logo

60 pages 2 hours read

Pam Muñoz Ryan

Riding Freedom

Fiction | Novel | Middle Grade | Published in 1998

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Chapter 4-“In the Middle”Chapter Summaries & Analyses

Chapter 4 Summary

Charlotte reaches the town sign and piles rocks at the base, just as Vern requested. The stagecoach Charlotte is hoping to catch leaves at 6 a.m., and she thinks Mrs. Boyle won’t notice she is gone until about 7 a.m. Charlotte buys a one-way ticket to Manchester. When the stagecoach arrives, Charlotte is impressed by the driver, who “sat atop the stagecoach, holding the reins, in perfect control” (45). She has never seen a coach led by six to eight horses hitched together, and she’s mesmerized by the sight. Charlotte wonders what it would be like to have all those horses follow her call. With this first ride, Charlotte’s interest in stagecoach driving is born.

The driver welcomes her aboard and seats her between two women. One calls her “young man” (46) and doesn’t suspect anything amiss. Charlotte introduces herself as Charley. Charley “felt excited, as if something new and good was about to happen” (47). She eventually falls asleep leaning on one of the women. She wakes up in Worcester, Massachusetts, having slept through her intended stop. She steps out into a town bustling with people going from the pub to the hotel and shops. She realizes she has almost no money and nowhere to go or stay. In the waning daylight, “suddenly she felt frightened and lonely” (49). She offers to help the driver get the horses to the livery and to help cart water to the horses. The driver thanks her and tells her to move along, as the barn will be closing. When he isn’t looking she sneaks up into the hayloft and hides until he closes the barn for the night. Once he is gone, she notices that the stalls are filthy, and she cleans up a bit, thinking of how hungry she is, before falling asleep up in the hayloft. In the morning she listens to the sounds of a busy stable and waits for a quiet moment to sneak out of the hayloft. She then uses her last coins to buy apples at the general store. She moves about town for the day, hiding behind buildings and in the shadows, observing the boys playing in the field. She wants to join them, but she is afraid that word of her absence will have reached the town, and she doesn’t know how she would answer all the questions people would ask about her. Instead she holds onto “the kerchief that Vern had made for her and fingered the button holes. She wondered at all the places it had been. And all the places it was going” (53). After dark, she goes back to the barn and again cleans the stalls before falling asleep in the hayloft. She is awoken by someone “standing over her with a pitchfork aimed at her face” (53).

Chapter 5 Summary

A bald man named Ebeneezer Balch stands over Charlotte and demands to know what she is doing in his stable. She explains that she needed a place to sleep, that she just moved to the area, and that she is looking for a job. She explains that she snuck in and has been cleaning the stalls, and that she will continue to work for free if she can eat and sleep there. She offers to make his bridles shine like new. He admits that she did a good job on the stalls and that the bridles do need help, so he agrees to her proposition. However, he tells her not to get too comfortable, as he will soon be moving his stables to Rhode Island. Ebeneezer tells “Charley” that he has been through many stable boys who weren’t hard workers. She is “determined to show him that she was reliable” (56). She works long, hard hours and proves herself to be a fine worker as well as very skilled with the horses: “before long, she could coax even the stubborn ones to do almost anything” (57).

After a few months of this hard work, Ebeneezer calls her aside and tells her that a man came to town looking for a girl who ran away from an orphanage. He says, “she come up missing about the time you showed up here” (57). Ebeneezer didn’t like the “looks or sounds of him one bit,” noting that the man “was ready to punish the girl and wanted to find her in the worst way” (58). So Ebeneezer told the man (who is Mr. Millshark) that he didn’t have a stable boy and didn’t know a thing about this missing girl. It is clear that Ebeneezer knows Charley is the missing girl, but he wants to protect her. He doesn’t say anything directly to Charley, allowing the façade to continue.

Ebeneezer thinks that Mr. Millshark won’t give up easily and will be asking questions about his new prodigy stable boy. So, he comes up with a plan. He has the idea that Charley will be a natural stagecoach driver and puts him to the test. He takes Charley out with a coach and six horses and asks her to drive. She says she can’t because she refuses to whip horses. Ebeneezer explains that he would never whip horses, and that the whips are only for making sounds in the air to guide the horses. She takes the reins and gives it her best effort, but driving six horses is much more difficult than the two that she is used to. Charlotte understands that this is a test, and that if she can prove herself to Ebeneezer, he will find a way to protect her. She tries over and over again, each time failing but learning something new about controlling the ribbons of six horses at once. She thinks of Vern, who “would have never let her get out of that wagon until she figured out the turns…every time she mixed up the reins, she knew what she had done wrong, and she tried not to do it again” (64). Finally, Charlotte gets the hang of it, and Ebeneezer is pleased. He had hoped she would succeed because he wants her to drive this team of horses to his new stables in Rhode Island. There he hopes to train “Charley, or whoever you are” (64) to become first a stock tender and then a coach driver. He says, “you got a lot to learn, but I could train you, if it suits you” (65). Charlotte is thrilled.

“In the Middle” Summary

Charlotte remains with Ebeneezer for years, “driving hundreds of practice runs” (68). Charley earns a reputation as the finest coach driver and is Ebeneezer’s most sought-after driver. Throughout the years, “Charlotte carried on a masquerade same as an actor in a theatre play” (68). She dresses carefully to conceal her female body, wearing loose-fitting men’s clothes and carrying a snakeskin whip. All her time shouting commands to the horses gives her a raspy voice, which no one identifies as female. No one seems to have any suspicion because “Charlotte was acting, dressing, and talking like a first rate stage driver, so in folk’s eyes, that’s what she was” (69). Charlotte makes sure to protect her identity by always living and sleeping alone, and when she sends letters to Hayward, she has other drivers mail them from various cities. Hayward writes back and often lets her know that he has seen Vern and they send their well wishes. She is now 18 years old and has managed to avoid being found by Mr. Millshark. But if anyone should discover her true identity, at this point she would not be allowed to continue living her life. Her “job could end in a moment’s recognition. And all of her dreams along with it” (69).

Chapter 4-“In the Middle” Analysis

Charlotte survives yet another cruel, cold night, just as she did when her parents died. When she disembarks from the coach she realizes just how alone she is in the world. As always, it is the horses that act as her guide. She is safe when she is with horses. She follows them to the barn and sleeps in the hayloft. Her survival has been linked to horses since the fateful day that her parents died.

Like Vern, Charlotte cannot truly be free until she runs away. She first experiences this freedom as terrifying, but under Ebeneezer’s guidance, she begins to feel comfortable enough to flourish: “Now, she felt certain that anything was possible. Vern used to say that plants can’t breathe and grow in a box that’s too tight. Now she knew what he meant” (47). The author uses the plant-in-a-box metaphor to analyze Charlotte’s freedom. The box (being female) was too tight to allow Charlotte to grow. It is not until she is dressed as a boy and free from the role of being a girl that she can truly express herself and develop her skills.

Vern is Charlotte’s first paternal figure, providing her with the nurturing and guidance that her father might have. It is no surprise then that she bonds with Ebeneezer. Both of these men provide Charlotte with an environment in which she can build skills that she has a natural affinity for and that a female caregiver would not have traditionally exposed her to. She is a survivor, making the most of the situation life has given her. Ebeneezer recognizes and appreciates this quality in Charlotte. Rather than scold her for disguising herself or for not acting lady-like, as Mr. Millshark did, he pushes Charley to try even harder. She rises to the challenge.

Charlotte’s perseverance shines when Ebeneezer asks her to drive a six-horse stagecoach with no training. She fails repeatedly, but rather than give up, she uses each mistake and failure as a learning opportunity. Charlotte has an unwavering ability to push herself to do better even in the most difficult conditions. The novel repeatedly demonstrates Charlotte’s incredible ability to persevere, but this section addresses the importance of Ebeneezer’s guidance. With his patience and steady presence, Charlotte is able to push herself further than she could alone. When she continues to get the horses tangled, Ebeneezer gently challenges her: “‘Guess I was wrong,’ he said and gave her a peculiar look. ‘Maybe you’re just too young to learn the ribbons. Let’s head back’” (62). Ebeneezer immediately understands what will motivate Charlotte to push through and get the hang of driving. He also chooses to focus on her age rather than her gender. This is an important distinction because Ebeneezer is a very unique man; he is willing to treat a girl like a boy in a community with strict gender roles because he believes she is good enough to drive coaches. Ebeneezer’s paternal instincts override societal protocol and provide a safe space for Charlotte to develop and build her talents. The author carefully presents this lesson in a relatable scene so that young readers might conclude that gender is less important than dedication and perseverance.

blurred text
blurred text
blurred text
blurred text