Marcus refuses, Kiara tells him he can no longer live in the apartment.

Chapter 12 Summary

Kiara and Trevor have been earning some money by continuing to run bets on basketball games—enough for Kiara to pay rent for the month of March. After Marcus moves out, she prepares for the party at Desmond’s house. She sets off on foot but accepts a ride from a group of women on the way there.

At Desmond’s house, Kiara finds a lively party. She gets a drink and searches for Camila, finding her on the patio. Camila takes her to a bedroom where Desmond lounges and smokes, surrounded by women and girls, many of them as young as Kiara. She speaks briefly with Desmond but keeps her guard up.

Chapter 13 Summary

Kiara has sex in a shed with one john, then another. Afterward she finds Camila, who is dancing. Kiara dances with her, then answers her ringing phone. It is one of the police officers, calling to inform her that undercover police are present at the party and that it is about to be broken up. He instructs Kiara to meet him outside, and she obeys.

The officer, whom Kiara knows by his badge number, 612, takes her to his home. After they have sex, he refuses to pay Kiara, but then agrees to do so if she will spend the night with him. She reluctantly complies.

Chapter 14 Summary

A few weeks pass, and on her 18th birthday, Kiara and Trevor bake a cake. Kiara has planned for the day to be just for the two of them, and Trevor wants to swim in the pool. When Kiara protests that she does not know how to swim, he insists he will teach her.

Two police officers—a man and a woman—suddenly appear, looking for Kia Holt, the name Kiara uses on the streets. She gets dressed and is taken to the police station, where the two officers attempt to get her to admit to being trafficked by Oakland police. Kiara refuses to provide any information. After several hours, she is escorted out of the station, which is surrounded by protesters, and taken back to her apartment.

Chapters 8-14 Analysis

This section is fraught with conflict as the central plot point—Kiara’s involvement in the police department’s sex ring—occurs. When police catch Kiara engaging in sex work, she immediately finds herself in a powerless position. Kiara’s forced compliance in their sex parties becomes a bargaining chip that they exploit to the fullest extent. Kiara is aware of her powerlessness, frequently noting that if she were to refuse to make herself available for sex, she would certainly be arrested for sex work.

The trauma Kiara endures at the hands of the police is unmistakable: She drinks alcohol to numb herself during the “parties,” she feels constantly nauseated, she mutilates her hands, and her body tenses every time she hears a siren. During the first few times she engaged in sex work, she managed to stifle her emotions, convincing herself that it was “just sex, just skin” (100). But as time goes on, she can no longer deny that what is happening to her is not sex but rape, and it is having a profound effect on her. The violence and danger of these encounters is underscored when police hold guns to her head during the act. Embraces and physical touch, which previously brought her comfort, have become negatively charged. When she paints the picture of the young girl in the meadow, she symbolically mourns the child she never got to be.

The relationship between Kiara and Marcus becomes increasingly complicated. His gift of paint for tagging is an uncharacteristically altruistic gesture, and Kiara regards it as a sign that the “old Marcus” has returned. Yet she knows that Marcus will not change unless she forces some “tough love” upon him. She realizes that kicking him out of their apartment could very likely drive them further apart, but she holds out hope that the foundation they have established and the Responsibility to Family will win out. Unfortunately, Kiara’s fears come to fruition, as Marcus becomes involved in the sale of illegal drugs.

Just as the divide between Kiara and Marcus grows, Kiara grows more isolated in other ways. Ruth’s death is devastating to Kiara, and it also means she has even fewer avenues for employment. Desperate, Kiara agrees to visit Mama, but Mama has little sympathy for Kiara’s struggles and instead focuses on how Kiara might be of help to her. Ironically, Kiara’s transactional relationship with Mama mirrors her relationship with the police. Neither Mama nor the police are willing to give something to Kiara without reciprocation.

Kiara also grows more isolated from Alé, whose response to Kiara’s sex work is conflicted. She cares about Kiara and recognizes her desperation, but her view of Kiara’s circumstances is complicated by her sister Clara’s disappearance. Alé believes that Clara was likely kidnapped by sex traffickers, and thus she regards Kiara as choosing the pain that Clara may be involuntarily enduring. This parallel makes it difficult for Alé to face Kiara, and she pulls away.

Camila is one of the few characters who appears to be concerned for Kiara’s safety and well-being. Having figured out how the sex-work industry operates and how to turn it to her advantage, Camila represents a type of success story. It is evident to Kiara that Camila has power and authority that other sex workers lack. In this respect, she serves as a foil to them, though the novel will later call into question just how much power Camila has.

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