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63 pages 2 hours read

Audre Lorde

Sister Outsider: Essays and Speeches

Nonfiction | Book | Adult | Published in 1984

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Themes

Internal Aspects of Oppression

Throughout Sister Outsider, Lorde reiterates that battling oppression is not solely external but requires attention to how oppression becomes internalized. Drawing on Paulo Freire’s The Pedagogy of the Oppressed, Lorde is adamant that:

The true focus of revolutionary change is never merely the oppressive situations which we seek to escape, but that piece of the oppressor which is planted deep within each of us, and which knows only the oppressors’ tactics, the oppressors’ relationships (123).

Thus, any revolutionary or lasting change requires the oppressed to recognize and eradicate the seeds of oppression within themselves. As she discusses in “Eye to Eye,” Black women wage two battles against oppression: First, the external war against white racism; second, the internalized racism that fuels the anger they direct towards each other (163). For Lorde, this second battle is much more difficult because it requires the oppressed to hold a mirror up to themselves to confront their own self-loathing and how they may be complicit in others’ oppression.

Likewise, Lorde encourages white women and Black men to confront the oppressive tactics they’ve adopted. For example, in reference to Daly’s exclusion of Black goddess figures and myths, Lorde warns, “When patriarchy dismisses us, it encourages our murders. When radical lesbian feminist theory dismisses us, it encourages its own demise” (69).

Here, Lorde makes two important points about liberation: First, Black women’s perspectives are necessary, even foundational, to liberatory efforts; and second, when oppressed groups use the tactics of their oppressors against each other, it impedes liberation. Patriarchy affects Black and white women differently because of the relative privileges accorded to white women as a result of racism, so white women may use racist tactics to get ahead in the fight against patriarchy and give themselves an illusion of power. However, “the master’s tools will never dismantle the master’s house. They may allow us temporarily to beat him at his own game, but they will never enable us to bring about genuine change” (112).

Similarly, Black people inflict oppression on one another, usually on Black women—and especially Black women who love women. Lorde confronts sexism, anti-gay bias, and heterosexism in the Black community, and she especially focuses on how Black men harbor these prejudices and how, in turn, Black women participate because they are socialized to seek men’s approval. As with white women’s racism, this homophobic violence harms not only the Black women who bear the brunt of the violence; it harms the entire Black community. Lorde responds to Staples’s denunciation of Black Feminism, “It is not the destiny of Black america to repeat white america’s mistakes. But we will, if we mistake the trappings of success in a sick society for the signs of a meaningful life” (63).

Therefore, Black men must observe the ways that misogyny harms them, too, since misogyny “arise[s] out of the same constellation that engenders racism and homophobia” (64). In “Sexism: An American Disease in Blackface,” Lorde questions Black men’s violence against Black women as a result of their rage at racist and capitalist oppression, and she points out how their misogyny parallels the racism against them (61-62). Furthermore, “Black men’s feelings of cancellation, their grievances, and their fear of vulnerability must be talked about, but not by Black women when it is at the expense of our own ‘curious rage’” (61). That is, Black men must recognize that not only is their rage misdirected at Black women, but also that Black women cannot do the inner work for them. Black men must do that work themselves to eradicate what they have internalized of their oppression.

Anti-gay bias and heterosexism are also of concern because of the divisions they create, particularly between Black women of different sexual orientations. Lorde therefore encourages the Black community, but particularly the women, to re-examine their abuse of women who love women. In “Scratching the Surface,” she notes the energy wasted on antilesbian hysteria could be better spent in the fight against the actual oppressors (48). In “Age, Race, Class, and Sex,” she discusses how heterosexism and anti-gay bias appear among Black women (121-22). Again, these discussions suggest the need for Black heterosexual women to scrutinize their prejudice and see how their tactics against lesbian or bisexual women impede Black women’s solidarity and women’s liberation.

In short, to deny members of one’s community is to deny oneself, and “[t]he dehumanizing denial of self is no less lethal than the dehumanization of racism to which it is so closely allied” (50). 

Difference as a Dynamic Force

Throughout Sister Outsider, Lorde emphasizes that difference need not be viewed as a threat but rather as creative, transformative force of change. Lorde’s call to redefine approaches to difference are primarily directed at white women, Black women, and Black men.

Lorde’s first mention of difference as a key to women’s liberation occurs in “An Open Letter to Mary Daly.” Because Daly’s work dismissed non-white goddess symbols and myths, Lorde tells Daly that differences do, in fact, exist between white women and women and color. Lorde tells Daly that her exclusion implies “that all women suffer the same oppression simply because we are women” (67), which is “to lose sight of the of the many varied tools of patriarchy” (67). She elaborates on white women’s oversight in “The Master’s Tools” and “Age, Race, Class, and Sex,” emphasizing to white women that the feminist vision is incomplete without the voices of women of color. Also, she attributes the dismissal of women of color, and excuses made for it, to white women’s avoidance of guilt. Because racism is such a tremendous factor in patriarchy, Lorde wants white women to understand that when they ignore their racial privilege and reject racial difference, they prevent real change.

Lorde also addresses anti-gay bias, heterosexism, and misogyny in the Black community. In “Scratching the Surface,” she notes how lesbian-baiting and competition for male attention are tactics to isolate Black women and encourage “horizontal hostility to becloud more pressing issues of oppression” (48). Recalling a Black woman at a conference who believed lesbians threaten Black nationhood, Lorde makes the point that all Black women, regardless of sexual orientation, must face the same realities and threats to their survival (52). Again, in “Age, Race, Class, and Sex,” she points out that Black women, afraid of losing male attention, fear lesbians or being accused of being a lesbian (121). Then, in “Learning from the 60s,” she advises her audience, “The move to render the presence of lesbians and gay men invisible in the intricate fabric of Black existence and survival is a move which contributes to fragmentation and weakness in the Black community” (143). Regarding misogyny, Lorde wants Black men and women to understand that antipathy towards Black women is detrimental to Black liberation and that Black Feminism threatens neither Black male identity nor solidarity in liberation efforts (60-65, 119).

Thus, solidarity and lasting change require an embrace of difference. Western society, according to Lorde, has configured everything in hierarchical dichotomies and institutionalized the rejection of difference (114-15). The results are distortions, misnaming, and misuse of differences to divide those who would eradicate oppression if they had patterns for relating across differences. Furthermore, the intersection of oppressive societal structures means that liberation cannot include only a single issue, so the oppressed must embrace their differences. In “Learning from the 60s,” Lorde asks her audience whether anyone there can afford to reduce their pursuit of liberation to a single issue (140); they cannot.

In “The Master’s Tools,” Lorde discusses the creative function of difference in women’s lives, and in “Age, Race, Class, and Sex,” she advocates recognizing “differences among women who are equals, neither inferior nor superior, and devis[ing] ways to use each other’s difference to enrich our visions and our joint struggles” (122).

Feeling as a Form of Knowledge

Lorde’s advocacy for feeling as a form of knowledge plays a prominent role in Sister Outsider. She believes that liberation requires entirely new models of power, and for someone to embrace the feeling part of themselves is for them to move outside of white male models of power that encourage suppression of feeling. In the interview with Rich, Lorde explains:

I do think we have been taught to think, to codify information in certain old ways [...] The possible shapes of what has not been before exist only in that back place, where we keep those unnamed, untamed longings for something different beyond what is now called possible, and to which our understanding can only build roads. But we have been taught to deny those fruitful parts of ourselves (101).

Therefore, when Lorde encourages people, especially women, to access their feelings as a form of knowledge, she is suggesting they create new models of power and bring forth new possibilities for existing and relating.

For example, in “Poetry Is Not a Luxury,” she describes feelings as “hidden sources of our power from where true knowledge and, therefore, lasting action comes” (37). She also writes that “our feelings and the honest exploration of them become sanctuaries and spawning grounds for the most radical and daring ideas” (37). In “Uses of the Erotic,” it is the capacity to feel joy and the depth of satisfaction that makes her “less willing to accept powerlessness, or those other supplied states of being which are not native to me, such as resignation, despair, self-effacement, depression, self-denial” (58). Thus, awareness of emotional knowledge not only exposes oppressive circumstances as unacceptable, but it also allows new possibilities for what could replace those oppressive circumstances.

Furthermore, because feeling is a necessary part of the human experience, to deny feeling is to deny one’s own humanity: “To refuse to be conscious of what we are feeling at any time, however comfortable that may seem, is to deny a large part of the experience” (59). This suggests that although certain feelings are uncomfortable, they are still useful. This is the primary point in “The Uses of Anger”:

Every woman has a well-stocked arsenal of anger potentially useful against those oppressions, personal and institutional, which brought that anger into being. Focused with precision it can become a powerful source of energy serving progress and change (127).

For Lorde, not only does recognizing feeling offer valuable information, but so too does expressing it. When speaking to Black women in “Eye to Eye,” Lorde acknowledges that Black women avoid openly expressing or examining their emotions, but this keeps Black women in a perpetual state of suffering due to the “unscrutinized and unmetabolized pain” (171). Therefore, Black women must “train that anger with accuracy rather than deny it” (145); the examination of the anger brings the information needed to trace the anger to its source—oppression—and to imagine possibilities for existing outside of that source.

Sister Outsider conveys that feeling, whether pleasant or unpleasant, is a reservoir of knowledge necessary for liberation. While feeling is available to all, Lorde believes women will carry humanity into that liberated future because, while the power of feeling “exists in men also […] they choose not to deal with it” (101).

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