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Rachel Louise SnyderA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Snyder takes a trip to a town outside of Billings, Montana to see Paul Monson, an electrical design technician in his early sixties. In 2001, Monson’s son-in-law Rocky bought a gun from a local newspaper advertisement and returned home to shoot Monson’s daughter, Michelle, aged 23, and his two grandchildren, ages 6 and 7, before killing himself.
Snyder backtracks to a pivotal moment in her own life, when she was recently returned from Cambodia and met Suzanne Dubus. Snyder had chronicled harrowing tales of survival in Cambodia, and in America she felt insulated and unfulfilled. Dubus told Snyder that she was working on a program to predict domestic violence homicides, launching Snyder’s 10-year investigation into the issue.
Domestic violence is so prevalent that Snyder characterizes it as being “as common as rain […] 137 women each and every day are killed by intimate partner or familial violence across the globe. This does not include men. Or children” (5). Talking to Dubus, Snyder realized that the violence she witnessed all over the world happens every day in the United States, and that her assumptions about domestic violence—about legal solutions like restraining orders and the agency of victims—were all wrong. She also vastly underestimated the problem: “Between 2000 and 2006, 3,200 American soldiers were killed; during that same period, domestic homicide in the United States claimed 10,600 lives […] Twenty people in the United States are assaulted every minute by their partners” (6). 85 percent of domestic violence victims are female, Snyder says, and in 2017 alone, 50,000 women were killed by partners or family members. These realizations ultimately led Snyder to write No Visible Bruises.
Nearly all of society’s ills—poverty, crime, homelessness, and racial inequality—interact with domestic violence issues, which “cost […] us personally and collectively, in fractured communities, families, people. In severed lives and lost opportunities. In enormous financial burdens to victims, to taxpayers, to the criminal justice system” (7). Medical treatment for domestic violence costs taxpayers over $8 billion annually, and domestic violence is the root of homelessness for many women. Compounding the problem is the fact that domestic violence is often a learned behavior that continues in the next generation, which makes it a self-perpetuating cycle. Mass shootings can also begin with domestic violence, as in the case of Adam Lanza, who killed his mother before opening fire on students at Sandy Hook Elementary School.
Snyder’s research led her to Paul Monson, who finds it nearly impossible to speak of what happened to his daughter and grandchildren. Reporters and researchers struggle with the same problem: “One of the most difficult aspects of writing about domestic violence is that you’re writing about a situation of such intense volatility that you risk endangering victims who are already right in the middle of an explosive and dangerous situation” (9). This partially explains why the issue receives so little coverage.
Combatting domestic violence at the federal level falls to the Office of Violence Against Women, a division of the Department of Justice. The budget for this office is only $489 million of an annual DOJ budget of $28 billion. Snyder suggests that if 50 men a month were killed by gun-wielding women, the problem of domestic violence would garner far more press attention and receive far more government money.
Snyder suggests that religion is partly to blame for domestic abuse, given that men have interpreted religious texts to justify controlling women like slaves and animals. Until the 1970s, most American people and courts believed that if a man was violent in the home, it was because his wife provoked him. In several countries, domestic violence is still legal: “These include Egypt, Haiti, Latvia, Uzbekistan, and the Congo, among others. And then there’s Russia, which in 2017 decriminalized any domestic violence that doesn’t result in bodily injury” (12).
In the US, the first real legislative act against domestic violence occurred in 1984, when the Family Violence Prevention and Services Act funded shelters and victims’ resources. In the 1990s, the US criminalized stalking, but Snyder says that even today stalking is not taken seriously, despite the fact that it is the precursor to domestic violence homicide in 75 percent of cases. Two other events in the 1990s also resulted in improvements in the handling of domestic violence. One was the trial of OJ Simpson, accused of killing his estranged wife. Television coverage of the trial listed domestic violence resources on the screen, and calls to shelters and hotlines skyrocketed. The second event was the Violence Against Women Act (VAWA), which passed in 1994 and grants cities and towns federal funding to address domestic violence. VAWA has to be reauthorized every three years (and was last reauthorized in 2021).
Snyder outlines her central purpose in writing the book: “My goal for No Visible Bruises, then, is to shine a flashlight in the darkest corners, to show what domestic violence looks like from the inside out” (15-16). Section One, she says, will look at why victims like Michelle Monson stay with their abusers. Section Two will look at the abusers themselves to discover why they abuse and whether rehabilitation is possible. Section Three will look at the work that is being done to interrupt the cycle of domestic violence. Snyder also explains that she will use “he” to represent a perpetrator and “she” for the victim, which is not to deny that women abuse men, or that LGBTQ couples experience domestic violence; rather, it recognizes that in the vast majority of cases, men abuse women. Snyder also refrains from replacing “victim” with “survivor” unless she knows for a fact that the victim did survive, and while she recognizes the difficulties inherent in the term “domestic violence,” she chooses to retain that usage for lack of a better, more comprehensive term.
Paul Monson used to love having Michelle’s children, Kristy and Kyle, visit his spacious Montana home, where they would run through the house like “little lunatics” (21). Michelle got pregnant when she was 14 and her eventual husband was 24. The baby Michelle had when she was 15 kept Rocky in her life long past the time when an adolescent attraction might have fizzled out. Rocky used to film everything, and Monson has fruitlessly watched the videos for clues of the violence that would take his daughter and grandchildren.
Snyder also speaks to Sally Sjaastad, Monson’s ex-wife; the couple divorced when Michelle was 8. Initially, the couple’s three daughters lived with Sally, but as the girls became teenagers, they gravitated towards their father’s house where the rules were less strict. Oftentimes, Sjaastad says, Monson would have no idea where his daughters were. The lack of supervision enabled Rocky’s relationship with Michelle. Sjaastad intervened, believing that Michelle would obey her and stop seeing Rocky.
On one occasion, Rocky beat Paul Monson’s door down to get to Michelle, but Monson did not see Rocky as being dangerously violent at the time. Monson’s willingness to downplay the incident is not uncommon; if it had been a stranger beating on the door, Monson would likely have called the police, but “when it comes to people we know, people we see in other contexts—as fathers, brothers, sons, cousins, mothers, whatever—we have trouble registering the violence” (23-24). Furthermore, Monson tells Snyder that Montana is a patriarchal place that values autonomy.
Unlike Monson, who sometimes struggles to talk to Snyder through his grief, Sjaastad keeps Michelle’s memory alive by speaking of her often. The differing reactions of the parents are typical, Snyder says: “I’ve found, in the face of overwhelming tragedy, that women often talk and talk, and men fall silent. Sally carries a swirl of memories like a nest around her; Paul holds those memories like stones inside him” (25).
Despite having two kids by her senior year of high school, Michelle graduated on time. She was obviously smart and motivated, which raises the question of why she stayed with Rocky. Snyder suggests that Michelle understood, as other victims do, that “as dangerous as it is in their homes, it is almost always far more dangerous to leave” (25).
Rocky had spent a year in a Texas prison on drug charges when he met 14-year-old Michelle, who was drawn to his sense of humor and the freedom his age provided. Michelle and Rocky became a couple after a week, and soon Michelle was pregnant. When Michelle told her mother, Sjaastad wanted to press statutory rape charges against Rocky, but Michelle threatened to run away if she did. Sjaastad consulted a counselor for advice on how to deal with the situation, and the counselor advised Sjaastad to wait it out, saying that Rocky would soon tire of Michelle’s youth and leave her.
Alyssa, Michelle’s sister, was Michelle’s best friend and “barnacle sibling”; the two girls were always together. When Michelle met Rocky, Alyssa was dating an older guy, and Alyssa wonders whether that influenced Michelle’s decision to be with Rocky. Sjaastad admits that after she and Monson divorced, much of her attention focused on Michelle’s older sister Melanie, who has ADHD and found it difficult to handle her parents’ split. This gave Michelle and Alyssa the freedom to do what so many teenagers do: try to dress and act maturely and hang out with older kids.
Rocky Mosure was a quiet guy who loved the outdoors, just like his father, for whom he was named. Gordon Mosure was an Air Force vet who married Rocky’s mother, Linda, when she became pregnant. When Gordon and Linda divorced, Gordon got custody of Rocky and his two younger siblings, quickly beginning a relationship with a coworker, Sarah, who assumed a maternal role. Gordon took a new job in Montana, and without any warning, he and Sarah moved the kids there from Ohio. It was five years before Rocky saw his mother again.
Rocky and his siblings were behind in school when they arrived in Montana, and none of them would go on to graduate. Yet even as the kids floundered, Gordon stayed silent. Still, as Rocky began drinking excessively, stealing, and flouting the household rules, his parents tried to intervene, enlisting various forms of professional help. Counselors blamed Gordon and Linda’s divorce for Rocky’s problems, but even Rocky said that his life was better after the divorce, when his parents no longer fought.
As they searched for the reason for Rocky’s behavior, Sarah wondered whether “Rocky’d been born without a conscience” (31). She realizes in hindsight that the divorce and sudden move must have profoundly impacted the children. Sarah and Gordon also believe that drugs and alcohol stunted Rocky’s emotional development, and they wonder what they could have done differently, and what clues they missed: “They live in this suspended state of grief. A kind of emotional purgatory. They know they are not alone in their sadness, in their rage, but they believe they are alone in their guilt” (33).
When Michelle found out, on her 15th birthday in September of 1993, that she was pregnant, it was the first time Sarah and Gordon knew her real age. They were livid. Michelle went into labor three months early: “Sally felt like the doctors didn’t take Michelle seriously because they saw her as just another throwaway teenage mother. It infuriated her. Michelle was in and out of the emergency room for the next two weeks” (33-34). Kristy was born with underdeveloped lungs and spent the first months of her life in the NICU. Rocky visited the hospital every day, and even Sjaastad had to admit that Rocky seemed to love Michelle and their baby.
In the Preface, Snyder introduces Paul Monson and informs the reader of the circumstances of his daughter’s death . Snyder then leaves that thread and contextualizes it within the broader problem of domestic violence in America. Using several startling facts and figures, Snyder establishes that there is a huge domestic violence problem in the US, and that domestic violence comes with an enormous cost—in taxpayer money, in broken families, and in human lives. She provides an overview of the history of domestic violence, including its religious roots and the legislation that has historically allowed men to abuse women, and summarizes 30 years of US legislation aimed at curbing the problem. Snyder then provides context for her own interest in the topic, establishing her credibility while also engaging her readers emotionally. Finally, she lays out her overall plan for the book and explains the rationale behind authorial decisions that could be controversial (e.g. assuming a male perpetrator).
Chapter 1 returns to Michelle and provides the backstory that allowed adolescent Michelle to become involved with Rocky Mosure, who was 10 years older and a high-school dropout who had spent a year in prison. Snyder approaches Michelle’s story and parents sympathetically and without judgment. Her intention is to provide a factual account of Michelle’s life laced with the observations and emotions hindsight affords, and to show how Michelle’s parents live with regret, questions, and unbearable sorrow. While Michelle’s mother might blame Michelle’s father for not supervising his daughters, Snyder aims to show that there were several factors—familial, cultural, social—that led to Michelle and Rocky’s relationship; nevertheless, she also contextualizes Sally’s interpretation as an understandable response to the situation. In the same way, Snyder suggests that there were several factors that led Michelle to believe that her children were better off with a father in the house and that the prudent course of action was to bide her time with Rocky until she and the children could safely leave.
Chapter 2 looks at two other contextual factors around Michelle’s relationship with Rocky: the fact that Michelle’s sister/best friend Alyssa was dating one of Rocky’s friends, and the fact that when Sally went to a counselor for advice, the counselor told Sally to wait it out and let the relationship run its own course. While Snyder does not dive deeply into either of these factors, she includes them as evidence that there were several moments where things could have gone very differently. Had Alyssa not been dating Rocky’s friend, perhaps Michelle would not have been so keen to date Rocky; had Alyssa broken up with her boyfriend, perhaps she might have persuaded Michelle to do the same. Similarly, had the counselor advised Sally to press charges against Rocky, perhaps Rocky would have been sent to jail and barred from seeing Michelle. Yet all of this speculation benefits from the clarity of hindsight, and Snyder’s aim is to show that nothing happens in a vacuum, including domestic violence; small and seemingly inconsequential factors can lead women to stay with abusers.
Chapter 3 humanizes Rocky Mosure by describing his attributes and the traumas and disruptions of his childhood. Snyder points out that Rocky seemed to stop growing emotionally as an adolescent, which might have had to do with substance abuse. This suggests another factor in Michelle’s decision to stay: that she possibly came to view Rocky as someone she was responsible for.
By the end of the Preface and first three chapters, Snyder leaves readers little room to doubt that domestic abuse is a deeply embedded, insidious problem in America—a problem that involves toxic masculinity, institutionalized patriarchy, flawed views of paternal roles, and systemic barriers to women. Michelle and Rocky may not be people we know, Snyder suggests, but they easily could be. Regardless, as (presumed) American citizens, we ourselves are directly impacted by domestic violence—through tax burdens, racial injustice, violence, and the judicial and penal systems, among other factors—every day.
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