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75 pages 2 hours read

James McBride

The Color of Water

Nonfiction | Autobiography / Memoir | Adult | Published in 1996

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Chapters 19-22Chapter Summaries & Analyses

Chapter 19 Summary: “The Promise”

After extricating herself from Rocky, Ruth gets a job at a diner and starts dating Dennis. After getting over the initial shock of seeing Dennis date a white woman, his family fully embraces Ruth, particularly his Aunt Candis in North Carolina. Dennis, however, remains uncomfortable with marrying Ruth. Instead, they live together as married partners, despite the fact that Dennis is a strict Christian in every other respect.

Ruth misses Mameh and Dee-Dee terribly. When she calls home, Tateh tells her she must return to Suffolk immediately to help run the store and take care of Mameh, whose health continues to worsen. Ruth agrees to visit but vows not to stay very long.

Upon returning to Suffolk, she finds that Tateh and Mameh’s marriage is on the verge of disintegration. Having all but abandoned his rabbinical customs and decorum, Tateh is dating a married white woman, taking her out on the Sabbath while Mameh and Dee-Dee stay home and light candles. Once Ruth returns, Tateh immediately badgers her to convince Mameh to grant him a divorce. But Mameh cannot divorce Tateh because she is sick and has no one else. Eventually, Tateh gets a “quickie divorce” in Reno (199). Nevertheless, the family continues to live together and little changes.

One evening, Dee-Dee insists that Ruth promise she will stay in Suffolk. With great reluctance, Ruth does so. She recalls, “I broke my promise to Dee-Dee and she never forgot it. And she would remind me of it many years later” (201).

Chapter 20 Summary: “Old Man Shilsky”

In November 1982, at age 24, James experiences a racial identity crisis while working as a feature writer for The Boston Globe. This crisis compels him to drive to Suffolk to learn more about Ruth’s family. The only information he manages to retrieve from Ruth herself is that she had a best friend named Frances. She also scribbles the rough location of her house on a map of Suffolk.

Upon his arrival, James stops in a McDonald’s. As he looks at the map, he realizes the McDonald’s sits precisely where Tateh’s store used to be. Outside, he knocks on the door of an old nearby house. James tells the elderly Black man who answers the door that his mother’s family name is Shilsky. The man, Eddie Thompson, laughs uproariously at the irony of the deeply racist Tateh having a Black grandson.

Eddie tells James of Mameh and Ruth’s kindness. When James asks what people thought about Tateh, Eddie reluctantly tells him, “You won’t find anyone around here who liked him enough to even talk about him. [...] His dislike for the colored man was very great” (208). He adds that Mameh was terrified of Tateh. When James asks where he can find Tateh, Eddie points to the ground, suggesting Hell.

James calls Ruth long-distance so Eddie can speak to her. James can only hear one side of the conversation, as Eddie tells Ruth not to cry.

Chapter 21 Summary: “A Bird Who Flies”

In 1941, when Ruth is still visiting Suffolk, Mameh’s sisters send a letter asking if she wants three rooms of furniture they no longer need. Ruth says, “That’s how they told us Bubeh was dead” (213). A few weeks later, Ruth leaves Suffolk for good. She will never see Mameh, Tateh, or Dee-Dee again. On her way out of town, Tateh tells her if she marries a Black man, she will be dead to the rest of the family.

The following year, Dennis learns from Aunt Mary that Mameh is dying in a hospital in the Bronx. When Ruth calls Mary to ask which hospital, Mary tells her, “You’re out of the family, Stay out. We sat shiva for you” (216)—a reference to the Jewish mourning ritual. Afraid of making Mameh even sicker with her presence, Ruth lets it go. A few days later, Dennis tells her Mameh is dead.

Devastated by her guilt and grief, Ruth begins to attend services at Metropolitan Church in Harlem.

Chapter 22 Summary: “A Jew Discovered”

In August 1992, James visits Ruth’s old synagogue in Suffolk. He looks around for any cops who might question a Black man’s presence in front of a “white man’s building” in Virginia (220). Earlier, when he called the current rabbi to ask if he could look around inside the synagogue, the rabbi was noncommittal and hung up.

James reflects on the research he has conducted into his family over the past few years. He has confirmed Sam’s death in World War II in 1944, but the US Army reveals no further details. Dee-Dee disappears from public records one semester before she would have graduated from Suffolk High School. Tateh pops up in New Jersey, Manhattan, and finally Brooklyn, before also disappearing in the 1960s.

James’s mind then turns to an earlier trip to Suffolk. In 1982, he met Aubrey Rubenstein, a state employee whose father took over Tateh’s story after he skipped town. Thrilled to meet James, Aubrey called many other Jews in town, all of whom treated James warmly. Aubrey characterized Tateh as a good man who lost his way, causing tragedy for everyone around him. When Aubrey asked if James goes to temple, James answered that Ruth did not raise her children Jewish. With a candor that surprised James, Aubrey replied, “Well, maybe that’s for the best” (226). At the end of their conversation, James allowed Aubrey to record a message for Ruth. Although James was awestruck by Aubrey’s big-hearted and open-minded message, he never played it for Ruth, fearing that it would bring up too many emotions she would rather leave behind.

On the last night of his 1992 trip to Suffolk, James wakes in the middle of the night, unable to stop thinking about Mameh. She died at 46, unloved by her husband and kept far from the rest of her family in a forbidding Southern town. James thinks to himself, “My life won’t be lived that way, and neither, I hope, will my children’s. I left for New York happy in the knowledge that my grandmother had not suffered and died for nothing” (229).

Chapters 19-22 Analysis

The book raises important questions about Ruth’s decision to leave her family. Though Ruth desires to escape a toxic environment of racism and abuse, her decision to leave Mameh and Dee-Dee to Tateh’s mercy is a source of profound guilt. Ruth feels horrible for breaking her promise that she would stay to Dee-Dee. Although Tateh cuts Ruth from the rest of the family because she married a Black man, Ruth has no relationship with her sister because Ruth broke her promise to take care of her. Given the horrific conditions of her home life, Ruth’s decision to choose her own happiness over that of her mother and sister is not presented as entirely selfish.

Mameh’s description of a ritually killed chicken creates a metaphor for Ruth’s choice: “That chicken is just showing God we’re thankful for living. It’s just a chicken. It’s not a bird who flies. A bird who flies is special. You would never trap a bird who flies” (218). The symbolic connection to Ruth’s present situation is unmistakable. Mameh views herself as “just a chicken,” doomed to live under Tateh’s tyrannical home rule, given her inability to speak English and her partial paralysis, among other conditions. Ruth, on the other hand, is a “bird who flies” (218), and it is therefore unjust to keep her trapped. The ultimate tragedy, however, is that these women are trapped in Tateh’s patriarchal cycle of abuse.

Mameh indirectly sparks Ruth’s conversion to Christianity. For Ruth, Judaism (associated with her racist father who raped her as a child) is cold and rigid, while Christianity (associated with the loving Dennis) is warm and loving. In Ruth’s grief and guilt over Mameh’s death, the only things that bring her solace are her covenant with a Christian God and the community of churchgoers she joins with Dennis: “I needed to let Mameh go, and that’s when I started to become a Christian and the Jew in me began to die. The Jew in me was dying anyway, but it truly died when my mother died” (218).

James is always careful to direct both praise and criticism at Jews and Christians, and at white and Black Americans. His mother’s approach to race and culture engenders him with a strong resistance to generalization, and James’s appreciation for Judaism grows when he returns to Suffolk and meets members of the town’s Jewish community:

Like most of the Jews in Suffolk they treated me very kindly, truly warm and welcoming, as if I were one of them which in an odd way I suppose I was. I found it odd and amazing when white people treated me that way, as if there were no barriers between us. It said a lot about this religion—Judaism—that some of its followers, old southern crackers who talked with southern twangs and wore straw hats, seemed to believe that its covenants went beyond the color of one’s skin (224).

James’s final trip to Suffolk is the emotional climax of the book. He spends his entire life searching for answers that might help him reconcile his diverse heritage as a Black and Jewish man Growing Up With a Diverse Racial Background in America. James reaches a conclusion about his family that transcends race or religion. He vows to ensure that Mameh’s tragic existence will not have been in vain: “My life won’t be lived that way, and neither, I hope, will my children’s. I left for New York happy in the knowledge that my grandmother had not suffered and died for nothing” (229).

James comes out of this process with insights that help make him a better man, which justifies the herculean effort of uncovering his past and confronting The Inescapable Legacy of One’s Cultural Heritage. It also operates as a valuable lesson to others: The course of one’s life is dramatically shaped by that person’s ancestral history, and it is therefore crucial to critically examine it in order to live the best life possible.

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