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54 pages 1 hour read

Milan Kundera

The Joke

Fiction | Novel | Adult | Published in 1967

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Background

Authorial Context: Milan Kundera and The Joke

Milan Kundera was a prominent Czech writer renowned for novels that delve deep into the complexities of human existence. Born on April 1, 1929, Kundera’s life and literary career were profoundly influenced by his formative years in communist Czechoslovakia. Kundera was born into a middle-class family in Brno, a city known for its rich cultural heritage. His father, Ludvík Kundera, was a prominent pianist and musicologist, while his mother, Milada Kunderova, was a teacher. The household was one where culture, music, and literature held places of prominence. Kundera displayed an early affinity for literature, reading the works of renowned authors, both Czech and international. His formative years were marked by the exploration of ideas and a deep curiosity about the world. He enrolled at Charles University in Prague, where he studied literature and aesthetics. However, his academic pursuits were interrupted by the turbulent political landscape of Czechoslovakia.

Kundera’s life unfolded during a period of totalitarian rule under the Soviet Union’s influence. The post-World War II era saw Czechoslovakia transform into a satellite state of the USSR, with the Communist Party seizing control in a coup in 1948. The country’s cultural and intellectual life became heavily regulated and censored, stifling creative expression and freedom of thought. For Milan Kundera, this oppressive atmosphere posed a significant challenge to his artistic ambitions. The communist regime tightly controlled the literary scene, demanding adherence to the party’s ideology in all forms of creative work. Writers, journalists, and artists faced constant scrutiny, censorship, and the threat of persecution for deviating from the prescribed narrative.

In the face of these challenges, Milan Kundera embarked on his journey as a writer. He began by writing poetry and essays, often exploring themes of identity, love, and the human condition. His early works showed promise and garnered attention within intellectual circles, but they were far from conforming to the Communist Party’s ideology. One of Kundera’s notable early works was his debut collection of poems, The Last May, published in 1955. Although it did not gain widespread recognition, it marked the beginning of his literary career.

As the political situation in Czechoslovakia deteriorated, Kundera faced increasing pressure from the Communist authorities over his refusal to toe the party line. The artistic and intellectual restrictions grew more suffocating, leaving him with no choice but to seek an outlet for his creativity beyond the borders of his homeland. In 1975, Kundera emigrated from Czechoslovakia and settled in France, where he lived in exile for the rest of his career. In Paris, he found an environment that encouraged intellectual freedom and provided the necessary space for him to develop his literary voice. Milan Kundera’s first novel, The Joke (written between 1965 and 1967 and published in 1967), catapulted him to literary prominence. The Joke was a groundbreaking work that challenged the communist regime’s narrative and exposed the absurdity of its dogmatic beliefs.

The Joke was first translated into English in 1969, but Kundera was dissatisfied with the result. A new translation in 1982 came closer to Kundera’s vision. However, it was not until 1992, when Kundera and his editor Aaron Asher undertook a complete revision of the English translation, that what Kundera considered to be the definitive English translation was published.

Historical Context: Communism in Czechoslovakia

As the Austro-Hungarian Empire crumbled at the end of World War I, Czech and Slovak nationalists saw an opportunity to forge their own independent state. On October 28, 1918, Czechoslovakia was officially founded, with Tomas Garrigue Masaryk as its first president. The new republic promised democracy and prosperity, but it faced numerous challenges, including economic instability and political strife. In the 1920s and early 1930s, the Communist Party of Czechoslovakia (CPC) was a marginal political force, influenced by the Bolshevik Revolution in Russia but lacking mass support. However, the global economic crisis of the 1930s, coupled with the threat of fascism in neighboring Germany, led to increased radicalization among the Czechoslovakian people. The Munich Agreement of 1938, which ceded parts of Czechoslovakia to Nazi Germany, marked a turning point that highlighted the country’s vulnerability.

At the end of World War II, the Soviet Red Army liberated Czechoslovakia from the Nazis. The country saw a resurgence of the Communist Party, now led by Klement Gottwald. The Communist Party capitalized on anti-fascist sentiments and rapidly gained influence within the post-war coalition government. In February 1948, a political crisis erupted when the Communist Party, supported by the Soviet Union, orchestrated a coup d’état. This event, known as the February Victory, led to the formation of a Communist-dominated government. President Edvard Benes resigned, and Czechoslovakia became a People’s Republic under Soviet influence. Czechoslovakia entered a period of Stalinist rule in which the government suppressed dissent, imposed censorship, and carried out purges of perceived enemies. The economy was nationalized and the collectivization of agriculture began, mirroring the Soviet model.

By the early 1960s, cracks began to appear in the communist monolith. A new generation of leaders, including Alexander Dubcek, emerged with more moderate views. In 1968, under Dubcek’s leadership, Czechoslovakia embarked on a path known as the Prague Spring. The Prague Spring aimed to introduce political reforms, including increased freedom of the press, a multiparty system, and an end to censorship. These reforms were met with enthusiasm by the Czech population but caused alarm in Moscow. On the night of August 20, 1968, Czechoslovakia was invaded by Warsaw Pact forces led by the Soviet Union. The invasion crushed the Prague Spring and reinstated a hardline communist regime. The international community, including Western countries, condemned the invasion.

After the failure of the Prague Spring, Czechoslovakia entered a period of “Normalization,” characterized by ideological conformity and repression. Dissidents such as the playwright Vaclav Havel became voices of resistance, advocating for human rights and political change. Despite the regime’s attempts to suppress dissent, cultural and intellectual movements flourished underground. Nevertheless, the atmosphere was still oppressive to artists, and in 1975, Milan Kundera fled his homeland to settle in Paris.

The end of communism in Czechoslovakia came suddenly, unexpectedly, and non-violently with the Velvet Revolution of November 1989. Sparked by the fall of the Berlin Wall on November 9, 1989, mass protests erupted across Czechoslovakia on November 17, led by dissident intellectuals, students, and workers. The Communist Party, facing mounting pressure, eventually agreed to negotiate with the opposition. On December 10, 1989, President Gustav Husak appointed the first noncommunist government since 1948. The playwright Havel was elected president on December 29. This peaceful transition of power marked the end of communist rule in Czechoslovakia. Three years after the Velvet Revolution, Czechoslovakia split into two nations: the Czech Republic and Slovakia.

Cultural Context: Folk Traditions in Czechoslovakia

Czechoslovakia boasts a rich tapestry of folk traditions that have evolved over centuries. These customs, deeply rooted in the culture and history of the region, encompass various forms of expression, including folk music, dance, and unique ceremonies like the Ride of the Kings. Czechoslovakian folk music is known for its use of traditional instruments, each contributing to the rich tapestry of sounds. Some of the most prominent instruments include the accordion, fiddle, bagpipes, clarinet, trumpet, and cimbalom, a type of chordophone contained within a large box. These instruments feature prominently in The Joke, as Ludvik and Jaroslav grew up playing in the same folk band.

Folk music in Czechoslovakia is closely intertwined with traditional dances, which serve as expressions of joy, community, and cultural identity. The most well-known folk dances include the polka, the waltz, and the furiant, as well as many other spiritual and religious musical traditions. These include hymns sung during religious ceremonies and special songs performed at life events like weddings and funerals.

One of the most unique folk traditions in Czechoslovakia is the Ride of the Kings (Jízda králů), which is celebrated primarily in the regions of Moravia and South Bohemia. This centuries-old tradition combines elements of pageantry, folklore, and spirituality and is a symbol of communal identity. The Ride of the Kings is believed to have originated in the 13th century, influenced by medieval chivalry and religious devotion. The central figure of the tradition is the “king,” a young boy chosen from the community. The king is adorned in a splendid costume featuring a tall crown, ornate robes, and a scepter. He represents the embodiment of goodness, prosperity, and protection for the community. The celebration begins with a colorful and vibrant procession through the village featuring the king, musicians, and the entire community in traditional dress. The king’s escort includes other important figures, such as a priest, noblemen, and a “bear,” all of whom play crucial roles in the ritual.

During the Ride of the Kings, the procession stops at various locations, including churches and homes. At each stop, the king and his entourage perform rituals and blessings. These rituals are believed to bring good fortune, fertility, and protection to the community. Musicians in the procession perform lively tunes, setting the festive and spiritual atmosphere. The music provides a backdrop for the dances, songs, and rituals that are an integral part of the tradition. The Ride of the Kings culminates in a communal feast, where villagers come together to share traditional dishes, stories, and dances.

In The Joke, Jaroslav carefully plans the Ride of the Kings. He took part in the festival during his youth, as did many people from his hometown. Now, he is excited for his son to play the role of the king. The final chapter of the novel is set on the day of the festival, including the concert after the day’s festivities, at which Jaroslav and Ludvik rekindle their friendship by playing folk music together.

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