55 pages • 1 hour read
Meghan O'RourkeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
A theme throughout The Invisible Kingdom, as is indicated by the title, is that of the feeling of invisibility wrought by unnamed chronic illness. By naming the invisibility, O’Rourke strives to make her struggle visible to others, and thus her book stands as testimony of a life characterized by struggles that others would prefer not to acknowledge. The theme of invisibility relates to both the social and private experience of O’Rourke’s illness. For O’Rourke, her illness transforms her life and sense of self. However, without a viable diagnosis, this transformation remains invisible to those around her. She writes, “At times I thought I would slowly slip away unseen and no one would notice because the shell of my body was still there” (100). The dissonance between the profound presence of her symptoms and the invisibility of their manifestation creates a sense of loneliness for O’Rourke throughout the text. As she embarks upon this quest for answers and clarity while handling the full-time job of managing her illness, she writes that “it is painfully clear that the invisibility of my illness was one of the most challenging parts of my suffering” (392). While a reader might assume the main conflict of O’Rourke’s experience to be the pain wrought by her illness, it is actually the lack of recognition that poses the most serious threat to her sense of well-being and hope.
As O’Rourke’s illness continues and cycles through its various stages of diagnosis, reprieve, and then a return of symptoms, she begins to recognize the cause of her feelings of invisibility. It is not just that she doesn’t have a name for her illness that makes her invisible to others, it is the culture and medical system at large that ignores or invalidates anything not fully understood. She writes, “I had felt invisible in my illness, I realized, because American culture—and American medicine within it—largely strives to downplay the fact that we still know so little about illness” (238). Thus, what O’Rourke experiences as a feeling of being invisible is a reflection of the discomfort that societal systems have with unrecognizable things such as unnamed illnesses. By arriving at this realization about her own experience of invisibility, O’Rourke shifts the attention from her inner reality to an examination of the deep flaws of the medical systems with which she must engage. By doing so, O’Rourke not only renders herself visible to others, but she also shifts the attention to finding a solution and building a vision for a culture and medical system that do not cause harm through ignorance.
One dominant experience for O’Rourke is that of having her symptoms pathologized, either by medical experts, friends, or even herself. The theme of pathologizing patients instead of treating illness relates to the overarching experience of the author of having her sickness become a problem that she herself is burdened to solve. As O’Rourke points out, the word “autoimmunity” is often turned into a metaphor of the self attacking the self. In this way of imagining autoimmune disease, the patient, or those people witnessing the patient, often begin to view the illness as a problem with “the self.” However, as with most disease concepts that O’Rourke encounters, she makes it a habit to question the preconceptions that surround society’s views of illness. In the introduction, she writes:
As Susan Sontag pointedly observes in Illness as Metaphor, illnesses we don’t understand are frequently viewed as manifestations of inner states. The less we understand about a disease or a symptom, the more we psychologize, and often stigmatize, it. Doctors once thought of multiple sclerosis as a form of hysteria. Tuberculosis […] as a disease that afflicted romantic young souls. For decades, certain forms of cancer were thought to be a consequence of repressed emotions (18).
This quotation points to the ways in which society’s lack of understanding often places blame squarely on the patient. The less objective knowledge the medical system has, the more likely it is that the patient’s inner state will come under attack. By citing other illnesses that used to be susceptible to this same critique, O’Rourke effectively argues that the more we learn about autoimmunity and other unnamed chronic illnesses, the more absurd it will seem that a patient’s inner emotional state was ever to blame.
What often occurs throughout the text, however, is that even with the manifestation of real bodily symptoms, the psychological impacts of O’Rourke’s experience are tremendous. She experiences depression, loneliness, anxiety, and stress as results of her illness. The management of chronic illness also requires caring for one’s psychological state because of the toll that inner stress can have on one’s physical health. As she asserts, “Inflammatory and autoimmune diseases can affect the brain, causing neuropsychiatric disease along with other symptoms. The trouble was that in the face of uncertainty, this doctor viewed my problems as exclusively psychological” (109). O’Rourke takes care to emphasize the interconnectedness of psychological states and physical states and ultimately argues that care for those with chronic illnesses should integrate all types of health. This does not mean, however, that doctors should stop looking for a physical cause upon discovering a plausible psychological explanation.
The theme of knowledge versus uncertainty is one that develops throughout The Invisible Kingdom, especially in relation to O’Rourke’s diagnosis. In her introduction, O’Rourke is careful to distinguish between the experience of a person living with a nameable illness versus an unnamable illness. She lives with the latter, and for much of the text is seeking a name for the symptoms she is experiencing. However, receiving a diagnosis is not the simple resolution she thinks it will be at the start of the book. This desire for a diagnosis changes as she realizes that the diagnosis itself will be connected to a medical system and culture that knows little about what the disease actually is. Before this realization, though, she names the effects of medical uncertainty on the patient, stating, “Because my unwellness did not take the form of a disease I understood, with a clear-cut list of symptoms and a course of treatment, even I at times interpreted it as a series of signs about my very existence” (19).
At the beginning of the text, a diagnosis implies a clear-cut treatment, a timeline, and then even a resolution. However, when she is denied that closure, she feels a growing sense of uncertainty that compromises her trust in herself. It is this very uncertainty, though, that guides O’Rourke to storytelling, even though she begins to understand that with autoimmunity, there will be no resolution, and that “[f]rom the start, the study of autoimmunity has been characterized by uncertainty and error” (41). Thus, knowledge, for O’Rourke, transitions into a way to be recognized by those around her, to forge a connection to others, and to communicate the nuances of her struggle in the hopes of getting better. For O’Rourke, even though there is no clear end or resolution to her type of illness, the ability to articulate her story becomes a reward in and of itself. She realizes that until many collective acts of self-advocacy transform the culture and medical systems around her, only by telling her story can she render herself and her illness visible to others.
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