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54 pages 1 hour read

David Nicholls

One Day

Fiction | Novel | Adult | Published in 2009

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Character Analysis

Emma Morley

Emma Morley, the protagonist of One Day alongside Dexter Mayhew, is a multi-faceted character who undergoes a transformative journey of Personal Growth and Self-Discovery throughout the novel, evolving significantly over the years. Initially portrayed as idealistic and optimistic, Emma graduates with high aspirations of making a difference in the world after achieving a first-class degree in English and History. She is outspoken about her political beliefs—her room, as described by Dexter, is “a manifesto,” full of “art postcards and photocopied posters for angry plays,” and she is “of those girls who used ‘bourgeois’ as a term of abuse” (15). Emma holds a disdain for materialism and judges Dexter as shallow for wanting to pursue wealth and fame. At the same time, she doesn’t feel prepared for adulthood and is apprehensive about the future. Physically, the younger Emma is characterized by her disheveled red hair, puffy skin, plump chin, large and bright eyes, and rosy cheeks—physical traits that complement her vibrant personality and youthful idealism.

Emma confronts the harsh realities of life after college as she moves to London. Despite her efforts, she struggles to find a job that resonates with her. Working as a server, she feels trapped and disillusioned, sensing that London has crushed her aspirations. Emma’s professional journey therefore exemplifies the theme of Navigating Life's Expectations and Realities—as her idealism collides with the harshness of the real world, leaving her disillusioned. Since their first night together, Emma has been in love with Dexter, but, despite her typically outspoken nature, she is unable to articulate her feelings. This internal struggle contributes to her dissatisfaction, leading her into relationships that fail to fulfill her.

Emma is described as messy, uninterested in glamour, and indifferent to wealth. In Chapter 13, she drives a fourth-hand Fiat Panda, and, while getting ready for a friend’s wedding, she self-deprecatingly remarks that she “[looks] like a kid trying on her mother’s make-up” (200). At the wedding, her dress doesn’t fit her right, and an old archenemy teases her about her past chubbiness and strong Northern accent. Emma also lacks a desire for family life and finds conversations about children annoying, though she later dreams of conceiving a child with Dexter.

On her journey of Personal Growth and Self-Discovery, Emma eventually achieves her long-held dream of becoming a successful novelist. She writes several best-selling books, even receiving fan mail and briefly moving to Paris, where she polishes her appearance to emulate the iconic style of actor Jean Seberg. Emma notices a shift within herself, becoming less idealistic and more subdued. In Chapter 18, she reflects on how her younger self might view her now as a “bourgeois sell-out, with an appetite for homeownership and foreign travel, clothes from Paris and expensive haircuts” (283). She also desires a child with Dexter—after years of unsuccessful attempts to conceive, she grows increasingly frustrated and resentful. Her sudden death at the end of Part 4 underscores The Influence of Timing and Chance in Life.

Dexter Mayhew

Dexter Mayhew is the protagonist of One Day alongside Emma Morley. He comes from a wealthy family and, fresh out of college, he embodies the archetype of the cool kid—he smokes, spends late nights playing strip poker, and is attractive, with a fine nose, full lips, a stylishly coiffed front hair quaff, and well-defined muscles. Dexter’s aspirations revolve around attaining wealth and fame, and he has plans to travel the world for a few years post-graduation. He clashes with Emma over their differing perspectives, and he struggles to comprehend her outspokenness and desire for political activism, questioning why he should apologize for valuing “security, travel, nice food, good manners, ambition” (15).

Dexter’s path of Personal Growth and Self-Discovery in the novel is far from linear, marked by numerous setbacks. After traveling the world in search of himself, he settles in London and ventures into the realm of television, where his natural talent is quickly recognized. Dexter reflects that “appearing on camera had been like sitting at a piano for the first time and discovering he was a virtuoso” (65), indicating a sense of innate talent and effortless success. Dexter embraces this newfound success, sleeping around and living luxuriously. He appears to have found his identity and his purpose in life.

However, beneath Dexter’s facade of success lies a profound inner turmoil. Chapter 6 exposes his vulnerability, as he turns to heavy substance misuse and seeks solace in the company of strangers, driven by a fear of loneliness and impending dread. This behavior strains his relationships—his relationship with Emma withers, and he grows distant from his family. His sick mother worries about him and tells him that he has the potential to be an exceptional young man. Eventually, he loses his job after showing up drunk on live TV and being judged as “the most odious man in television” (126). Dexter’s journey illustrates the theme of Navigating Life's Expectations and Realities—he initially believed the world was his oyster, only to be disillusioned in nearly every aspect of life. When he marries Sylvie and becomes a father, he discovers that family life isn’t inherently idyllic, but rather full of “bickering, meanness, and sullen looks” (225), ultimately leading to divorce.

It's Emma who brings Dexter happiness. During his marriage with Sylvie, he finds solace in occasional meetings with Emma. After his divorce, he is left devastated until his reunion with Emma in Paris. As they build a life together, Dexter finds professional success in a new field, overcomes his substance use disorder, and embraces a more sentimental side—exemplified by his wedding speech, where he expresses being “happier than ever” (274). Emma’s death plunges Dexter back into old habits, yet he manages to navigate this grief. By the end of the novel, Dexter emerges as a mature and changed man, capable of reflecting on the past while also moving forward.

Ian Whitehead

Ian Whitehead is a key secondary character in One Day—he is introduced in Part 1, where he works alongside Emma at Loco Caliente, and later becomes her boyfriend. Ian dreams of becoming a successful stand-up comedian, but he finds himself disappointed by the lack of progress in his career. He starts working at the Tex-Mex restaurant to make ends meet and later works at an electronics store, where he earns little money but manages to keep his evenings free for stand-up gigs. He laments that “life as a stand-up comedian had yet to bring the wealth and TV exposure that it had once promised” (108), echoing the novel’s overarching theme of Navigating Life's Expectations and Realities—Ian grapples with disappointment as he confronts the gap between his aspirations and his current reality.

Ian is characterized by his corny sense of humor—he constantly tries to make Emma laugh. Ian is also portrayed as messy, emotionally chaotic, and immature. While living with Emma, he walks around wearing casual clothes with holes, and he neglects his financial obligations, failing to contribute to the mortgage and squandering money on video games and takeout meals. Ian stands in stark contrast to Dexter, whom he harbors a deep-seated animosity toward. He also becomes envious of Dexter’s relationship with Emma, and, following their breakup, admits to violating Emma’s privacy by reading her old notebooks.

By the end of the novel, however, Ian has grown and matured. After Emma’s death, he reaches out to Dexter, offering comfort and acknowledging their shared loss. He admits that “Emma always loved you, very, very much […] she always lit up and sparkled with you in a way she never did with me” (297). This illustrates the profound evolution of his character. Ian also decides to leave behind his pursuit of comedy, secures a stable position in an insurance office, and finds fulfillment in marriage and parenthood. This narrative arc conveys both the themes of Personal Growth and Self-Discovery and The Evolution and Complexities of Relationships Over Time, as Ian ultimately finds his place in the world and establishes a mature relationship with his former archenemy.

Sylvie Cope

Sylvie Cope is a pivotal secondary character in the novel, instrumental to Dexter’s character development as his wife, whose infidelity leads to their divorce. Described as “classically beautiful” (188), Sylvie has long, straight her, and a tall, slim figure. She comes from a wealthy family that harbors reservations about Dexter due to his reputation as a womanizer with an alcohol use disorder. Sylvie displays minimal affection towards Dexter—when he first tries to profess his love for her in Chapter 12, she doesn’t reply. Dexter observes that she’s “not a big fan of ostentatious displays of affections, of cuddles and hugs” (192). Just as Ian contrasts with Dexter, Sylvie stands as the antithesis of Emma, both in character and appearance, which leads to clashes between them.

After marrying Dexter and welcoming their daughter, Sylvie becomes overwhelmed by her new role as a mother and disillusioned with her husband. In Chapter 14, she vents her frustrations to Dexter, expressing her exasperation with their crying daughter. She’s also deeply troubled by Dexter’s return to drinking—these feelings lead her to seek solace in an affair with Callum, Dexter’s old friend. In a brief moment in Chapter 14 narrated from her perspective, Sylvie worries about Dexter’s drunkenness, wondering “what to do about her husband” (243). However, her divorce from Dexter doesn’t ease her inner troubles, as she harbors resentment toward Emma and Dexter’s happiness.

Like Ian, Sylvie experiences a change in behavior after Emma’s death, growing closer to Dexter. In Chapter 20, she tends to him after a night of drinking, and Dexter notices that she looks at him “with tenderness he rarely saw when they were married” (298). Sylvie’s arc, like Ian’s, serves to illustrate themes of Personal Growth and Self-Discovery and The Evolution and Complexities of Relationships Over Time—over time, Sylvie matures and establishes a more mature relationship with her ex-husband, recognizing the importance of mutual respect and understanding.

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