65 pages • 2 hours read
Peng ShepherdA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The Agloe and Haberson maps are the most important maps for Wally—he dedicates his life and career to them, and so they come to symbolize his obsessions (Agloe) and his desire for control (Haberson). Wally is a very rigid character in the novel. He is the most resistant to change, but at the same time, once he is invested in an idea, he becomes extremely dedicated to it. This is most obvious his mental associations between Agloe and Tam. In his mind, Agloe is meant to stay between him and Tam, because they found the map together in the antique shop and realized the truth about the phantom settlement together. Wally doesn’t like sharing Tam with their other friends, and he resists each addition to the Cartographers. In the same way, he resents Tam sharing the secret of Agloe with their friends even though he also never tells her about his desire for secrecy until it is too late. Instead, Wally’s obsession over Tam evolves into his obsession with the 1930 General Drafting map of Agloe. By collecting/acquiring all the copies of the map, Wally believes he can control the knowledge of the town, but really, he wants to control Tam. This is especially obvious after the fire, when Tam “dies” and the connection between her and Agloe becomes indelibly cemented in Wally’s mind.
This symbolism continues even after he loses access to Agloe and temporarily believes that all Agloe maps are destroyed; by this point, his obsession is endless, but also directionless. Wally instead creates Haberson Global, and more specifically, creates a top-secret team to develop the Haberson Map and pursue the control-fantasy of forging the perfect map that will change reality as people know it. This map would give him complete control over reality as he views it, because to him: people aren’t “comparing our map [the Haberson Map] to the world—they’re comparing the world to our map” (325). In essence, if one can change a map and have it reflect reality, then controlling the map and its changes would also allow one to control the world and remake it in one’s desired image. Wally seeks this level of control, especially once he begins to suspect that Tam is alive; he desires not just control of his map, but perfection within it—including Agloe (and therefore Tam). Wally thereby creates a self-fulfilling prophecy. However, perfection is, by definition, unattainable; the Haberson Map is therefore impossible to perfect because it is impossible to account for every single variable in the world.
In reality, Wally already attained the control he desired—the Haberson Map was so effective that the FBI depended on it to assist with ongoing cases, and Wally used it to identify Nell as the prime suspect in the NYPL murder case. However, Wally was too far gone in his fantasy of control to accept this or to realize that Tam was never his to control. Her rejection of the work he had done in her name was a rejection of his fantasy of her, and the loss of both Agloe and Haberson represents both the loss of his control and the impossibility of his obsession. Without either of these, Wally is thrust back into reality, but with nothing to live for. His obsession consumed him; without them, he is nothing but a broken shell of a man, bereft of both family and friends.
The Cartographers is a novel told alternately in the past and the present. Tam is largely missing from the story as a narrator and in Nell’s life; until the end of the novel, she is only present through the memories of others. One of the ways the past and present are connected is through photographs. In this way, photos symbolize not just memories but social connections, while Wally’s camera symbolizes his isolation from those he documents.
The camera is most closely associated with Wally, to the point that Rockland locals recognize Wally because of it. This connection stands as an example of both irony and foreshadowing because of the camera’s function—it is a tool that creates memories, the proof of past happenings. As Wally puts it, photos are “[p]roof that things were real” (135), so a camera is a tool for creating that proof. The camera therefore indirectly allows Nell to remember her mother, and later her father as well. However, the one person never in the photos is the photographer, who is always forgotten and isolated: the passive observer rather than the active doer.
This separation reflects Wally’s nature exactly, for even in the happiest period of the Cartographers’ history, he was quiet, an observer rather than a participant. He was often forgotten because he stayed in the shadows, which helped him during his obsessive search for Agloe maps but also closed him off from the Cartographer community and its related drama. Wally loved Nell but could not accept her as a replacement for Tam; he had no romance but was happy to manipulate Francis’s affair to Wally’s advantage. Rather than supporting Bear in the face of his financial ruin, Wally viewed the theft of the map as a betrayal. In all these memories, Wally is both unhappy and isolated; though he helped create them, he is never truly a part of them. Instead, he either rejects or poisons the connections they represent until he is left utterly alone by his own choices, just as the photographer is separated from the photograph by the camera. He engineers the creation of the image but can never be part of the tableau.
In contrast, the photographs themselves symbolize community and connections, for better or worse. Humans are social creatures, with all the pros and cons society entails, and the photographs capture that. Nell loses both her parents but remembers them via the photographs that Wally took. The Cartographers become strangers after the fire but reconnect after the Junk Box Incident; the Sanborn map is accompanied by a photo as well. A photograph is also how Nell realizes that Humphrey is Bear. And even though Tam is left in Agloe alone, isolated, and disconnected from reality, she maintains her memory with all the photos taken during the Agloe project. These same photos are displayed when Nell goes to Agloe, symbolizing Tam and Nell’s human connection as well. Even Wally holds a photo of the Cartographers at the remains of the Rockland house, symbolizing his desire to reunite with Tam. In this way, Peng Shepherd both highlights and contrasts isolation and community via her symbolism of Wally’s camera and the photographs he takes.
The compass rose that Nell sees over and over again during her quest to find answers about Agloe is a dual symbol. It is a direct symbol within the plot for the Cartographers as a group, but it is also a metaphorical symbol for their legacy, especially when passed to Nell. As youths and young adults, the Cartographers were ambitious. They were imaginative and thought outside the box, which eventually culminated in the original Dreamer’s Atlas, a re-imagining of fantastical maps as real and real maps as fantasy. As Eve admitted when Nell asked about the symbol, “[Tam] made it up [...] They put it on everything” (136). They were destined for greatness, they thought, and were already leaving their mark on the world.
The symbol itself is suited to legacy. It’s a simple compass rose, easily reproducible, but with a C in the center to distinguish it as special, denoting the Cartographers themselves. A compass rose on a map indicates direction and orientation, allowing users to find their way using the information within the map.
Nell undertakes her Agloe quest in a similar fashion. She follows the Cartographers’ trail for clues and leads, noticing their symbol and learning from their mistakes. Her parents were stubborn, but she will learn to listen and reflect; Wally was obsessive, but she will learn to let go. Francis didn’t value his romance, but Nell gives Felix a second change and acknowledges that she is the reason why the relationship failed. Finally, Bear ruined himself to hold the group together, and Nell sacrifices herself to save the group from Wally. As she learns these lessons, Nell gradually takes on the mantle that she wasn’t ready for at the NYPL, that of a true Cartographer, rather than just a cartographer. To symbolize this shift, Nell receives Tam’s pen with the Cartographers’ symbol on it, representing their legacy, and uses this knowledge and power to defeat Wally—literally using the Cartographers’ pen to change the map and therefore reality.
The phantom settlements and trap rooms in the novel have complex roles in the story. They are real, historical elements of cartography, but they are also representations of the power and agency of fantasy and imagination. Most importantly, however, they symbolize secrets and the power that secrets hold. Agloe is the most prominent example of this symbolism, though the other phantom settlements play a minor role as well.
Agloe is the most pivotal secret in the novel. The Cartographers’ discovery of it was accidental, but they—particularly Wally—spend the vast majority of their time studying and obsessing over it. The town itself is a mystery, unknown even to the locals. To find it, one must find the secret of its location on a very specific map and use that map to find the town. The Cartographers are not the first to find Agloe, nor are they the first to hide it, and the narrative implies that General Drafting hid its existence as well.
However, just as Agloe becomes the group’s secret project, it also becomes the repository for their own personal secret. If the New York house is where they come together, Agloe is where they separate and fall apart. It is in Agloe that Tam and Romi begin to argue about mapping the mysterious town, and it is in Agloe that Francis and Eve consummate their affair. It is also in Agloe that Wally keeps his vault of maps, and it is in Agloe where Tam survives in secret. While Agloe itself is a neutral space—fully constructed, but eternally empty—it becomes filled with the secrets that tear the group apart, to the point that the Cartographers come to believe that Agloe is “cursed” (137); if they hadn’t gone there, none of the drama would have happened. It is only when Nell learns the truth about everything that Agloe and its secrets are finally opened to the world.
While the smaller trap rooms don’t have the same dramatic associations as Agloe, they, too, are connected to the symbolism of secrets. They are secret by default, known only to the Cartographers who discover the maps and search for them. The trap rooms are also only present in buildings with history—and therefore secrets—like the NYPL, the University of Wisconsin, and Swann’s house. Each is revealed as Nell learns another secret about Agloe and, therefore, another secret about the Cartographers. In turn, she begins keeping more and more secrets herself, such as when she keeps her father’s map project from Irene; her rejection of the NYPL job from Felix, and the possibility of her mother’s survival from everyone. As more of these secrets become unearthed, the more the characters have to hide—from the police and from each other. It is not until Nell reveals Agloe to the world that all secrets can finally come to light. In this way, Shepherd explores the idea of secrets through the symbolism of phantom settlements and trap rooms. Each time a secret is revealed and passed on, another cartographical secret is revealed. When hidden, they are difficult to see, but once known, the evidence is obvious—one just needs the proper map to find it.
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