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53 pages 1 hour read

Natasha Boyd

The Indigo Girl

Fiction | Novel | Adult | Published in 2018

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Symbols & Motifs

Whipping Post

The whipping post is a symbol that illustrates The Price of Freedom and Society’s Role in the Normalization of Enslavement. Though Boyd never depicts its use, the whipping post represents the ever-present threat of violence, torture, and death from enslavers, plantation overseers, and all white South Carolina citizens against enslaved individuals. The whipping post explicitly showcases the level of brutality and dehumanization employed by enslavers to ensure perfect obedience, and it is also a symbol of Eliza’s moral ambiguity. Although she repeatedly requests that the post be removed from their Waccamaw plantation, it soon becomes clear that her abhorrence of the post is not necessarily its use in the institution of enslavement. Instead, her dislike of the whipping post stems from her distaste for needless violence. However, because the whipping post is never removed, the author implies that it continues to be used in her absence. Thus, the whipping post also carries the notion of Eliza’s failure to oppose societal norms that result in the brutal abuse of enslaved individuals on her father’s plantations.

Oak Shoots

The oak shoots that Eliza plants represent her burgeoning ambitions for her father’s land and the eventual success that she will have as an independent horticulturist. As she assiduously cares for the oak shoots, they represent the long-term investment upon which she is gambling the financial future of her family since “they take fifty years or more to reach a size that can be harvested” (28). Oak shoots also signal her intent to nurture her family’s legacy in South Carolina, especially since she is growing the oaks herself and intends to nurture them from seed to shoot to an eventual well-grown tree. Oak shoots also represent Eliza’s forward-thinking mindset, for Eliza forecasts the need for more ship fleets in one of her letters to Miss Bartlett, stating, “I am making a large plantation of oaks […] and therefore I design many years hence when oaks are more valuable than they are now, which you know they will be when we come to build fleets” (191). Although Eliza is as yet unaware that the American Revolution will begin within the next few decades, Boyd uses Eliza’s endeavor to hint at the near future, when sea warfare would become crucial to American independence. Boyd also implies the effects of Eliza’s long-lasting agricultural impact through oaks, as Eliza hopes that the oaks she plants will mimic the “live oak near Lord Fenwick’s land across the creek that, rumor ha[s] it, [i]s a thousand years old” (198). Oaks therefore represent her hopes for the longevity of her family’s legacy, which she makes possible through her own efforts.

Indigo Crops

Indigo crops are a recurring symbol supporting the themes of The Price of Freedom, The Impact of Gender Roles on Female Ambitions, and Society’s Role in the Normalization of Enslavement. Initially, the secrets of cultivating indigo are known only to enslaved African or African-descended individuals, such as Ben and his grandmother. For them, indigo dye is a gift from the land, one that fits within a ritualized growing process that introduces indigo seeds to the soil so that the plants will yield good-quality dye. From Eliza’s perspective, however, the meaning of indigo changes, representing her personal independence in an otherwise male-driven agricultural sphere and setting her free from the restrictions of an arranged marriage. As the Lucas family’s finances grow worse, however, the indigo crops that Eliza plants symbolize economic investment and potential financial stability. Ultimately, Eliza comes to view indigo as a symbol for shared success when she works alongside Quash, Togo, and the other enslaved workers to make a successful six-pound batch of indigo dye. She states, “Today we had all taken part in and witnessed a miracle. We would be forever linked together in our shared experience. My joy was their joy. My success belonged to them” (297). Thus, by the end of the narrative, indigo becomes a means by which Eliza rationalizes Society’s Role in the Normalization of Enslavement and adopts the view that for the space of this endeavor, the enslaved workers of her father’s plantation stand on equal footing with herself.

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