85 pages • 2 hours read
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Alexandra, the daughter of Swedish immigrants, is the ultimate pioneer. She is resilient, at one with nature, and imaginative. She is responsible for making a success of her family farm, setting up her brothers with a secure life, and helping build the settlement town of Hanover in Nebraska. Alexandra is a subversive female character in many ways. Though pretty—she has blue eyes and “reddish-yellow” curls—she defies the norms of her time period by not marrying. Her demeanor is serious, and while she sometimes fantasizes about having a male partner (and clearly loves Carl in some fashion), she is not sentimental about men. Alexandra grew up in tough circumstances, which hardened her against frivolous romance. Even so, her difficult upbringing did not harden her against love. She is nurturing and maternal to Emil, as well as generous with her family and neighbors. She is a steadfast character whose very lack of character development—that is, her resoluteness in the face of all adversity—emphasizes her pioneer nature.
Emil is Alexandra’s youngest brother. He is unique in his family as a second-generation American who owes his privilege to his parents and siblings’ struggles. Emil is too young to remember his family’s hard times, and he largely doesn’t perform the manual labor that helped make the farm an unlikely success. Instead, Emil receives an education and travels, lacking deep roots in the land. His brothers are suspicious of his intellect, highlighting a major difference between Emil and his family. His deepest conflict is that he is in love with Marie, a married woman. Emil’s passion and youth land him in trouble with Marie’s husband, who murders him, making Emil yet another symbol of loss for Alexandra.
Marie comes from a “Bohemian” (Czech) family in Hanover. She is an ardent Catholic but also bold, outgoing, and flirtatious. Though somewhat spoiled and accustomed to getting what she wants, she is well liked in Hanover and enjoys a special friendship with Alexandra. Marie elopes with her husband, Frank, when she is 18 years old—too young to know how mismatched their personalities are. When she realizes that she made a mistake, she holds herself responsible for Frank’s unhappiness. Her attraction to Emil, who has always been a good friend to her, heightens this inner conflict. Marie is determined to make her marriage a success, but she is also a woman held back from fulfilling her desires by the social norms of her time period and culture. Marie gives in to those desires and ends up suffering a painful and tragic death at the hands of her husband.
Oscar and Lou are Alexandra’s oldest brothers. They don’t have the same pioneering spirit as Alexandra, but they follow her lead and toil the land to success. Nevertheless, Oscar and Lou grow up resenting Alexandra for her role as head of the family. They start their own families and extend their land holdings, but they seek to control Alexandra’s personal life and accuse her of spoiling Emil. Oscar and Lou represent an old-fashioned male perspective; they believe that women should be wives and mothers and that too much education ruins a man. Oscar and Lou largely disappear in later parts of the novel due to a falling-out with Alexandra. They are foils to Alexandra and serve to highlight her ingenuity and nurturing qualities.
Carl is an old friend of Alexandra’s. As a teenager he grows disillusioned with farming the harsh Nebraskan land, and his family moves away when it becomes evident that their farm will fail beyond repair. Carl returns years later to visit Alexandra. As adults, his friendship with Alexandra is seen as improper. Her brothers suspect that Carl wants to marry her for money; Carl is a freelance worker with no real home, and Oscar and Lou view a man without settled roots or a family as untrustworthy. However, Carl is genuinely kind and wants to be with Alexandra for the right reasons. He returns in Part 5 to save Alexandra from her loneliness.
By Willa Cather