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74 pages 2 hours read

Douglas Adams

The Hitchhiker's Guide to the Galaxy

Fiction | Novel | Adult | Published in 1979

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Symbols & Motifs

The Insignificance of Earth

The motif of Earth’s ultimate insignificance is launched at the novel’s opening, with a description of Earth’s place within the larger Galaxy. It exists “Far out in the uncharted backwaters of the unfashionable end” of the Galaxy, where “a small unregarded yellow sun” provides the heat and light necessary for life on “an utterly insignificant little blue-green planet” (5) that is the Earth. Earth is inconsequential, unimportant—even unfashionable—to the Galaxy as a whole. Furthermore, Earth’s people are unhappy, obsessed with money and consumerism, and not very sophisticated in general. When a woman has a revelation about how to help the people of Earth attain happiness, the Earth is shortly destroyed thereafter. Thus, “nearly two thousand years after one man [the Biblical Jesus] had been nailed to a tree for saying how great it would be to be nice to people for a change” (5), the messenger is again annihilated. The Earth is destroyed in order to make way for an hyperspatial bypass—which, it turns out, has been rendered obsolete by new technology and will never be built anyway.

Therefore, contrary to what its inhabitants may believe, Earth is most certainly not the center of the known Universe. However, the Earth is simultaneously more and less important than initially expected. It is a kind of biological computer, designed by a hyperintelligent race, to determine the question to the answer of life, the universe, and everything. In this respect, the Earth is quite significant, as it is central to the quest for the ultimate answer to the puzzle of existence, yet even this significance is satirized and undermined: The hyperintelligent race is made up of mice, who are a superior lifeform to humans. When Deep Thought names the computer-planet “Earth,” the hyperintelligent philosophers are unimpressed: “’What a dull name,’” one pronounces (122). Thus, the ultimate insignificance of Earth is still reinserted, with Adams parodying the assumption that the Earth—along with its unsophisticated inhabitants—is central to the Universe.

The Hitchhiker’s Guide to the Galaxy e-book

The Guide within The Hitchhiker’s Guide to the Galaxy becomes a symbol of accessible knowledge and discovery in the novel while also functioning as a meta-fictive element. The Guide is an electronic book filled with entries on the galaxy and is a best-selling phenomenon. The Guide “has already supplanted the great Encyclopedia Galactica as the standard repository of all knowledge and wisdom” (6), with The Guide’s runaway success the result of two specific differences: “First, it is slightly cheaper; and second, it has the words DON’T PANIC inscribed in large friendly letters on its cover” (6). Arthur consults the Guide throughout the novel, with the Guide providing explanations and advice about the Universe Arthur is now navigating. In a Universe filled with uncertainty and danger, the Guide provides a reassuring presence, and is the only source of authority not entirely mocked or undermined in the narrative, suggesting that literature can still be a source of enlightenment and entertainment. In creating an actual Guide within his own book, Adams suggests, in a meta-fictional fashion, that his own book is both a repository of vast knowledge and great wisdom.

The Babel Fish

The Babel fish is a potent symbol in the debate over whether there exists an intelligent higher power. Its name is an allusion to the Biblical story of the Tower of Babel, in which mankind angers God by attempting to build a tower together that can reach heaven. In response to mankind’s attempts, God creates multiple languages and scatters humans all over the earth, to make such united attempts at challenging his powers more difficult in future. The Babel fish in the novel is therefore an ironic answer to the problem of universal communication, as it once more provides a means by which humans can understand one another effortlessly. The “small yellow fish” appears unassuming, but allows for any language to be immediately comprehensible to the listener when placed within the ear. The controversy over such an unlikely and highly useful creature has reverberated throughout the Universe, with “such a bizarrely improbably coincidence that anything so mind-bogglingly useful could have evolved purely by chance” causing quite a metaphysical stir (42).

Many suggest that the Babel fish proves the existence of God. However, others suggest that the Babel fish presents “’final and clinching proof of the nonexistence of God’” (42). The debate leads to a best-selling book by Oolon Colluphid, entitled Well That About Wraps It Up for God. Adams utilizes the symbolism of the Babel fish to raise questions about the metaphysical possibilities for an intelligent higher power, or God, while also raising the age-old issue of cross-cultural and crosslinguistic communication. As with every metaphysical conundrum introduced within the book, there is no concrete answer. The narrator ends the discussion on the Babel fish by noting, via The Guide, that it “’has caused more and bloodier wars than anything else in the history of creation’” (42), turning a tool for potential unity into, once again, a source of disunity and conflict.

The Number 42

While the Number 42 appears only briefly in the novel as the answer to life, the universe, and everything, it becomes a notable symbol of Adams’s satirical take on the wider philosophical search for meaning. The Earth is commissioned by the mice as a super-computer in order to calculate the question, only for the Earth to be destroyed a few minutes before it has finished its many millions of years of calculations. Thus, after Arthur—the only surviving Earthling—escapes from the mice with his brain intact, the mice have no other option than to invent a question. These events reveal the fundamental absurdity of seeking a conclusive answer to the existential questions of the ultimate meaning of life: Adams is not merely satirizing the infinitely improbable search for such a definitive answer but also slyly suggesting that, if humanity ever did actually come up with an answer, it would be profoundly disappointing.

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