59 pages • 1 hour read
Jennifer WeinerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The timeline jumps forward in time once again to a few weeks before Diana and Daisy’s first meeting. Diana has arrived at the Emlen Academy, masquerading as a university researcher. In the 1987 yearbook she finds Henry “Hal” Shoemaker: her attacker—the boy she had called Poe. She also finds Brad Burlingham (who held her down) and Daniel Rosen, Daisy’s brother (who watched everything happen). Diana does further research and realizes that Hal’s wife Daisy is Danny’s sister. She is confused and shocked that Danny, who had witnessed her rape, was happy for his own sister to marry the rapist. She learns that Danny now lives with his husband in New Jersey, and Brad now has a wife and two children. She decides to visit Brad and make him acknowledge the consequences of his actions.
The following day she parks outside Brad’s house and follows him to his workplace at Starbucks. She orders a coffee under the name “Katrina,” but he does not recognize her. After following him around for another three days and observing his heavy drinking habits and evidence of his two failed marriages, Diana knocks on Brad’s door and confronts him. He invites her inside and reveals that he is working at Starbucks as part of a rehab program, and that the prevalence of the #MeToo Movement in the news led him to expect Diana to show up soon. He asks what she wants—money or an apology—but she says she wants an explanation. Brad replies that he felt left out at Emlen and wanted the other boys to like him. Diana is in disbelief as Brad tells her about his inability to hold down a job or maintain a marriage. He asks if she intends to kill him, but Diana says she wants him to live with what he has done. She leaves and drives back to Cape Cod, where she tells Michael what she has done. Six days later, she reads online that Brad has died by suicide, and she believes it to be her fault.
The narrative shifts back to the present moment. Hal arrives home where Diana has dropped Daisy and Beatrice. He confronts his daughter about skipping school, and she tells him that she cut school with a friend. Hal is furious and Beatrice provokes him, saying she doesn’t care about getting kicked out of another school and has no interest in going to college. Hal tells his daughter that the only reason Daisy, who did not finish college, is doing fine is because he supports her. Daisy is shocked and tells Hal to stop talking. She tells her daughter that she must follow the rules.
When Beatrice leaves, Daisy challenges Hal for belittling her. He responds sarcastically and continues to disparage her cooking business, claiming that men are supposed to work and women are supposed to stay at home. He refers to her as a “little bird” who should simply remain content where she is and leaves the room. Beatrice, who has been listening to her parents, tells her mother that “Little Bird,” Hal’s nickname for Daisy, is a less-than-complimentary reference to the play A Doll’s House. Daisy cooks dinner but is unsettled by her husband’s patronizing behavior. Upon reading the play and learning about the relationship between Nora, the play’s protagonist, and her husband Torvald, Daisy realizes that Hal treats her as someone who is less intelligent and less important than himself. She asks Beatrice about the play again and Beatrice tells her that in the end Nora walks out on her house and her husband. That evening, Daisy feels that her life is changing. She lies awake wondering what to do.
Daisy has planned a dinner party that will include members of both sides of the family, as well as Diana. Beatrice is unexpectedly looking forward to the event. When she met Diana before, Diana showed interest in her clothes and her taxidermy. Beatrice carefully dresses and sets the table. When Diana arrives, Beatrice sees her greet Hal stiffly.
Beatrice’s grandmother Judy and Judy’s partner, Arnold Mishkin, arrive, followed by Vernon Shoemaker and his “lady friend” Evelyn. Vernon treats Daisy dismissively. Finally, Danny and Jesse arrive, and the two appear strained. Beatrice imagines how the evening will go, with drinks in the living room and strange looks from the adults for her clothes and hair. In Beatrice’s imagination, at dinner Vernon will look disapprovingly at her uncles, and Daisy will cook, clear the table, and serve drinks.
At the dinner party, Diana observes how Hal treats his wife and daughter. Diana helps Daisy serve the food, and when they sit down, Beatrice asks everyone what they think about a Philadelphia Phillies player whose hate speech in old social media posts had been discovered. Beatrice states her hope that he will be dropped from the team. Vernon argues that men shouldn’t be punished for things they did when they were teenagers and suggests that if Twitter had existed when Hal was younger, he would likely not have been accepted to Dartmouth.
Vernon mentions a wild party in Newport during which Hal and his friends got drunk, went skinny-dipping, and destroyed property. Diana sarcastically comments that “boys will be boys,” but Vernon takes her comment at face value and agrees, reminding everyone that Hal’s mother had been his “office gal.” Daisy objects, and Beatrice asks Hal what he thinks. He says that people who make mistakes should be allowed to make amends. After dinner, Diana gathers Hal and Danny together and asks them if they remember her. Hal tells her to leave, and Danny apologizes. They are interrupted by Jesse, and Diana smiles before kissing Hal on the cheek and leaving.
After the dinner party, Beatrice hears her parents arguing late into the night. The next day, she begins a new taxidermy project, and on Monday at school, Cade pulls her aside. He tells her he likes her but reveals that when he first invited her to sit with him, it had been a dare from his friends. They had promised to pay him $100 to spend a day with her. Beatrice asks how many girls he has done this to and why he does it. He does not have a good answer, but when Beatrice tries to leave, Cade pulls her back and kisses her. The kiss feels amazing to Beatrice, who demands that Cade come and find her when he has decided whether he will be with her publicly rather than only in secret.
When Daisy brings some leftover chicken to Diana’s house, the doorman says that no one by the name of Diana lives there. Confused, Daisy goes to the office where Diana is supposed to work but discovers that there is no one in the directory with the name Diana Starling. Full of questions, Daisy calls her friend. The two meet at a restaurant, and Diana tells her everything: that her real name is Diana Scalzi, that she is living in an Airbnb, that Michael is her husband rather than her boyfriend, and that she is not a consultant but instead works at a restaurant on Cape Cod.
She tells Daisy that when she was 15, Hal raped her while Danny stood by and watched. Daisy asks Diana what she wants, but Diana tells her that she doesn’t know anymore. Daisy runs to the restaurant bathroom and locks herself in as her thoughts go wild. When she returns to the table, Diana has disappeared, leaving only a note that reads, “I’m sorry.”
While Diana struggles with complicity, blame, and justice, Daisy undergoes her greatest evolution as a character when Hal utilizes her as a tool in his argument with Beatrice, dismissing her importance to the family and taking full credit for Beatrice’s every physical and monetary advantage. While traumatic, the argument and the resulting realizations galvanize Daisy into taking decisive action for herself as she realizes just how little Hal really thinks of her. Taking Beatrice’s advice to read A Doll’s House in its entirety, with the dysfunctional and unequal marriage it portrays, allows Daisy to analyze her own marital situation with more clarity than ever before. She is finally able to see how easily she has allowed Hal to limit her to the traditional domestic role, unwittingly conforming to his conviction that men should always be the “breadwinners” for the family. At the play’s conclusion, the female character with whom Daisy identifies leaves her husband to rediscover a sense of herself, an act that resonates strongly with Daisy. Thus, even without the shock of Diana’s revelation, Daisy’s only viable path forward—a solo journey without her husband—is clearly delineated from this point onward.
With the disparaging undercurrents of A Doll’s House as a backdrop, the characters gather for a dinner party at which Daisy fulfills the traditional female role of the consummate host, perfect wife, and angel in the house, and her habitual conformity in this situation further confirms the extent to which she has accepted a subservient role within her marriage as a whole. Several overarching themes of the novel—including The Challenges Facing Women and The Lasting Impact of Sexual Assault—come to the forefront as the gathering progresses and Daisy listens quietly to her husband and father-in-law’s misogynistic discussion of the latest “victim” exposed by the #MeToo Movement. In a notable contrast, however, Beatrice shares none of her mother’s reticence and instead subverts the conversation so that the dinner party descends into an almost staged debate of the issue of Justice Versus Revenge, with Vernon on one side and Beatrice, implicitly backed by the other women, on the other. The inviolability of Hal’s contribution is far from certain as he asserts that such men should be allowed to make amends for their actions and acknowledges ominously that “this country is long overdue for a reckoning” (330). Dramatic irony reigns supreme in this scene, for the knowledge of Hal’s past wrongs and Diana’s current mission for justice adds immense tension and hidden subtext to each participant’s comments and assertions.
In the novel too, a reckoning is clearly coming, and when Diana leaves the party and places a pointed kiss on Hal’s cheek, Weiner creates yet another moment in which a significant reversal in power has taken place. Because Diana is fully aware of Hal’s past crimes, she has the capacity in that moment to reveal them to the group and bring his carefully anchored life crashing down into ruins. Thus, the kiss on the cheek, while also being a deliberate and ironic violation of Hal’s personal space, has the same level of threat as a gun leveled at his head. When Daisy later hears the revelation that her husband raped Diana years ago, she begins to experience a metaphorical double vision as she struggles to believe that the man she thought she knew could be capable of such a crime. The complex nature of truth and identity lies at the heart of this final chapter, in which Diana’s admission of her own lies ironically helps to legitimize her accusations against Hal, for if Diana can be capable of such an intricate deception, so too might Hal.
By Jennifer Weiner
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