50 pages • 1 hour read
Ann CleevesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Devon has a long history of Christian tradition, dating back to the intermingling of Celtic paganism and Roman Catholicism from the 4th century A.D. onward. After the English Reformation, Devon, like the rest of England, became associated with the Church of England. Puritanical strains of Protestantism and Methodism became widespread throughout the region. Many smaller, Anglican churches cropped up throughout Devon in the 18th and 19th centuries, some of which share practices, structures, and belief systems that are like those of the Barum Brethren in The Long Call.
In interviews, Cleeves has specifically stated that the Barum Brethren are a fictional group, but they are based on a very similar, insular religious group from which one of her close friends was “unfellowshipped,” just as Matthew Venn was “unfellowshipped” from the Barum Brethren. Real religious groups such as the Plymouth Brethren (also called the Assemblies of Brethren) share some of the qualities of the Barum Brethren. The Plymouth Brethren began in Ireland in the 1820s and went on to hold meetings in Devon in the 1830s. Shortly thereafter, the group underwent a schism, resulting in the Exclusive Brethren and the Open Brethren. The Exclusive Brethren, who still practice their faith in Devon today, are a highly conservative religious group. Much like Cleeves’s Barum Brethren, they value their members’ “fellowship,” or commitment, to the Brethren; any member who is excluded from their local chapter is excluded from all chapters of the Church. The Exclusive Brethren, like the Barum Brethren, hold conservative stances on numerous social issues, including evolution, abortion, and gay rights.
The Exclusive Brethren also wield significant control over the social and political lives of their adherents. Historically, the Brethren have banned their members from joining unions and have even removed their school-age members from coursework that teaches about evolution. The extent to which the Brethren’s beliefs dictate the sociopolitical views and actions of their members closely mirrors Cleeves’s depiction of the Barum Brethren. Though most of the Barum Brethren’s sociopolitical views are not explicated in the novel, the impact of their belief system on the broader community is thoroughly described. For example, Matthew must deal with the microaggressions that arise from the insidiously quiet anti-gay sentiment that pervades the attitudes of many characters, on a few occasions, he must cope with Brethren members who reject the validity of his marriage outright. The conservative views of the Brethren permeate this community, leading to much of the sexism and anti-gay bias depicted in the narrative.
Ann Cleeves is a critically acclaimed and highly prolific British mystery writer whose first novel, A Bird in the Hand, was published in 1986. Since then, Cleeves has published over 30 mystery novels spanning five different series, including the beloved Shetland series and Vera Stanhope series, both of which have been adapted for television. Cleeves also won the Crime Writers’ Association’s prestigious Golden Dagger in 2006 for Raven Black, the first novel in her Shetland series.
The Long Call begins Cleeves’s Two Rivers series, which has also been adapted for television. Mirroring Cleeves’s most commonly used narrative structure, The Long Call focuses on a murder that has occurred before the start of the novel, and the crime is investigated by the protagonist—a competent, active detective. In many of Cleeves’s novels, the detective’s internal struggles often come to bear on the case or are shifted by the events of the case, leading the detective to experience emotional attachments to some of the suspects or even to the perpetrators of the crime. These novels are always set in the United Kingdom and typically feature the subcultures and landscapes of their settings. However, The Long Call offers a variation on this approach. Because the protagonist is widely known to be gay, he finds himself at odds with the highly conservative, anti-gay factions of the community he is investigating. Matthew’s identity as a gay man allows the narrative to explore different facets of British culture—in this case, the anti-gay attitudes of rural communities that are shaped by conservative and restrictive Christian faith traditions.