logo

55 pages 1 hour read

Toni Morrison

Tar Baby

Fiction | Novel | Adult | Published in 1981

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Les Chevaliers

Isle des Chevaliers earns its name from the fisherman’s tale of how a ship sank off its coast after hundreds of enslaved people on board go blind after seeing Dominique. When the ship sinks, the enslaved people and the horses aboard the ship wash up on the island and make a home. It is said that they still ride across the island in secret. Despite this being the official story behind the island, different characters have different expectations of les chevaliers. Les chevaliers become a motif that demonstrates how the intersection of social class and race can influence characters’ perception. During the contentious Christmas dinner, both Valerian and Son think of les chevaliers in opposing ways. Son, who knows the story, sees the blind men and women in his mind:

Somewhere in the back of Son’s mind one hundred black men on one hundred unshod horses rode blind and naked through the hills and had done so for hundreds of years. They knew the rain forest when it was a rain forest, they knew where the river began, where the roots twisted above the ground; they knew all there was to know about the island (206).

Son sees riders that, though blind, know the island better than anyone could. They’ve lived on the island for over a hundred years and know it as their home, escaping slavery and making their own community. He sees a community strengthened by their experiences and unity. He, like les chevaliers, washes up on the island and tries to find a way back to his own life and people. While at L’Arbe de la Croix, he pushes back against Valerian and defends local people like Gideon and Thérèse.

Across the table, Valerian also thinks of les chevaliers, but in a completely different manner. Valerian prefers the version of the story told by one of his neighbors and in his mind replaces the island with his home only. His perception of les chevaliers is one based entirely in European culture and history:

Somewhere in the back of Valerian’s mind one hundred French chevaliers were roaming the hills on horses. Their swords were in their scabbards and their epaulets glittered in the sun. Backs straight, shoulders high-alert but restful in the security of the Napoleonic Code (206).

For Valerian, military imagery creates an expectation that les chevaliers are on the island to protect it and use their code to maintain order. Their presence, in Valerian’s mind, is meant to support and protect him. While Son’s perception of les chevaliers is a community, Valerian’s image is a force. One group is comprised of escaped enslaved people building a new community for themselves in freedom, while the other is a military unit established to conquer and keep a land that is not theirs. Valerian is in many ways one of those soldiers, buying the island and selling parcels of land to other wealthy vacationers, using local people like Thérèse, a supposed descendant of the blind race, to live a comfortable life. Valerian’s and Son’s chevaliers represent who each man is and how he relates to the island and its inhabitants. 

The Sealskin Coat

The sealskin coat is a motif that represents the grand life Jadine experiences in Paris and wishes to pursue through working as a model, and through her attempted transformation of Son. The coat epitomizes a life of luxury that’s inseparable from the destruction of vulnerable beings that makes such luxury possible. Jadine occupies a unique place at L’Arbe de la Croix, being the family of the serving staff but experiencing privilege as the guest of her patrons, the owners. The sealskin coat embodies the wealth of the Streets’ world while also highlighting its cruelty and greed: “the hides of ninety baby seals stitched together so nicely you could not tell what part had sheltered their cute little hearts and which had cushioned their skulls” (87). The coat is elegant and soft, a delight on Jadine's skin. She wears the coat despite the heat and humidity, intoxicated by its silky feel and lush appearance. The coat’s beauty belies the slaughter of 90 vulnerable, young animals required to make the garment. The skillful stitching and seamless union of the 90 pelts makes it difficult to distinguish the individual pelts, artfully hiding the cruelty of the coat’s origins.

Ants

Ants are mentioned many times throughout the novel, often in connection with Valerian’s greenhouse. However, as Jadine departs for France, she looks down at the island and sea below her and thinks of the ants and how they reflect her own life. The ants become a symbol for her journey as a woman and her fierce loyalty to herself to pursue a life outside of the control of men:

Almost all of [the ants] are women and there is so much to do—the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced (290).

After her escape from an abusive relationship in which she and Son tried to control and remake each other, she sees herself as one of these ants, with a single-minded goal of improving her life and living for herself. She promised herself as a child to not let men define or control her, and now she hopes to build a life that does not necessitate a man. The more she thinks of the ants, the more she aligns herself with the queen ant, who only needs a male to begin her colony, and never needs him again. She will move on with her life away from Son, starting fresh despite the painful memories of him.

blurred text
blurred text
blurred text
blurred text