55 pages 1 hour read

Kate Quinn

The Briar Club

Fiction | Novel | Adult | Published in 2024

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Prologue-Part 2Chapter Summaries & Analyses

Part 1: “Four and a Half Years Earlier. June 1950.” - Part 2: “Four Years Earlier. November 1950.”

Prologue Summary: “Thanksgiving 1954, Washington, D.C.”

Content Warning: This section of the guide features depictions of domestic violence, racial violence, psychological abuse, anti-gay bias, racism, suicide, and murder.

The story begins on Thanksgiving 1954, and the Prologue describes events from the perspective of an old boarding house known as Briarwood House in Washington, DC. The building watches as a detective interrogates 17 people inside the house. A murdered body lies in one of the apartments on the fourth floor. The house says, “It’s held enough holidays to know that when you throw all that family together and mix with too much rum punch and buried resentment, blood is bound to be shed sometimes” (1).

Note: Each chapter features recipes members of the Briar Club or their associates prepare. The instructions include humorous directions for the conditions under which each dish ought to be consumed and the music that should accompany it. Although these recipes are only tangentially related to the plot, they are mentioned at the head of each chapter to provide context.

Part 1, Chapter 1 Summary: “Pete”

The chapter includes recipes for Grace’s Sun Tea and Pete’s Swedish Meatballs.

The story skips back in time to June 1950, and a 12-year-old boy named Pete is the narrator. His mother, Mrs. Nilsson, owns the boarding house. She complains constantly and has Pete doing chores from morning until night. Pete has a little sister named Lina who loves to bake but is very bad at it. She is ridiculed at school because she has a “lazy eye,” and her mother is too cheap to pay for her corrective lenses. Pete is very protective of his sister and encourages her baking endeavors. He misses their father, who left several years earlier and is unable to deal with Mrs. Nilsson’s nagging and complaints. Pete writes to his father but never receives a reply. The boy is delighted when a charismatic woman named Mrs. Grace March takes one of the tiny attic apartments at Briarwood House.

Pete wonders how Grace will get along with the odd collection of boarders in residence. There is a young English wife named Felicity (Fliss) Orton who lives with her infant daughter, Angela, while her doctor husband is stationed in Korea. Brassy, outspoken Claire Haskell works as a secretary at the Capitol. The elderly Reka Mueller is a Hungarian refugee who is rude to everybody. Joe Reiss is a musician who plays saxophone at the Amber Club down the street. Arlene Hupp is roundly disliked for putting on airs and trying too hard to find a husband. She works for HUAC and is paranoid about the presence of communists in the US. Nora Walsh comes from a family of Irish policemen, but she is ambitious to rise in the ranks at the National Archives, where she works. Pete says of the house’s tenants: “None of the boarders ever lingered to talk. Hellos in the corridor, a good-morning over the breakfast eggs, but otherwise it was all just ships passing in the night” (19).

When Grace arrives, she is unfazed by Mrs. Nilsson’s many house rules or the quirks of Briarwood’s boarders. She soon conspires to bring everyone to her tiny flat for Thursday night suppers. This is Mrs. Nilsson’s bridge night, so she is unaware that the tenants are using her kitchen. Grace only asks that her guests bring one canned good item in exchange for their communal meal. Grace tells Pete, “A successful dinner party needs just one person all the others loathe, Pete—it gives everyone something to unite against” (33). In this instance, Arlene is that person. Grace also advises Pete that he doesn’t have to obey his mother’s every command. He just needs to learn to get around the rules.

Part 1, Interstitial 1 Summary: “Thanksgiving 1954, Washington, D.C.”

The story returns to Thanksgiving 1954 and the house narrates as two detectives interrogate everyone on the scene. They speculate that the murder was too brutal for a woman to have committed it. The victim’s throat was slit from the front. The house finds this notion amusing: “Briarwood House is laughing so hard now, it has to calm the light bulbs and chandelier down or else people will think there’s a poltergeist” (42).

Part 2, Chapter 2 Summary: “Nora”

The chapter includes recipes for Xavier’s Corned Beef Hash and Nora’s Colcannon.

The novel shifts back to November 1950 from Nora’s perspective. She has grown fond of Grace’s dinners and calls the weekly assembly the “Briar Club.” Nora is determined to distance herself from her Irish family because her policeman brother steals her money to support his gambling habit, and her mother nags her to move back home until she marries. While Nora works for the National Archives, she also holds a second job as a waitress at the Crispy Biscuit café on the weekends. There, she catches the eye of a man named Xavier Byrne. He always comes in for lunch accompanied by his Great Dane, Duke. Xavier is part of the Warring crime family but insists that he is a legitimate businessman who operates the Amber Club and runs a legal poker game.

Nora is attracted to the man but fears getting involved because of a previous bad experience with a brutal cop boyfriend. Xavier continues to woo her by sending elaborate floral bouquets to Briarwood House. One night, Nora sees Xavier beating someone who was cheating at his poker table. He then shoots the man’s finger off. This is Nora’s abusive former boyfriend, George Harding. Later, Nora tells Xavier that she wants no part in the lawlessness. She says, “If we don’t have the law, then all we have is might makes right. And then women always get hurt, instead of just often” (97). She begins to relent when she sees that Xavier is a good man who sometimes operates outside the law. One of his neighbors tells her, “I’m not saying it’s right, breaking the law, but some of those that do are better men than those frauds in double-breasted suits who don’t drink, don’t smoke, don’t gamble” (97).

Some of Xavier’s fortitude rubs off on Nora. When she attends a family gathering, she denies her brother the money he tries to wheedle out of her. Likewise, she rejects her mother’s attempts to guilt her into returning to the family home. Nora has learned from Xavier how to be terrifying. She fights for her independence and intends to keep it.

Xavier gives Nora a five-carat diamond ring that belonged to his mother. He promised that he would keep it until he found the woman he wanted to marry. She refuses to consider it an engagement ring and wears it on her right hand. Nora begins an affair with Xavier, but George Harding disrupts their romance when he comes seeking revenge against Xavier for shooting him outside the Amber Club. He breaks into Xavier’s home to rob him while Nora is there.

Afterward, Xavier goes after George and kills him. Xavier is then arrested, tried, and acquitted of murder but found guilty of carrying a weapon. He is sentenced to a year in prison. Even though Nora attends his trial, she decides to break off their relationship until Xavier can distance himself from his gangland connections. She visits Xavier in prison and returns his ring. Afterward, she thinks, “Stroll out of the Rotunda, nailing a smile over that tug in her gut, the beguiling smoke in her veins. Miss Walsh. Heartsick—but her own woman” (110).

Part 2, Interstitial 2 Summary: “Thanksgiving 1954, Washington, D.C.”

The story returns to Thanksgiving 1954 as the murder investigation begins in earnest. The house watches in amusement as the two detectives conduct their investigation ineptly. They are trying to mimic the tough guys on the Dragnet TV show but fail miserably. The house decides to move things along by nudging Grace’s cat in the direction of the parlor. When the feline slips through the door, the detectives discover a second murdered body inside.

Prologue-Part 2 Analysis

The Briar Club follows a distinct narrative structure. While the murders that are central to the story occur on Thanksgiving 1954 and are presented in the Prologue, the novel’s timeline also skips back to 1950 when Grace March first arrives at Briarwood House. Each chapter is told from the perspective of a different tenant at a different point in time. The intervals span a starting point four years before the murders up until nine months before the crimes are committed. Each chapter is followed by an interstitial segment told from the point of view of Briarwood House in November 1954 as it watches the progress of the murder investigation. This structure creates narrative suspense as the text introduces each character and how their lives intersect in the lead-up to the ultimate murder.

Although the book uses a limited third-person narrative technique, each chapter follows a different character, resulting in nine narrative voices throughout: Briarwood House, Pete, Nora, Reka, Fliss, Bea, Claire, Grace, and Arlene. Pete is the only character who is represented twice in the novel. He appears as a 12-year-old in the first chapter and as an 18-year-old in the Epilogue. Thus, his perspective frames all the events of the novel, something that aligns with the fact that he is the only permanent resident of Briarwood House. This choice emphasizes Pete’s role as both an observer and resident who sees the drama unfolding around him. This framing technique also offers a striking contrast between the downtrodden, hesitant Pete of 1950 and the confident, mature Pete of 1956. The improvement in his personal life mirrors the improvement of Briarwood House, which the text depicts as a living entity. Similarly, the lives of all the tenants who occupied that space during Grace’s residence have flourished as well.

The Prologue tells its tale backward. It shows the aftermath of the murders on Thanksgiving 1954 without providing any context for why or how these horrific events occurred. This establishes a further foreboding aspect of the narrative. Choosing to present this material from the perspective of the house itself is a stylistic device that allows for a silent, sentient witness who is removed from the actions of the human characters yet is intimately connected with them. Briarwood House also offers a larger perspective on this set of events, having existed for half a century before any of the central characters ever set foot within its doors. Just as Pete’s appearance at the beginning and end of the novel offer a sense of progress and movement from 1950 to 1956, the house itself demonstrates a torpor and lassitude that only begins to diminish once Grace starts holding weekly suppers in her room and begins painting artwork on the hallway’s walls.

The Prologue offers a teaser but doesn’t present any information germane to solving the mystery. This narrative decision makes it necessary to piece together the experiences, motivations, and actions of the characters as the narrative unfolds. That conclusion will be reached elliptically as each succeeding member of the Briar Club fits another puzzle piece into place. The story proper begins when the preteen Pete first encounters Grace March in 1950. As the two interact, their conversations establish the theme of The Struggle for Freedom and its related symbol of abusive authorities. Mrs. Nilsson has an endless list of house rules that she expects tenants to obey, and she adds to this list with frightening regularity. Grace is unfazed by her extensive house rules, encouraging Pete that he doesn’t have to follow his mother’s every command and must instead learn to skirt the rules skillfully. Grace’s influence marks a discernable turning point for Pete, as she offers a counterpoint to the oppressive authority figure of his mother. Not surprisingly, the atmosphere in the house is cold and tense. Tenants rarely speak to each other, and everyone minds their own business so that they can stay out of trouble with the landlady. The environment of the house mirrors and influences the actions of its tenants.

The theme of Navigating American Identities and Societal Restrictions Amid McCarthyism also emerges in Nora’s chapter as she tries to disentangle herself from her family’s control and assert her autonomy. Further, a previous experience with an abusive boyfriend makes her hesitant to get involved with Xavier Byrne. Nora wants to be her own woman, but her attraction toward Xavier complicates her life. George, Nora’s abusive ex-boyfriend, comes after them, and Xavier murders him, revealing the brutality Nora initially feared him capable of inflicting. Ultimately, she chooses to assert her independence, but the decision costs her. When she breaks off the romance after Xavier goes to prison, she says to herself, “Miss Walsh. Heartsick—but her own woman” (110). This marks evidence of her newfound ability to experience the freedom she has asserted for herself.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 55 pages of this Study Guide

Plus, gain access to 9,100+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools