60 pages • 2 hours read
Pearl S. BuckA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Wang Lung is a young farmer living with his widowed father. On his wedding day, he prepares to meet his bride for the first time. He’s marrying a girl who serves the matron of a great house. Wang Lung goes to a barber, who shaves his head except for his traditional hair braid. He buys food for his wedding guests and incense for a rain offering.
When he walks to the House of Hwang, the doorman asks for a bribe to take him to see Mistress Hwang. Wang Lung has never been in such a massive house. The elderly mistress, who smokes opium continually, keeps losing her place in their conversation. Eventually, she brings in a 20-year-old girl, O-lan, whom she purchased from her parents during a famine when she was 10. The mistress represents O-lan as a kitchen cook who isn’t bright, is probably a virgin, and is obedient and good-tempered.
They leave together in silence, Wang Lung walking in front of O-lan. When they arrive at the small farmhouse where he lives, Wang Lung’s father ignores the new woman, as per traditional custom. Wang Lung takes her to the kitchen and orders her to prepare a meal for his friends and relatives. He serves the food himself so that others don’t see his wife before they consummate the marriage. When the guests leave, he takes his new wife to bed.
O-lan dramatically changes Wang Lung’s life. She automatically falls into a routine of caring for his father, cleaning the house, finding fertilizer for the fields, and providing fuel for the fire. She transforms the three-room house into a tidy place. The old man’s cough subsides. O-lan speaks little and completes all her chores without instruction.
One day, when Wang Lung is in the field, he looks up to see O-lan working beside him. She says she has completed her housework and will help him. They work in harmony. Wang Lung has never experienced anything like this. Soon, she tells him matter-of-factly that she’s pregnant. Thrilled, he doesn’t know how to respond. He tells his father, who cackles with glee: “[H]e called out to his daughter-in-law as she came, ‘So the harvest is insight’” (31).
As the time for the birth draws near, Wang Lung discusses the need for a midwife. However, O-lan doesn’t want anyone present, insisting that she deliver the child herself. She tells him how she’ll dress herself and her son when she goes triumphantly to show her son in the big house. Wang Lung gives her three silver coins to buy everything she needs for her celebratory clothing. They work together until she goes into labor. That day, she prepares supper for her father-in-law and Wang Lung before going alone into the bedroom to give birth. Wang Lung hears her panting and eventually the crying of a baby. O-lan affirms that they have a son. Wang Lung wakes his father and tells him that he’s the grandfather of a boy.
The next morning, Wang Lung works until noon and then goes to the village to buy eggs, sugar, and red dye to celebrate. Soon, O-lan is back working side-by-side with him in the fields.
This is a particularly good year for their crops, allowing them to store some for themselves and sell some. He hangs two chickens and a leg of pork from the ceiling. They conceal their money in a hole in the wall of their bedroom.
The child is healthy and alert. The grandfather brags that this is the brightest child in the village. Wang Lung feels confident because the harvest is so good and the rains have come.
During winter, the villagers prepare for the coming new year. O-lan creates marvelous rice cakes. She intends to take them as a gift to the great house when she presents her son. The extended family of Wang Lung comes to view all O-lan’s wonderful decorations and partake of some of the rice cakes.
In early January, the couple walks to the House of Hwang; O-lan and the baby are adorned as she proclaimed they’d be. The gatekeeper accompanies O-lan and the baby to see the mistress, while Wang Lung waits in the guard house with the gatekeeper’s wife. When O-lan returns, she tells Wang Lung that the great house has fallen on hard times. They’re so hard-pressed for money that the Hwangs need to sell some of their farmland. Wang Lung dreams about what kind of things they could do with more land. O-lan eventually agrees that some land from her old “master” would be a wise purchase.
Wang Lung uses the silver he hid in the wall to buy a piece of land that runs alongside a moat. He and O-lan work the land feverishly, and it produces well. He notices with irritation that his wife is pregnant again, meaning that she won’t be able to help during the harvest. O-lan tells him that only the first baby is hard to deliver, and she’ll help during the harvest.
When the second baby comes, O-lan goes to the house to deliver and then returns to the field that day. The harvest is good once more. Wang Lung receives good profits for selling rice from the fields that he bought from Hwang. The villagers know of his success and consider making him the head of the village.
Wang Lung’s uncle and his family, which includes six daughters and one son, trouble him. None of them work hard at anything. Three of the daughters are approaching marriage age. Wang Lung worries that they might become “loose” women with children born out of wedlock. He approaches his uncle’s wife and tells her to supervise her girls. Upset, she loudly claims that Uncle has a bad destiny.
The next day, Uncle approaches Wang Lung in the field, and they argue. When Wang Lung speaks bluntly, Uncle slaps him on both sides of the face and berates him for speaking disrespectfully to an elder. Uncle requests nine silver coins as a dowry for his oldest daughter, which he intends to instead spend on his own pleasure.
Wang Lung goes home, where O-lan is delivering their third child. She gives birth to a girl, which she immediately refers to as a “slave.” He considers this an evil omen, since daughters “do not belong to their parents, but are born and reared for other families” (66). Wang Lung later regrets that he didn’t even look upon the face of his new daughter before going back to work.
Many reviewers try to lock The Good Earth down chronologically so that it conforms to the actual history of China in the late 1800s and early 1900s. Because the story’s events don’t neatly match China’s historical record, reviewers often accuse the author of inadvertent historical inaccuracy. However, given that Buck lived through the latter part of the narrative time period and grew up steeped in 19th-century Chinese history, and given her precision in describing Chinese culture and speech, Buck likely conflated events and locations intentionally to focus on the individuals, the progression of their lives, and their character development. Implicit in this is the notion that all the tumultuous changes that roiled in China between 1850 and 1930 resulted in the tendency of outsiders to think of China as a turbulent nation in general rather than focusing on its people. Buck implies that as much as China might change, learning about the lives of its citizens is more important.
To help illustrate the Chinese people, the author selects two individuals near the bottom rung on the ladder of social importance. Rather than talking about emperors and generals, Buck wants to share the lives of two seemingly unimportant people. The author is, of course, aware of the ancient literary convention of depicting tragedy among the elite. Greek dramas and Shakespearian tragedies deal with royal figures. In The Good Earth, Buck borrows the convention of her favorite author, Charles Dickens, who wrote books about common people. Likewise, Buck uses a farmer and a former servant to portray common Chinese people.
At first glance, Wang Lung and O-lan seem quite different. He’s a free landowner and his father’s sole heir. Her parents sold her into slavery at age 10. Beneath surface appearances, however, the two have much in common. They’re both obedient individuals who adhere closely to social conventions. They’re each proud, fearful, and have an underlying persistence that helps them achieve their goals. Each has ambitions to fulfill and wants to please the other. Each is quietly very bright. Both characters have growing edges. O-lan is shy and fearfully subservient but over time she realizes that Wang Lung won’t beat her, as others have. Apart from this growing edge, she’s a well-formed character who keeps her own counsel until she must make a stand. Wang Lung is emotional, naive, and ignorant. His strongest feature may be that he learns from his mistakes.
As the story continues, it reveals how distinct they are from one another. Wang Lung is by far the more sentimental of the two. Much as she’s willing to adhere to social convention, O-lan is a survivor who does whatever it takes to care for herself and her family. While Wang Lung is superstitious and likes to appease the gods with incense, O-lan is a cold realist. In moments of conflict, Wang Lung tends to become emotional; O-lan remains calm and often emerges with authority.
In this first section, Buck exposes her themes without demonstrating the depths to which those themes go. The childlike marriage ceremony of two total strangers, conducted by a rich old woman who periodically forgets what she’s doing, creates an almost comical air. The narrative has touching moments too, as Buck follows the prospective groom about town while he works up the courage to claim his bride. The bribe he must pay the doorman and the unquestioned obedience Wang Lung and O-lan must show the mistress hint at the themes The Extremes of Wealth and Poverty as well as The Complete Subjugation of Chinese Women. Mistress Hwang’s speculation about O-lan’s likely being a virgin and assuring the groom that probably not too many of the male servants have shown interest, though jarring, point to women’s lack of agency in society. The mistress’s dismissive attitude while making such comments and indulgence in opium emphasize her life of privilege but also indicate a deep desire to escape the personal pain of living in such a patriarchal society.
This opening section, which remains upbeat and positive until the emergence of Wang Lung’s unscrupulous uncle, contains Buck’s most descriptive explication of the land as the provider and receiver of life. To introduce the theme of The Primacy of the Fertile Earth, Buck describes O-lan breastfeeding her firstborn son in the field where she works alongside her husband; in this passage, the mother’s milk flows to nourish not only the receptive child but also the earth itself. Renewed by the woman, the earth will respond by bringing forth new life. Buck uses this section to introduce two simple characters whose lives soon descend into chaos.
By Pearl S. Buck
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