72 pages • 2 hours read
AnonymousA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The cultivation of maize is an important symbol of creation throughout the Popol Vuh. Before the earth is formally made, the Framer and the Shaper measure the four corners and sides of the earth in preparation for creation. Their method of measurement emulates the practice of maize cultivation. In descriptions of this preparation, the Popol Vuh calls the process the “germination of all the sky and earth—its four corners and its four sides” and “All then was measured and staked out into four divisions, doubling over and stretching the measuring cords of the womb of sky and the womb of earth” (56). In this passage, the language of creation and maize cultivation collide. According to Christenson, this overlap is intentional, given what is known about Quiché relationship with the maizefield as a divinatory space where creation can occur.
Maize also plays a significant role in the creation of the first successful people. In earlier attempts to create god-worshipping people, the use of mud and wood are unsuccessful. When the gods discover maize, they are delighted to know that it is suitable material to create human flesh and shape it to the container that they desire.
Oftentimes, the enchantment of maize reveals information concerning life and death. In the case of Lady Blood, she must create a miracle of a maize harvest out of a single ear of maize in the field to convince Xmucane that she is carrying One Hunahpu’s children. Dismayed at first at the impossibility of the task, Lady Blood cries out, “See, I am a sinner!” (124). However, as Lady Blood is truthful about bearing a dead man’s children in Xibalba, the earth responds in her favor by filling her basket with maize. The flourishing of maize also appears in the case of Hunahpu and Xbalanque. Before the brothers leave for Xibalba, they set up a maize plant in their grandmotherXmucane’s house that will let her know if they are dead or alive. If the brothers die in Xibalba, the plant will wither; if they live, the plant will thrive. At the house, Xmucane watches the maize plant shrivel up when the brothers sacrifice themselves the first time, and sees the plant grow again when they resurrect themselves. Due to the plant’s miracles, she grants them sacred names, “Center House, Center Ancestral Plot, Revitalized Maize, and Leveled Earth” (178). Thus, their names reflect maize’s ability to serve as both a memorial and resurrected place, or death and life.
Just as maize is crucial to the creation of the first successful people, water also plays a large role in the creation of life. Whereas maize gives the people’s body flesh, “Water was their blood” (181). Using maize and water, the creator deities are able to transform these materials into flesh and blood for the first successful people. The addition of water is an important detail, especially for previous attempts at creating people. While the creator deities are able to fashion flesh out of earth and wood, their lack of water means that these previous iterations also lack blood. Without blood, their speech and actions are merely performative, and do not possess the passions necessary for true worship.
As water signifies life, it is important to note that prior to the creation of the earth, the creator deities first descend upon the water, enveloped in quetzal feathers. This early scene portrays the first contact the creator deities have with the earth as they set out to frame and shape it. Their arrival in the water is also fitting given Heart of Sky’s oversight of creation. Heart of Sky also consists of three forms, Thunderbolt Huracan, Youngest Thunderbolt, and Sudden Thunderbolt, who have dominion over thunderstorms. According to Christenson, this natural phenomenon is crucial to creation as “Thunderstorms combine the elements of water (rain) and fire (lightning), which Quichés see as essential to all life” (60).
Within the Popol Vuh, the cardinal directions play a significant role to the fate of deities and people alike. In the book, the East signifies where dawn arrives, while the West indicates where the sun sets. Upon the creation of the first four men, the gods instruct the people to head East to grow their population and seek out their glory. The East is where the Quiché people flourish. Shortly after the creation of the four men, the gods create wives for each of them. As a result, “There are not merely four now, but four were the mothers of the Quiché people. Each of the people had different names when they multiplied there in the East” (190). As the people continue to move eastward, they continue to multiply and grow. Thus, the East indicates a positive destiny for the Quiché people.
On the other hand, the West poses a fatal challenge. One Hunahpu and Seven Hunahpu head West, which is where the entrance to Xibalba is located and where they will meet their death. One of their first trials is a crossroad with four different paths. They are tricked into taking the Black Road. According to Christenson, the cardinal directions are associated with various colors, with the West matched with black. He argues that taking the West road is ominous, “a premonition of their defeat and death since this is the road that the sun takes when it sinks into the underworld” (109).
By Anonymous