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Juan RulfoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The revolutionaries leave the ranch. Pedro plans to put El Tilcuate at the head of his 300 men and have them join the revolutionaries, taking over the group from the inside. Pedro gives El Tilcuate money and tells him to find 300 men, promising land and a ranch to the man if he succeeds.
In the present, Juan and Dorotea continue to listen to Susana’s story. She shares her memories of a man and their close romantic relationship. Then, however, the man dies. Juan and Dorotea do not know the man’s identity. Susana continues, explaining how she was waiting for him to return when she was informed of his death. As she recounts her grief, her coffin groans.
In the past, Susana dreams. She is told repeatedly about the death of her husband, Florencio. She blames God for taking her husband and she does not know what to do with herself. Pedro watches his wife sleep, and he wants to help her. When he leaves her bedroom, however, his thoughts turn to other matters. Father Renteria visits Susana the next day. She is “naked and sleeping” (113) in her bed.
Pedro is told by his lawyer that El Tilcuate has been defeated in a battle between the revolutionaries and the Villistas, a rival group of soldiers. The violence is worsening in the region and the lawyer plans to leave the town. He wants to hand over all of Pedro’s important papers, which Pedro says he will burn. He cannot imagine anyone would challenge his legal ownership of the land. The lawyer leaves, but slowly, as he half-expects Pedro to offer him “a large, and welcome, return for his services” (114). Pedro offers him nothing.
The lawyer returns to Pedro a short time later. He has changed his mind; he will stay in Comala and work for Pedro. However, he asks for a “small advance” (115) on his fees. Pedro negotiates over the amount. Like his father and his son, the lawyer believes, Pedro does not understand how much money the lawyer has saved the family, especially with regard to Miguel’s many crimes.
Now head of the servants at the Media Luna ranch, Damiana Cisneros hears the “bellowing of the bulls” (117) outside. Through her window, she sees that Pedro has come to visit a woman named Margarita. Damiana tries to sleep but she hears Pedro calling out to her. She tells him to leave, and he does so, angrily. The following night, “to avoid angering him again” (118), she leaves the door open so that he can come in. He does not come, and Damiana is left envying Margarita. When someone knocks on the door, Damiana is worried. She sees “a band of men” (119) but decides to go to bed, not wanting to involve herself in the matter.
El Tilcuate survived the battle against the Villistas. He explains to Pedro that the battle was just chaos; he actually joined the Villistas as he and Pedro agree that they should be “on the side of whoever’s winning” (119). Now, however, their militia is in dire need of money. Pedro refuses to help. He tells El Tilcuate to take his men and loot Contla. El Tilcuate does so. After he has left, Pedro thinks about his wife. When he had sex with the “small, frightened, trembling” (121) servant girl the previous night, he tried to imagine that she was Susana. He is pained that Susana will never be the young girl with whom he fell in love.
Susana talks to Justina about the nature of sin. She believes the whole world has been consumed by sin. Justina trusts her friend, though she cannot hear those same deep, guttural noises that Susana claims come from the depths of the earth. Justina cleans the room and Susana rests on the bed, thinking aloud about hell, sin, and death. Susana does not believe in heaven, only hell. She falls asleep.
Justina goes to tell Pedro that Susana seems despondent. She seems to have given up on living. Furthermore, Father Renteria did not bring her communion, as he was supposed to do. Pedro visits Susana. When he enters, she is writhing in her bed. He tries to comfort her. As he does so, Renteria appears, bearing the communion. Susana is given communion but, afterward, she speaks about a “glorious day” (123) with Florencio. Then, she falls asleep.
Fausta and Angeles are two elderly women. They see that a light has gone out at Pedro’s ranch and one of the rooms—likely Susana’s room—is now in the dark. They speculate that the “poor, crazy” (124) Susana is dead. Fausta claims that Susana’s condition and possible death are God’s way of punishing Pedro for his sins. The women pass through the town, seeing other people rushing toward the ranch. They hope that Susana was at least able to make a final confession. They fear that her death will distract people from the upcoming Christmas festivities. The women go to their separate homes, agreeing to trust in “Divine Providence” (125).
Father Renteria administers the last rites to Susana, but she does not understand what is happening. She wants to die alone. She refuses to repeat his words. As he talks, she has visions of his face melting. Renteria looks to the doctor, Pedro, and others for support. When he asks Susana to repent her sins, she tells him to go away. Justina begins to cry, causing Susana to shout at her as well. Susana collapses with the effort. She struggles to breathe, sinking “deeper into the night” (128).
In the present, Dorotea claims that she saw Susana die. She is sincere, though Juan is confused.
In the past, the church bells toll to mourn Susana’s death. The “pealing of bells” (128) continues for days, drawing people from the surrounding region. These people do not understand that the bells are sad; they throw a large “fiesta” (130). Pedro is furious that people are enjoying themselves while he is consumed by grief. He plots his revenge by deciding to allow the town to fall into ruin, so that the people will starve.
El Tilcuate tells Pedro about the state of his war. He leads his small militia against similar groups. Pedro is uninterested. So many people are being swept up in the militia violence and the broader revolution that even Father Renteria joins the fight. He joins the rebels, though Pedro insists that his people—led by El Tilcuate —should fight “on the side of the government” (131), though he is told that the government views his people as enemies. Pedro does not care. He lets El Tilcuate pick the side on which the men fight.
Pedro spends the years after Susana’s death in a deep pit of misery. He sits in his chair all night, waiting for his death. Each morning, he relives the exact moment at which Susana died. He mumbles incoherently to himself.
While Pedro is mumbling to himself in his chair, Abundio Martinez tries to go into a store belonging to Gamaliel Villapando. The store is closed, however, as Gamaliel is asleep. He stirs from his hungover sleep just long enough to complain about life. Instead, Abundio speaks to Gamaliel’s mother, Ines. He wants to buy alcohol, he says, “to ease [his] sorrow” (133) as his wife died the previous night. Abundio sold everything he had to afford his wife’s medical care but it was not enough. Ines speaks disjointedly about death and her son, while Abundio mentions that no one will attend his wife’s funeral. Ines agrees to give Abundio two bottles of alcohol, one being free. She also offers her prayers for his dead wife.
Abundio thinks about his wife’s body. It is still in his house. Father Renteria did not arrive in time to perform the last rites as he was away, fighting as a part of the revolution. Abundio drinks a little, listens to Ines’s confused talk, and then takes the rest of his alcohol away. He gets lost on the way home and finds himself on the outskirts of Comala. As he wanders around, Pedro spots him. Pedro sends Damiana to fetch Abundio. By the time she reaches him, he is too drunk to stand. He begs for money “To bury [his] wife” (135). Damiana crosses herself; both she and Abundio feel that the other is some kind of demon. In the distance, Pedro seems to vanish under his coat. Damiana screams. She says that Pedro is being killed. Abundio is still thinking about his wife, whose body is still at home. He begs for “a little money” (136) again but Damiana ignores him. Her screams draw several men to the scene. They find Damiana on the ground. Pedro has been beaten but he has survived. Abundio is holding a “bloody knife” (137) in his hand. The men drag Abundio away as he spews up bile and admits that he is drunk.
Pedro watches as Abundio is dragged away. He sits in his chair, then realizes that he has lost the use of his left hand. This seems familiar, as he feels as though “some part of him” (137) dies each day. His thoughts drift back to Susana. Soon, he realizes that his other hand is also not functioning. Pedro knows that he will die soon. Gradually, his body begins to fail. When his heart stops, he is relieved that he will finally be able to escape the ghosts of nighttime. At the same time, however, he will no longer be able to ignore Abundio and his pleas for help. When Damiana asks him about dinner, Pedro assures her that he will come soon. When he stands, however, he collapses “like a pile of rocks” (139). Pedro is dead.
In an offhand comment, El Tilcuate reveals that Father Renteria has joined the rebels in their fight against the government. The involvement of the “old priest” (131) is an auspicious sign for El Tilcuate; he wants to side with the priest, so as to “be sure of salvation” (131). However, El Tilcuate is misreading Renteria’s involvement in the Mexican Revolution. Renteria has left Comala because of his own hypocrisy: He could no longer tolerate his own failure, having spent years allowing Pedro’s evil to fester in the small town that he was supposed to guard. When he tried to make a confession to a fellow priest, Renteria was told that “it’s not enough to be good” (78).
This refusal lit a spark in Renteria and inspired him to take action. The Mexican Revolution is waged by the rebels against the autocratic landholders like Pedro, so Renteria joins them in order to fight a proxy war against the man whom he has allowed to take over Comala. Renteria is fighting against men like Pedro as he is too scared to fight Pedro himself. At the same time, he has abandoned the people of Comala so that he can deal with his own insecurities and anxieties. His decision to join the revolution may appear—at surface level—to be a brave fight against an oppressive regime but, fundamentally, Renteria is acting in a selfish, fearful manner and washing his hands of his responsibilities as a local priest. He has become so caught up in The Complications of Sin and Grace in his own life that he has forgotten the needs of his congregation.
Susana’s death is not a moment of tragedy, but a moment of release. After returning to Comala, her life has been marked by tragedy. Her father has been killed by the man who claims to love her. That same man has then married her, while refusing to accept that she may still be grieving for the loss of her husband, her mother, and her father. Susana seals herself away in her room, but she is also trapped in an emotional prison where her negative emotions are not fully understood by Pedro, who refuses to entertain the notion that she is anything other than the innocent young girl with whom he fell in love. When she dies, she is released from this prison. Notably, her ghost does not haunt the town: She remains in her coffin, talking to herself, recreating the isolation she experienced while alive.
At the end of the novel, Susana and Juan are gone. Both are dead, their roles as narrator having ebbed away to leave only Pedro. In his grieving state, Pedro is vindictive. Pedro has dominated Comala to such an extent that he is Comala. He decides to destroy Comala out of spite, furious that the townspeople do not share his grief. That they do not share his grief is his own fault: They have lived under his tyranny for so long that he should not be shocked when they struggle to feel sorry for him. When the extended period of mourning spills over into a celebratory festival, Pedro decides to ruin the community, the economy, and the physical landscape of Comala. He decides to turn the town into hell. Eventually, he is killed by his own estranged son, an act that reflects The Cyclical Nature of Violence.
Like so many people in Comala, Abundio knows that Pedro is his father, and he knows that Pedro will never recognize him. Abundio had once hoped that he might have been due an inheritance; instead, he is a poor donkey farmer who has been forced to sell everything he owns to support his dying wife. He has failed and she is dead. Both Abundio and Pedro have lost the woman that they claim to have loved. Only Abundio’s grief is sincere: Not only has he lost everything in his efforts to keep her alive, but he also actually knew his wife, rather than an idealized version of her. Abundio kills Pedro in a frantic blur of activity. He is dragged away to be punished for his sins.
This blurred murder is a demonstration of how power functions in contemporary Mexican society. Abundio, abandoned and marginalized by his father and local landowner, attempts to seek out justice for himself. He is immediately punished for his crimes, while the rich landowner rarely suffers any consequences for the many sins he has committed. This time, however, Abundio is able to strike a blow for the poor and disenfranchised. He stabs Pedro, striking a killing blow.
Abundio’s actions function as a metaphor for the Mexican Revolution, in that the ruling class of landowners may not have been wholly defeated but they were mortally wounded by men who gave up their lives for the cause. Ultimately, Pedro is killed by the cycles of violence that defined his life. He is killed by his own grieving son, during a period of his own grieving. Had he recognized and supported Abundio, then his son may not have had a reason to kill his father. Instead, Pedro disowned and ignored his children. He inflicted great violence on the town of Comala and, in the end, this violence returned to him.
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