83 pages • 2 hours read
Markus ZusakA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The Book Thief’s central motif is books. In fact, books define its structure. There are 88 segments in the novel: Four are Prologue, and four are Epilogue. The remaining 80 chapters are divided into ten parts, and each part describes one of the ten different books that Liesel either acquires or writes. The story of each individual title is told in exactly eight chapters apiece.
Surprisingly, not all the books are fictional stories. The Grave Digger’s Handbook is a factual description of the tasks related to the eponymous job. The Duden Dictionary, as the name implies, is simply a book that defines words. Mein Kampf is Hitler’s autobiography, though its pages are turned to a completely different use over the course of the story.
The books in this novel also deviate from expectations in another way. They don’t all come from a printer’s shop. Max makes two of them by hand. He gives The Standover Man to Liesel as a birthday present. At a later point, he creates The Word Shaker as a gift to be given to her when she is ready for it. Both chapbooks are created from the whitewashed pages of Mein Kampf. It is significant that Max covers over Hitler’s words of hate with his own words of encouragement and hope.
Another homemade book appears toward the end of the novel, when Frau Hermann gives Liesel a bound notebook to record her own story. This is the physical medium that the girl uses to write The Book Thief, and the volume actually saves her life. If she hadn’t been working in the basement, putting the finishing touches to the story on the night of the bombing, she would have shared the fate of her friends and family.
Although the title of Liesel’s life story clearly refers to her, it is worth noting that she isn’t the only book thief in the novel. When she is dragged away from the ruins of her life, she loses her book in a pile of garbage. When Death scoops it up, he becomes a book thief, too.
Paint is a significant motif in the novel because Hans Hubermann is a house painter by profession. Aside from freshening buildings, paint can be used for a variety of purposes, both good and bad. The Nazis use it to scribble ethnic slurs on the storefronts of Jewish shops in Molching. They also paint yellow stars on streets where Jewish merchants can no longer ply their trades. Paint also creates visual symbols like swastikas and other emblems of the Third Reich. In this respect, painted symbols are meant to unite the community behind the leadership of Hitler and his sinister doctrines.
More hopeful sketches and drawings can also be created from paint. After Hans whitewashes the pages of Mein Kampf to obliterate Hitler’s messages of hate, Max takes those same pages and paints other images over the original words. He creates drawings for The Standover Man and The Word Shaker within the newly blank pages.
Although Hans’s painting business suffers during the war, the aerial bombing raids allow him a new avenue to ply his trade. He is hired by the community to paint all the window shades black so that planes won’t be able to spot easy targets on the ground. As Liesel watches her father mix paints, she is impressed by the skill required to get the colors exactly right. Helping him with his painting jobs during the summer also creates a bond between father and daughter.
Paint usually expresses itself in a myriad of colors, and colors are one of Death’s favorite ways of experiencing reality. At the very beginning of the novel, he tells the reader that he sees each day as a series of colors. Death frequently associates individual deaths with specific colors. “To me it’s quite clear that a day merges through a multitude of shades and intonations, with each passing moment… In my line of work, I make it a point to notice them” (3)
Aside from Hans’s occupation as a painter, he also plays the accordion. This becomes a side business when painting work drops off. The accordion symbolizes emotional ties among the central characters in the novel. When Liesel first comes to live with the Hubermanns, she suffers from nightmares. Hans finds a way to ease her transition into the new household by playing the instrument for her. Later in the novel, the reader learns that the accordion links Hans to another person from his past.
Hans’s Jewish friend, Erik Vandenburg, taught him how to play the accordion. Before the First World War, both Erik and his wife were music teachers. When Hans announces Erik’s death to his widow, he wants to return Erik’s accordion, but she asks him to keep it. When Erik’s son Max arrives seeking shelter, he admits that he also learned to play. His mother taught him. When Hans is drafted, Rosa keeps the accordion close to her and falls asleep sitting upright with the instrument strapped to her chest. It represents her emotional tie to her missing husband.
After Hans and Rosa are killed in the bombing, Liesel insists on taking the accordion with her as a final connection to her father. She also has a vision of him playing the accordion one last time before Death takes his soul away. As a final gesture of respect, the air raid detail remembers to collect the accordion when Liesel is led away, though they completely forget her book.
By Markus Zusak