116 pages • 3 hours read
Jennifer Lynn BarnesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Avery is so shocked by the news of her inheritance, she runs outside. Libby follows her. As the two sisters are talking, Nash exits the house. He seems interested in Libby. He also seems to be one of the few people who isn’t angry about the will since he tells Avery, “I don’t want the money. Never have. Far as I’m concerned, this is the universe having a bit of fun with folks who probably deserve it” (44). Oren takes Libby and Avery to a hotel—which Avery, as part of her inheritance, now owns—to go through the details of the will with Alisa. According to the terms of the will, Avery must move into Hawthorne House within three days and stay there for a full year. If Avery refuses, her inheritance will go to charity. If Avery dies, her part of the inheritance will go to her estate and pass on to her heirs. Avery is shocked to learn these details of the will, which make it clear that Tobias has essentially disinherited his family. She also worries about her safety.
Avery calls Max, giving her the update. Max responds with her characteristic slew of coded curses (“Mother-faxing elf”) (48). After the phone call, Oren—who is now constantly keeping watch over Avery—announces that Grayson is there and wants to see her. He assures her it’s safe. Grayson accuses Avery of scamming herself into the fortune somehow. After Grayson leaves, Avery opens the letter she received from Tobias before the reading of the will. She expects it will hold an explanation. Instead, it simply reads: “Dearest Avery, I’m sorry. –T. T. H” (51).
The next day, Avery discusses her security with Oren. He notes that Avery will be a target for kidnapping, stalking, and other threats. Alisa assures her that the law firm is keeping the news of her inheritance a secret. Oren tells her, “The second this news gets out, you will be on the cover of every newspaper […] To some people you’ll be Cinderella. To others, Marie Antoinette” (53). As Avery discusses the logistical details of her new life with Alisa, she coins a new game: “The Uprooting Avery’s Life in an Instant game” (53). The one thing Avery wants to do with her newfound fortune is to pay for a home for Harry, her homeless friend. She instructs Alisa to take care of the arrangements. Libby has gone to get the girls’ things from their home, using Avery’s private jet, so they can move into Hawthorne House. When she returns, she has a black eye—from Drake.
Libby and Avery make the move to Hawthorne House. Drake leaked Avery’s story to the press after learning it from Libby. The paparazzi are now following Avery. At Hawthorne House, Alisa gives Avery an envelope of keys. The Hawthornes are legally required to give Avery the key to the property, but they’ve neglected to designate which key is the right one for the front door. Jameson greets Avery through the intercom but doesn’t tell her which key to use to get in. There are about 100 keys of different sizes and with various designs on the handles. Avery realizes this is a puzzle. She quickly finds the correct key. Libby, impressed, asks how she knew which one it was. Jameson responds via the intercom that “[s]ometimes, things that are very different on their surface are actually the same at their core” (59).
Alisa introduces Avery and Libby to Hawthorne House and to the Laughlins, the elderly couple who take care of domestic tasks, like the cooking. Libby and Avery are astounded by the mansion’s extravagance, which includes private chefs, masseurs, a pool, and a bowling alley. Nash arrives and, seeing Libby’s black eye, invites her to give him a name, implying that he will track down the person who gave it to her and exact vengeance. Libby is surprised by the attention from the “Motorcycle cowboy” (61). Avery notes Nash’s interest in her sister. She also learns that Nash and Alisa were once engaged.
Avery follows Nash into the library, where Grayson and Jameson are brawling. It seems to be a tradition between the brothers. Xander arrives from school and joins in. Watching the four brothers wrestle and tease one another, Avery feels even more distinctly how she’s an outsider in Hawthorne House. Jameson informs his brothers that “Avery solved the keys. Faster than any of us” (66). Jameson also tells Grayson, “I told you she was special,” to which Grayson responds, “And I told you to stay away from her,” indicating friction between the brothers (67).
Xander takes Avery on a tour of the mansion, and they start with the kitchen, where they eat scones. He explains the intricacies of the house, noting that Tobias added wings and rooms every year. They stop in front of a portrait of Tobias, and Avery examines it, concluding that she’s never met this man in her life. Xander tells her: “Maybe you’re blameless. Maybe you’re the evil genius that Gray seems to think you are, but at the end of the day, even if you’d thought you’d manipulated our grandfather into this, I’d guarantee that he’d be the one manipulating you” (70).
Avery explores Tobias’s office. It’s a shrine to the Hawthorne grandsons, holding trophies, medals, and accolades the boys have won. Libby finds her and they talk about Drake. Libby reveals that she has a history of abuse, as her mother was likewise violent toward her when she was a child. Libby also reveals that she overhead Zara and her husband planning to run a DNA test to see if Avery is Tobias’s illegitimate daughter. If so, Libby and Avery technically won’t be half-sisters anymore. Avery reassures Libby that even if they are not related by blood, she will still want her by her side at Hawthorne House.
That evening, Avery is lying in bed when she hears Jameson’s voice from the other side of the wall, telling her to pull a candlestick. She does, and a door to a secret passage opens, allowing Jameson in. Jameson is flirtatious, telling her it would be a shame if the DNA test were to show they’re related, but Avery’s guard is up. She’s convinced that if Jameson is flirting with her, it’s for a reason. Jameson tells her how his grandfather loved riddles and games: Every Saturday, since the boys were young, their grandfather would sit them down and give them a “riddle, puzzle, impossible challenge—something to solve” (80). He believes Avery is such a puzzle: “You are a riddle, a puzzle, a game—my grandfather’s last” (79). He leaves his letter from Tobias with Avery before departing.
Avery reads Jameson’s letter from Tobias, a string of adages:
Jameson,
Better the devil you know than the one you don’t—or is it? Power corrupts. Absolute power corrupts absolutely. All that glitters is not gold. Nothing is certain but death and taxes. There but for the grace of God go I. Don’t judge.
– Tobias Tattersall Hawthorne (82).
Avery is convinced there is a clue in the letter and in her own—but she doesn’t get the meaning yet. The next morning, she’s distracted by figuring out logistics with Alisa, who has enrolled her in Heights Country Day school.
This set of chapters sets up the stakes of the “inheritance game.” The pivotal point marking the start of Avery’s participation in the game occurs when she chooses the key to enter the mansion. Jameson’s reaction, telling his brother that she completed the task faster than the rest of them, makes it clear that this is a test all four Hawthorne boys had to complete at one point—undoubtedly one of the many riddles their grandfather set them. Through Jameson’s character, the premise that Avery herself is the riddle to be solved is introduced to the narrative.
These chapters also provide a first look at the letters Tobias left Avery and his grandsons, which will be key pieces in solving the “inheritance game” puzzle—why Avery was included in Tobias’s will. Avery has only read her own letter and Jameson’s adage-packed letter and is convinced they both hold clues: “There’s something there, in the letters. In Jameson’s. In mine. An answer—or at least a clue” (83). The fact that there are more letters whose contents aren’t yet known creates a mood of suspense and expectation.
The book’s mysterious tone is reflected in Hawthorne House itself. The complex building is a symbol for a game. With its secret passageways and complex layout, it’s a riddle to be solved. Xander describes it as “an M.C. Escher drawing conceived a child with Leonardo da Vinci’s most masterful designs” (71). Avery is only starting to figure out the building’s secrets (such as the fact that if you pull on the candlestick in her bedroom, you open a secret passageway). The beginning of her exploration of the house parallels the beginning of her participation in the inheritance game—both begin when she crosses the threshold into the mansion.
The threat to Avery’s safety posed by the inheritance game becomes apparent through the presence of John, her security detail. Grayson’s angry appearance in Avery’s hotel room in Chapter 12 sets a threatening tone: “I haven’t a clue how you pulled this off, but I will find out. I see you now. I know what you are and what you’re capable of, and there is nothing I wouldn’t do to protect my family. Whatever game you’re playing here, no matter how long this con—I will find the truth, and God help you when I do” (50). While Chapters 11 through 20 only hint at threats to Avery’s safety, the book will later deliver on this promise.
Allusions are further used to create a foreboding atmosphere and foreshadow the possibility that Avery may be harmed. In Chapter 11, Libby and Avery worry that the Hawthornes will “go all Lizzie Borden” on Avery (46). Although Oren assures them they don’t have to worry about the Hawthornes, he flags other external threats, like kidnapping. He also tells Avery that some people will see her as Marie Antoinette. Marie-Antoinette was guillotined, so this allusion amplifies the sense of foreboding surrounding Avery’s safety.
These chapters further hint at a couple of the romantic subplots. First, there is Nash and Libby. With her punk-goth style and blue-dyed hair, Libby is a stark contrast to Nash, with his cowboy boots, motorcycle, and Texas drawl. According to Avery, “The two of them looked like they didn’t belong within ten feet of each other, and yet, there he was, slow-smiling at her” (44). The duo physically represents the juxtaposition of Avery’s and Libby’s world versus the world of the Hawthornes (poor/rich).
Then, there is the deepening tension between Avery and Jameson. When Avery puts her hand out to stop him from coming toward her in an intense discussion, he forces her palm to his chest and then brushes her hair from her face. These two physical touches leave Avery disconcerted: “My entire life, no one had touched me as gently as he had a moment before” (80). The fact that he tells her she’s “special” also rattles her. While Avery appears to feel a spark with Jameson, she doesn’t trust the feeling, convinced he is only using her.
While deepening the mystery and ramping up the atmosphere of suspense surrounding the “inheritance game,” these chapters also touch on the many logistical points of Avery’s circumstances. She needs a new car, gets a new phone, and will go to a new school. These technicalities have a grounding effect, reminding the reader that Avery is still a teenager, a junior in high school dealing with everyday realities like homework.
Throughout these chapters, more is revealed about Tobias. He is largely described as manipulative, even by the seemingly good-natured Xander: “Even if you thought that you’d manipulated our grandfather into this, I guarantee that he’d be the one manipulating you” (70). This characterization of a deceased figure who Avery will never meet opens up more mysteries. What did Tobias do in the past to leave this impression on his family?
By Jennifer Lynn Barnes
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