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23 pages 46 minutes read

Henry Wadsworth Longfellow

The Jewish Cemetery at Newport

Fiction | Poem | Adult | Published in 1854

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Background

Historical Context

In 1852, Longfellow—a descendant of settlers who colonized New England in the 1600s—visited Newport with his family. Longfellow found the recently restored Jewish cemetery in town particularly moving: He could read and write Hebrew and was deeply interested in Jewish history and culture. “The Jewish Cemetery at Newport” directly stemmed from Longfellow’s visit and references several historically accurate details. Newport was the site of one of the earliest Jewish settlements in the United States. This first wave of Jewish immigrants ended up in Newport in the mid-17th century. Founded by Roger Williams and Anne Hutchinson, Rhode Island was the colony famous for permitting religious tolerance. Unsurprisingly, many Jewish people (often successful merchants) ended up in the seaside city of Newport. These first settlers were descendants of Sephardim from Southern Europe, and many came to America by way of the Caribbean and South America. In example, the burial ground commemorated by Longfellow was first acquired by Mordecai Campernell, who lived in Brazil. Campernell had connections with the small Jewish community in Barbados, and persuaded some of them of the “far greater possibilities” Newport offered.

In “The Jewish Cemetery at Newport” Longfellow displays a sensitivity which was a rarity at a time when anti-Semitism was acceptable. Doubtless, Longfellow’s progressive politics informed this sensitivity; he was an abolitionist with a keen sympathy for racial minorities, including Indigenous Americans. Further, Longfellow’s long visits to Europe exposed him to the anti-Semitism still prevalent in the continent and the “[g]hetto and Judenstrass” (Line 34) where Jewish communities were confined.

Interestingly, the poem was written at a time when the seeds of proto-Zionism were being sowed: Zionism is the ideology and political movement established in the late 19th century that championed the establishment of a Jewish nation. However, in its earliest forms, proto-Zionism focused more on achieving racial and religious equality for Jews rather than achieving a separate national identity. In his essay "How Came They Here?": Longfellow's "The Jewish Cemetery at Newport," Slavery, and Proto-Zionism,” 19th century literature expert Professor Joseph Phelan says that Longfellow may have been exposed to this early proto-Zionist strand, which explains some of the contradictions in “The Jewish Cemetery at Newport.” According to Phelan:

From the perspective of the present, the combination in Longfellow’s poem of sympathy for the Jews and apparent rejection of this idea of restoration might seem a strange one; but the pre-history of Zionism suggests that it was entirely possible for both Jews and non-Jews to support religious freedom and equality, and at the same time to reject as fanciful and even potentially divisive the idea of the revival of a separate Jewish nation.

Finally, some contemporary critics have debated the idea of Longfellow positioning the Jewish community of Newport as immigrants instead of settlers, when in fact the first Jews of European origin arrived in New England as early as the 17th century—just a few decades after the first Puritan Christian settlers fled religious persecution in England.

Literary Context

The elegy began as an ancient Greek metrical form and is traditionally written in response to the death of a person or group. Though similar in function, the elegy is distinct from the epitaph, ode, and eulogy: The epitaph is very brief; the ode solely exalts; and the eulogy is most often written in formal prose. In English poetry, the elegiac tradition flourished from the 17th century onwards, with famous examples including John Milton’s “Lycidas” (1637), Thomas Gray’s “Elegy Written in a Country Churchyard” (1751) and Alfred Lord Tennyson’s “In Memoriam” (1850). As the mention of Tennyson shows, in England, the elegy was alive and well in the Victorian age.

In the United States, the 19th century heyday of the elegy followed the American Civil War, specifically in the works of Walt Whitman and Emily Dickinson. Longfellow’s “Jewish Cemetery at Newport” prefigures that heyday. Though the poem retains the elegiac, melancholic tone of its contemporary English elegies, some of its concerns fall in a distinctly American literary tradition. As Max Cavitch argues in his book American Elegy: The Poetry of Mourning from the Puritans to Whitman, the 18th and 19th century American elegy was also preoccupied with the idea of nation-building and creating a national consciousness and identity. Losses were seen as mournful, but were both shared and inevitable in the building of a new nation. In “The Jewish Cemetery at Newport,” Longfellow’s assertion that a separate Jewish nation is a fantasy arises from the American nation-building project. The American identity of those buried in the cemetery at Newport supersedes their Jewish identity. In this context, seeking a separate Jewish nation would seem divisive. Another way in which Longfellow’s elegy is unusual is that it ends not on a note of consolation, like in the traditional form, but despair. This despair is necessary; for a new nation to strengthen, the past must be left behind.

The poem, like most of Longfellow’s works, is written in a regular, metrical form. Longfellow’s poems were known for their easy musicality and were extremely popular in his lifetime. Critics compare Longfellow’s popularity in the 19th century to that of a rock star in contemporary times. Though many now criticize the poet for his adherence to verse forms inspired by Europe—Longfellow’s late contemporaries like Walt Whitman were already beginning to create a distinctive American meter and form in poetry—in his time, he was revered for those very qualities. Longfellow’s literary reputation has since diminished; however, even though his meter is often inspired by formal English poetry, his humanism and progressive spirit—as displayed in “The Jewish Cemetery at Newport”—are distinctively fresh and American.

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