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48 pages 1 hour read

Nina George, Transl. Simon Pare

The Little Paris Bookshop

Fiction | Novel | Adult | Published in 2013

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Chapters 1-9Chapter Summaries & Analyses

Chapter 1 Summary

It is June in Paris, and a new resident, Catherine, is moving in to the apartment building at 27 Rue Montagnard where Monsieur Jean Perdu lives. The owner of the building, Madame Bernard, and the concierge, Madame Rosalette, convince Perdu to give Catherine a table because she has very few belongings after enduring a nasty divorce.

To get the table, Perdu must enter a room in his apartment that he has not entered for 21 years. He has blocked the door to the room with a large bookcase full of books. He tries to avoid thinking of the woman who shared this room with him many years ago, a woman named Manon with whom he had an intense, five-year romance. Perdu doesn’t think of Manon’s name, only calling her “---” in his mind. He fights down his sadness and scrubs the old table clean. Perdu takes the table across the hall to his new neighbor and overhears Catherine sobbing from behind her apartment door.

Chapter 2 Summary

Perdu decides to give Catherine some privacy, so he leaves the table in the hall and goes back to fetch the accompanying chair from his apartment. On his way, he thinks fondly about all the other residents in the building. Once Catherine stops crying, Perdu knocks on her door. They speak through the door, and he promises to bring her a “consoling kind” of book. Back in his apartment, the empty room taunts him. He slams the door closed, not ready to confront the memories that he has blocked off for so long.

Chapter 3 Summary

The next morning, Perdu is at work aboard his floating bookshop. His “book barge,” named Literary Apothecary, is moored on the Seine River in the center of Paris. Perdu refuses to sell a book to a customer if he thinks the book is not the right fit for their emotional state. Perdu and the customer shout at each other. After she storms off, he reflects with surprise at his uncharacteristic outburst.

The book that the customer had wanted to buy was Night, the best-selling book written by another of Perdu’s neighbors, a young man named Max Jordan.

Chapter 4 Summary

Perdu continues his workday, selling books to various customers. He responds thoughtfully to his customer’s inquiries and shares with one customer his desire to write “an encyclopedia about common emotions…from A for ‘anxiety about picking up hitchhikers’ to E for ‘early risers’ smugness’” (22).

As Perdu is feeding the two stray cats, Kafka and Lindgren, who often visit the boat, he hears someone coughing behind the shelves.

Chapter 5 Summary

The coughs are Max Jordan’s. He’s been in the shop long enough to hear Monsieur Perdu refusing to sell Night to a customer. Perdu denies Max’s request to call him by his first name, instead calling him “Monsieur Jordan.” Perdu then explains that he likes Max’s book but that he sells books like medicine and aims to sell the right book to the right person at the right time. Perdu reflects on his unique ability to read a person’s face and body language, a skill he calls “transperception.”

Max confesses that he’s experiencing writer’s block. He asks Perdu what he does “when he can’t go on” (31), and Perdu shows Max his favorite book, Southern Lights. The book is written under a pseudonym, Sanary. Perdu has been analyzing the writing style for years, hoping to solve the mystery of the author’s true identity. He has narrowed it down to 11 possible authors. Perdu prescribes that Max read the book to help with his writer’s block.

As Max and Perdu are speaking, the customer to whom Perdu had refused to sell Night returns. She’s been crying, but the things that Perdu shouted at her made an impact. She asks Perdu to sell her the books that will be a good fit for her.

Chapter 6 Summary

Perdu takes the customer, Anna, to the comfortable seating area on the boat and asks her a few questions about herself. It isn’t Anna’s answers to the questions but rather her tone of voice and the words she chooses that help Perdu understand her needs. He prescribes her “novels for willpower, nonfiction for rethinking one’s life, poems for dignity” (37). Anna sits and reads on the boat for a while, and Perdu notices that the books are making her feel happy. He wonders why no book has been able to do that for him.

Chapter 7 Summary

On his walk home from work, Perdu wonders if their quiet street will be too boring for Catherine. Perdu delivers books to a few neighbors before arriving home at 27 Rue Montagnard. When he visits Catherine to drop off the books he’s selected for her, she tells him that she found the letter.

Chapter 8 Summary

Catherine found a letter in the drawer of the kitchen table that Perdu gave her. She holds it out to him, but he reacts strongly, backing away and shouting that it is not his. In truth, he recognizes the writing on the envelope.

Seeing the familiar writing triggers memories for Perdu, memories of his romance with Manon. He finally thinks of her name, rather than calling her “---” in his mind. He remembers her smell and her touch, the way she named the rooms they met in. She had called the now-abandoned room in his apartment the Lavender Room. He remembers that she left him unexpectedly and sent this letter a few weeks later. He never opened the letter.

Perdu has a sort of epiphany that he’s grown older while he’s been avoiding life because of the heartbreak Manon’s departure caused. He storms back over to Catherine’s apartment to get the letter, but she doesn’t answer the door. He leaves a note asking her to bring the letter to him and to not read it.

Chapter 9 Summary

Perdu wakes the next morning to find that Catherine never dropped off the letter. Later, he finds a note from her, inviting him to dinner and asking him to promise that he will read the letter. Before meeting Catherine for dinner, Perdu visits his father, Joaquin. Perdu’s parents are divorced and often send messages to each other through Perdu. Joaquin and Perdu walk to Joaquin’s boule game, talking about love and women.

Chapters 1-9 Analysis

Chapters 1-9 introduce all three of the novel’s major themes. The Impact of Loss and Grief is present from the start; in Chapter 1, Monsieur Perdu opens a room in his apartment that he has not touched since Manon left him, over 20 years ago. In the inciting action of the novel, Perdu’s previous strategy for dealing with his grief—avoidance—is disrupted. Reopening the Lavender Room reopens old wounds for Perdu. In that moment, his body shakes and his throat aches as his heartbreak and sadness hit him anew. For Perdu, the impact of grief is on-going. He feels off-balance the next day as the memories of his time with Manon have been freshly stirred up. Catherine also experiences the impact of loss and grief. Her divorce and her reaction to it serve as a counter-point or foil for Perdu’s own breakup with Manon and will continue to do so as the narrative develops.

The Healing Power of Literature is another major theme in the novel and a motivating force in Perdu’s life. His encounter with Anna, the customer who attempts to buy Night, underscores Perdu’s unusual ability to understand others’ emotions as well as literature’s powerful ability to heal. Perdu believes strongly in the power of literature and sees his role as a “literary apothecary,” someone who prescribes books like medicine. In this way, literature is a tool for Perdu to access The Beauty and Significance of Human Connection. In these first chapters, Perdu is lonely. He has closed himself off from intimate relationships after his heartbreak. His bookshop and literature are the primary bridge that he has to others, and his process of rediscovering personal relationships will be a major development throughout the novel.

Chapter 4 reveals Perdu’s desire to write an encyclopedia of human emotions. This project symbolizes the conjunction of his faith in the healing power of literature with the significance, and many nuances, of human connection. At this early stage in the novel, Perdu’s encyclopedia is still just an idea. His willingness to begin writing his book will coincide with his willingness to form relationships with the people around him.

The character of Max Jordan is introduced in Chapter 5. Max’s unexpected presence on the book barge in Chapter 5 foreshadows his unexpectedly joining Perdu when he flees Paris on the boat. In Chapter 5, Perdu keeps Max at arm’s length but still offers him advice in the form of Southern Lights. Their relationship will be one of the central relationships in the novel, with Perdu eventually coming to think of Max as something between a son and a friend. This eventual intimacy is also foreshadowed in Chapter 5 when Perdu catches himself looking at Max and thinking, “I’d have liked to have had a boy” (30).

Names are a significant motif in The Little Paris Bookshop, with some of the most powerful instances of this motif appearing in the first eight chapters. The reader does not learn Manon’s name until Chapter 8, when Perdu finally uses her name in his thoughts. Prior to that, she is simply referred to as “---.” Introducing Manon as an empty pause, rather than by her name, highlights the grief and the loss that Perdu experiences when he thinks of her. Perdu’s first name, Jean, is also not mentioned until Chapter 8. This parallel structure of withholding both names from the reader establishes the strong connection that exists between Perdu and Manon and between Manon’s absence and the current conditions of Perdu’s life.

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