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C. S. LewisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Lewis portrays a Christlike god, Aslan, using the symbol of a lion, which is traditionally known as the “king” of animals and admired for its power and beauty. With the lion symbol, Lewis is able to convey the great vitality of the Narnian god, “leaping down from cliff to cliff like a living cataract of power and beauty” (164). Lions are also dangerous, which Lewis uses to underscore his point that Aslan is not “tame”: Because Aslan operates according to his own plan, his ways may seem harsh to people who would like him to serve their own agendas. Nevertheless, Aslan also has a comforting physical presence; the children are able to bury “their hands and faces in his mane as he stooped his great head to touch them with his tongue” (134). In contrast, the old skin of a dead, ordinary lion attached to Puzzle accentuates the hollowness and emptiness of the false Aslan.
Lewis symbolically uses a stable as the site from which the false Aslan emerges, heightening the work’s Christian imagery. In Christian teaching, the stable is where the true God, Jesus Christ, came into the world as a baby, so Lewis emphasizes Shift’s fraudulent mimicry with this choice of setting. When Tash takes up residence in the Stable, the contrast deepens; where the Christian stable is a place of new life, this stable is a place of death.
The novel’s stable is not an inherently evil place, however; in fact, it is the conduit through which Aslan’s followers enter his realm, underscoring the association with Jesus’s birth and illustrating the Christian belief that God can and will bring good out of any evil. Believers in Aslan discover that the Stable’s “inside is bigger than its outside” as they pass to Aslan’s eternal realm (128). Through this symbolism, Lewis suggests that the inward spiritual world (in biblical terms—the Kingdom of God that is within) is larger than the outside material world. Nonbelievers, such as the dwarfs, only experience the Stable as a “pitch-black, poky, smelly little hole” (131).
The symbol of the Door transforms over the course of Lewis’s book. When evil men are using the Stable, its door is referred to as a “black mouth” through which creatures are flung as burnt offerings to be devoured by Tash (104). Even in this first manifestation, the door symbolizes a place of decision since a Calormene sentry waits to kill those who will not collude in the false Aslan plot. The door is simultaneously a place of entry and exit (as it can lead to death by means of the Calormene sentry or the monstrous Tash). However, believers in Aslan, such as Jewel the Unicorn, are hopeful that death “may be […] the door to Aslan’s country” (118), where they will not be devoured by a false God but will “sup” at Aslan’s table.
Indeed, those who believe in goodness, such as Emeth and Tirian, discover a lovely, sunlit country when they pass through the Stable door. Those who are dishonest, such as Ginger and Rishda, only encounter the devouring Tash. When Aslan arrives, Lewis suddenly capitalizes the word “Door” as it becomes the setting for Aslan’s Last Judgment. The Door miraculously enlarges to enable all Narnian creatures to pass through it, and when Narnia is gone, Aslan commands Peter to shut and lock the Door. Lewis’ symbolic use of the Door relies as well on biblical references to Christ as the door: the only way to eternal life.
By C. S. Lewis