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50 pages 1 hour read

Richard Steele

The Conscious Lovers

Fiction | Play | Adult | Published in 1722

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Act V-EpilogueChapter Summaries & Analyses

Act V, Scene 1 Summary

Cimberton, Lucinda, Mrs. Sealand, and Myrtle, disguised as Sir Geoffry, meet. Myrtle exclaims that it has been long since he saw Cimberton and asks for a closer look at Lucinda. Phillis urges Lucinda to pay close attention to Sir Geoffry. Myrtle criticizes Lucinda’s merchant-class heritage, but Cimberton says he is willing to give her his own name to overwrite that lineage. Mrs. Sealand goes to arrange a room for Sir Geoffry, and Phillis takes Cimberton away. 

Alone, Myrtle assures Lucinda that he will not allow Cimberton to marry her, and he asks that Lucinda accept her true lover with open arms the next time she sees him. Lucinda agrees, and Myrtle reveals his disguise. Lucinda is frightened and screams, but then she is amused. When Cimberton, Phillis, and Mrs. Sealand return to see why Lucinda screamed, Lucinda claims Sir Geoffry fell. Lucinda and Cimberton carry the re-disguised Myrtle away.

Phillis reveals to Mrs. Sealand that Humphrey met with Sealand earlier that day. Sealand intends to investigate Bevil Jr.’s affair. Mrs. Sealand, fearing that Sealand will try to marry Lucinda to Bevil Jr., insists that Lucinda will marry Cimberton.

Act V, Scene 2 Summary

Sealand and Humphrey arrive at Isabella and Indiana’s home, stopping outside the door. Humphrey assures Sealand that the Bevil family has no shameful secrets. In an aside, Humphrey adds that he needs to keep Sealand busy so that Myrtle has time to complete his impersonation of Sir Geoffry.

Sealand knocks on the door, and a boy named Daniel answers. Daniel is not willing to say if his mistress is at home to visitors, but he will get someone who can answer. Daniel lost his last job by revealing that his employer was at home; Sealand jokes that the boy is learning to lie. Sealand gives the boy a shilling, and Daniel invites him in.

Act V, Scene 3 Summary

Inside, Daniel announces a gentleman, but says it is not Bevil Jr., who calls every day and waits to see if Isabella is home. Charmed by the detail about Bevil Jr., Isabella welcomes Sealand. Isabella is shocked to recognize Sealand as her long lost brother, but does not reveal their connection. Sealand asks to see Indiana, suspecting that Indiana is a sex worker.

Indiana enters and greets Sealand, who claims he has money to deliver from Bevil Jr. Indiana is suspicious. Sealand tries to learn whether Bevil Jr. is having sex with Indiana, but Indiana denies any relationship with Bevil Jr. as her love for him is unrequited. Nonetheless, the way Bevil Jr. supports Indiana causes Sealand to assume a sexual transaction is taking place, so he decides to call off Bevil Jr.’s marriage to Lucinda. Indiana insists that Bevil Jr. is a good person, who saved her from a lifetime of troubles. As an infant, she was captured by pirates, adopted by a kindly pirate, and then betrayed by his brother. Bevil Jr. rescued her from this abuse. Sealand realizes that Indiana is wearing the bracelet he gave his first wife. Isabella reveals that she is Sealand’s sister, and that Indiana is his long-lost daughter. They rejoice and embrace. Sealand approves of Bevil Jr. marrying Indiana.

Isabella brings in Sir Bevil, Cimberton, Lucinda, Mrs. Sealand, Bevil Jr., and Myrtle, still disguised as Sir Geoffry. Sir Bevil and Sealand agree to the marriage of Indiana and Bevil Jr., who rejoice. Sealand tells Cimberton that Lucinda’s fortune is now cut in half, since he must give equal parts to both daughters. The greedy Cimberton decides not to marry Lucinda. Myrtle reveals himself, criticizes Cimberton, and asks to marry Lucinda. Sealand agrees; Mrs. Sealand is glad Lucinda is getting married at all. Bevil Jr. and Myrtle congratulate each other and celebrate becoming brothers. Bevil Jr. ends the play by attributing the happy ending to the characters’ merits and integrity, as well as to divine providence.

Epilogue Summary

Both Epilogues are written in rhymed verse, unlike the rest of the play. This gives the audience the sense that they have left the world of the play, and are now being given the moral that they should take away from what they’ve just seen.

The Epilogue that was spoken on opening night, but not published with the first edition of the play, is delivered by the actor playing Indiana. She criticizes libertinism, disparaging men who are quick to violence and promiscuity. In their place, she holds up Bevil Jr., who uses restraint, love, and honesty to win Indiana and the respect of the other characters. She hopes The Conscious Lovers will convince other people to embrace moral behavior and write plays that enforce and appeal to virtue.

The Epilogue that was included with the published play is also given by the actor playing Indiana. In it, she points out how different her character is from that of other women characters in Restoration plays. The main contrast is that Indiana remains moral after the play, making this character the best kind of wife. The Epilogue ends by insisting that the country will see Indiana the way Bevil Jr. does in the play.

Act V-Epilogue Analysis

Act V offers a different insight into The Impact of Social Standing on Prospects. In Scene 2, Sealand criticizes Daniel for refusing to reveal whether Indiana is at home to visitors (she may well be physically within the house, but not accepting guests). When Sealand accuses the boy of lying when he hesitates to answer whether Indiana is at home or not, Daniel responds: “Ah, master, things that are lies in the country are not lies at London” (374). Daniel lost his last job for not fully understanding the difference between the literal truth—his employer was physically inside the house—and social truth—his employer was not disposed to receive visitors. Daniel’s misunderstanding is here couched as a class-based lack of savvy: In his rural home town “in the country,” there aren’t the complex unwritten rules of manners that servants “at London” are expected to know. Daniel’s history reveals the moral complexity of poverty, in which Daniel must do what to him feels like lying to preserve his job. 

As the play builds to the culmination of the plot, with Myrtle successfully delaying Lucinda and Cimberton’s marriage while Sir Bevil and Sealand investigate Indiana, a series of lucky and coincidental events ensure a happy ending for the main characters. Indiana and Sealand are reunited, Indiana’s newfound middle-class status allows her to marry Bevil Jr., the removal of half of Lucinda’s fortune leads to Cimberton’s exit, and Myrtle and Lucinda affirm their engagement. Sir Bevil’s final lines—“Whate’er the generous mind itself denies / The secret car of Providence supplies” (381)—imply that the characters who best denied themselves pleasures and rewards are now being rewarded by God for their moral behavior— specifically, for their Honesty and Integrity in Relationships and their Calm Restraint in Love and Friendship. Because Bevil Jr. did not hastily arrange to have a sexual affair with Indiana to pursue a mercenary connection with Lucinda, he is now rewarded with marriage. Since Myrtle did not pressure Lucinda into a union not sanctioned by her family, he is now rewarded with a love match.

However, in the Epilogue delivered on opening night, Indiana explores how Bevil Jr. does not exactly live up to his own morals. She claims that his deceptions are actually quite far-reaching and complex because he refuses to make a definitive choice between Lucinda and Indiana: “T’have shown his modern breeding, he should rather / Not have obeyed, but bit the put, his father; / Or, in compliance to his daddy’s courting, / Have starved his dear, and fairly took the fortune” (382). Indiana’s argument is that on the one hand, Bevil Jr. only partially obeys his father, since he carries on at least an emotional affair with Indiana while promising to marry Lucinda. On the other hand, he only partially acts on his love for Indiana, since he supports her without confessing his true feelings. Thus, Bevil Jr. betrays his integrity by trying to both please his father and Indiana without truly doing his duty to either. The overarching argument of the Epilogue is not that Bevil Jr. is perfect, but that because his motivations are pure, he is a better model for audiences than the libertines of Restoration comedy.

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