52 pages • 1 hour read
Anita Rau BadamiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
An important theme for many of the novel’s characters is having to learn to forgive. This takes the form of learning to forgive others, but also learning to forgive themselves. Most notably is the character Sripathi Rao, who must learn to forgive himself for having not forgiven his daughter, Maya, when she decided to marry Alan Baker for love rather than for tradition and the man her father wanted her to marry, Prakash Baht. Sripathi never forgave her for nine whole years, and it may have gone on even longer if she hadn’t died in a car accident. Her death released a tumult of emotions and complications in Sripathi. For one, he no longer had the chance to ever forgive his daughter, something he took for granted, thinking he could chose to forgive her whenever he wanted. Furthermore, her death forced him to realize how petty his feud was. Following her death, not only did Sripathi no longer have the chance to forgive her but now he must learn to forgive himself. This becomes Sripathi’s core antagonism and adversity in the book. It takes him a long time to learn to forgive and move on, but fortunately, Maya’s death wasn’t bereft of a chance for Sripathi to redeem himself.
Juxtaposed to Sripathi’s need to forgive is Ammayya’s need, and consequently, her inability, to forgive. Ammayya acts as an object lesson for Sripathi, and anyone, who cannot forgive others and take control of themselves, their emotions, and learn to be happy despite past offenses. Ammayya constantly holds a grudge against her husband for having a mistress, for not leaving her money after his death, with Sripathi for not having become a physician, etc. Her anger has led her to an extreme form of egotism that prevents her from being able to care for her daughter’s well-being or that of her granddaughter. However, much like Sripathi, Ammayya receives several chances at redemption, an aspect of the process of forgiveness.
Sripathi mostly acquires redemption by learning to be a loving and caring grandfather to Maya’s daughter, Nandana, who desperately needs all the love and support she can get now that she must live with her grandparents in a foreign country. However, Sripathi can also redeem himself by becoming a more loving, caring, and supportive husband as well. Contrary to Sripathi, Ammayya never forgives, and therefore, never takes the opportunity to redeem herself. Ammayya doesn’t draw close to Nandana, rather she steals from her (Maya’s coat that acts as a security blanket for her), she consistently belittles Nirmala and Sripathi, always reminding Sripathi of how disappointed she is with him, and most notoriously, Ammayya, with her last, dying breath, curses her daughter Putti.
Not only is the hero’s walk the title of the book, but it is also a major theme, specifically for Sripathi who must take the long road and learn to be a hero according to the definition provided by Nirmala, and the story (and dance) of Lord Rama and Ravana. In essence, the hero’s walk is the path leading to humility. In several instances, Nirmala and Arun define Rama as the true hero of the story because he shows humility. Sripathi is not humble. It isn’t until the rainstorm and his emotional breakdown that he finally learns to admit his mistakes and move past them. Sripathi focuses on the unattainable and comic-book style of heroism, someone endowed with superior powers and abilities who can make problems disappear. The distinction must lie between the heroism of Lord Rama and his humility and those of cinematic action heroes, because the latter is unrealistic and ultimately is just a distraction to real-life heroics. Sripathi wants a quick fix to his problems: He wants to be the hero who can “swat troubles away like so many flies” (275), and on the non-heroic side of things, Sripathi wants his children to rescue him from his financial worries by getting high-paying jobs and supporting him. This selfish hope in his children is a direct result of his feelings of impotence at not being able to fix his problems the way he would like to fix them, namely being a comic-book style hero. Thus, it is a long journey for Sripathi to learn that what he most needs to make his present better is to become humble and accept life for what it is and accept his family for who they are.