44 pages • 1 hour read
Louise ErdrichA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Omakayas is the central protagonist in The Game of Silence. She is a child of the Ojibwe tribe and has rare spiritual talents. Omakayas has vivid dreams that turn out to be premonitions, and she is also deeply knowledgeable about the various plants and roots that are used in Ojibwe medicine. Erdrich’s use of the third-person limited perspective focuses on Omakayas’s inner thoughts and burgeoning wisdom. When Omakayas is first introduced, she is characterized as liking “to arrange things in her mind” (ix) and to study her surroundings deeply. This introductory characterization emphasizes Omakayas’s contemplative nature, her capacity for intense focus, and her love for other people and animals.
Omakayas is very connected to her family. At her age, she wants to be accepted and respected by her elders. She cares about what elders like Old Tallow think of her, and this internal concern reflects the influence of the Ojibwe people’s communal culture. Omakayas begins her journey of self-discovery through her relationships with the adults in her family. Her grandmother in particular is an important influence, and Omakayas knows that “there [is] a special love between them. The love between Nokomis and Omakayas had to do with the things that Nokomis was teaching her every day about her plants and roots and medicines” (99). This passage suggests that Nokomis is preparing Omakayas to take over her role within their community. With Nokomis as her mentor, Omakayas is implied to be destined for an important role as the tribe’s future medicine woman: a role that is integral to the well-being of the Ojibwe.
As she slowly grows to understand her own gifts, Omakayas deals with various external and internal conflicts that illustrate the common concerns and issues faced by the Ojibwe people during this time frame. The most important external conflict is that of the impending forced expulsion of the Ojibwes from their tribal land at the hands of an oppressive white government. Omakayas defines her very identity in relation with her home, and both she and her people must come to terms with the inevitability of change. However, Omakayas’s most important internal conflict is her upcoming journey into the woods. This journey is required of all Ojibwe children and is considered a major step in their coming-of-age process. Omakayas will go into the woods alone and fast until she discovers her spirits, who will reveal her purpose. Omakayas is afraid of the emotions and responsibilities associated with confronting her identity, so she delays her journey for as long as possible. Ultimately, however, this journey becomes the major turning point in her character development. When she finally believes herself to be worthy of her gift, Omakayas discovers a way to lead her community forward as they are all expelled into enemy territory. Upon being forced to leave her ancestral lands, Omakayas realizes:
She had seen the going away. Now it was happening. She was experiencing in truth what she dreaded, what she had seen. Omakayas looked around her at the still beach and listened to the ever talking waves. All things change, all things change, they said to her. All things change, even us, even you. (235)
This moment of introspection and philosophical realization prepares Omakayas for the next chapter of the Ojibwe people’s lives. While there is still fear in their expulsion, Omakayas’s gift of seeing the future helps her to contextualize their journey and sustain hope for the future.
Nokomis is a secondary character who is crucial to Omakayas’s character development. As Omakayas’s grandmother, Nokomis fiercely protects the girl and teaches her about medicinal roots and plants. Nokomis believes in Omakayas and sees her for who she truly is. Without Nokomis’s influence, Omakayas would be lost in the struggle to discover her identity. Nokomis’s wisdom is integral to Omakayas’s efforts to learn about the world around her. Nokomis’s face is described as being as “creased like the finest doeskin, and her smile created a fan of pleasant wrinkles. Nokomis’s deep eyes searched out and saw everything” (100). Nokomis is characterized as wise through the physical imagery of her wrinkles, which symbolize a long life lived with love. Nokomis is also characterized as deeply compassionate. Nokomis’s presence provides a safe space for Omakayas, who looks up to her grandmother and admires her genuine character, her deep stores of knowledge, her patience, and her kindness.
Angeline and Pinch are Omakayas’s surviving older sister and younger brother. Together, they all form a close-knit family, even though they challenge one another as siblings typically do. Angeline is at the cusp of a profound change in her life. She is in love with Fishtail and is ready to marry him and start a family of her own. Angeline is a reluctant mother figure to Omakayas, but Omakayas often sees her as bossy or judgmental. Because Angeline is preparing herself mentally and emotionally for adulthood and her own motherhood, she is trying to figure out who she is, and she wishes to separate herself from her role as Omakayas’s big sister. Although Angeline demonstrates kindness to her sister, such as using her own earnings to make Omakayas a new dress, Angeline has sorrows and internal conflicts of her own. Angeline and Omakayas are greatly separated by their age difference, for while Angeline is preparing herself for the responsibilities of marriage, Omakayas is still free of adult responsibilities. Additionally, with her worries over the absence of Fishtail, Angeline has a more personal connection to the broader conflict with the white people because she knows that Fishtail’s life is threatened.
Pinch is at the opposite end of the ladder of responsibilities. As the youngest sibling, he spends his days playing war and teasing Omakayas. Omakayas is taking her first steps toward adulthood, but Pinch is still young enough to be free of worries about his identity and future. Because of their age difference, Omakayas often finds Pinch annoying. Even so, Pinch is a loving brother who reminds Omakayas of The Supportive Influence of Family. Their close bond is also strengthened by their shared experiences of grief, for they lost their younger brother to smallpox. The presence of Pinch, however annoying he can be at times, is a reminder to Omakayas of the importance of loving her family unconditionally.
Old Tallow is an Ojibwe elder. She is a highly respected leader and warrior who braves all the elements to protect her tribe. She is wise, dependable, and courageous, and her connection with her dogs stands as evidence that she is a trustworthy person. Omakayas reveres Old Tallow and eagerly works to earn her approval and respect. Old Tallow helps Omakayas to learn that even her idols are human beings. When Old Tallow is injured by frostbite, her “gaze became blazingly fierce and Omakayas saw one—just one—tear spring from the corner of the woman’s eye” (183). This tear symbolizes Old Tallow’s vulnerability. She has worked for years to become a leader, but even leaders need help, compassion, and sympathy. Old Tallow is a role model for Omakayas in her courage and fortitude and also in her multi-layered persona.
Deydey and Yellow Kettle are Omakayas’s parents. Supportive and generous, they love their family fiercely, and this love is the glue that holds the family together in the most challenging times. Deydey is a role model who shows his children how to protect and preserve Ojibwe culture in the face of overwhelming white domination. He is friendly with Father Baraga, but he refuses to convert to Catholicism. Deydey raises Omakayas to mirror his curiosity about the world but to remain careful. Through his example, Omakayas learns to guard her own values against outside influences.
Yellow Kettle is a pillar of strength for the family. She readily adopts Bizheens, which highlights both her grief over her dead child and her capacity for unconditional love. By adopting Bizheens, Yellow Kettle demonstrates that the Ojibwe tribes (and, by extension, all Indigenous American tribes) cannot be easily defeated because they will help one another to endure and persevere.
Yellow Kettle and Deydey have a close relationship, which provides a model for their children of how to love and be loved. When Deydey goes away to help Father Baraga, Yellow Kettle misses him fiercely but maintains a brave front for her family. This characterization of Yellow Kettle as brave but capable of deep concern highlights the fact that courage can be found in fear, not just in the absence of fear.
Bizheens is an Ojibwe baby who has lost his parents to war with another tribe. He was rescued and brought to the island where Omakayas and her tribe live. Yellow Kettle adopts Bizheens, illustrating the fact that the Ojibwe tribe is close-knit and communal, even when individuals are separated by distance and death. Bizheens is not a replacement for Yellow Kettle’s lost child, but he does bring the family a joy they haven’t experienced since the death of their youngest. Bizheens is a cute baby who knows only how to love. Bizheens is the symbol of a hopeful future. Although the Ojibwe people will face many trials, Bizheens is their reason to keep moving forward. His future is at stake, activating an urgency within Omakayas’s family to do everything it takes to survive and thrive. Bizheens is a reminder that even when the world is difficult, there are still pockets of joy and innocence.
By Louise Erdrich