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76 pages 2 hours read

Gae Polisner

The Memory of Things

Fiction | Novel | YA | Published in 2016

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Part 1Chapter Summaries & Analyses

Part 1, Chapter 1 Summary: “Bird”

A time stamp of “Tuesday Morning, 9.11.01” heads this chapter. In New York City, the South Tower of the World Trade Center has just collapsed after a terrorist attack. During the attack, hijackers took control of commercial US aircraft and flew the planes into the North and South Towers of the World Trade Center, but no one in the city knows what happened yet or why the building fell.

Sixteen-year-old Kyle Donahue walks rapidly across the Brooklyn Bridge from Manhattan with a massive crowd of New Yorkers fleeing the scene of destruction. He evacuated Stuyvesant High School with his classmates and teachers but quickly lost them in the crowd. As Kyle gets to the far end of the bridge, he sees what he first thinks is a large bird about to take flight—then realizes it is a girl in costume wings, perhaps ready to jump. He turns against the flow of people to pull her from the edge; she is incoherent and covered in ash and debris. They hear and feel a huge explosion. Not knowing what else to do, Kyle leads the girl off the bridge, then brings her home to his apartment in Brooklyn Heights, where he lives with his parents, younger sister Kerri, and Uncle Matt. Kyle’s dad is a police officer on the Joint Terrorist Task Force, so he is likely at the scene of the collapse. His mom and Kerri were supposed to fly home from Los Angeles that morning. Kyle finds a voicemail from his father telling him to get somewhere safe, stay there, and then call him. The apartment is quiet. Kyle directs the girl to his sister’s room, telling her she can shower and change; he finds pajama pants and a tee that he’s grown out of for her. He also removes the razor from the bathroom in case the girl is thinking about suicide.

Kyle’s first-person narrative is interspersed with passages of the girl’s thoughts and emotions in verse. Her words are sparse and mainly reactive to what she sees and hears in the moment: “He walks. / I follow. / He keeps asking things I can’t hear” (9). Additionally, recalled images break through her real-time reactions; these are represented in parentheses within the verse: “(black scribble / blinding heat, / white light. / Fire and / glass spilling / down)” (8).

Part 1, Chapter 2 Summary: “Open Window”

Kyle tries the number for the place his mom stayed in LA but gets no answer. He checks on the girl, who looks completely different without the layer of ash: “She looks sweet and lost. She looks pretty. And scared” (19). He leaves to put her pants and sweatshirt in the washer but goes back into the room unannounced; the girl opened the window the few inches it will open. Kyle is alarmed but only asks her name. She says she doesn’t know it. In the girl’s verse, when Kyle leaves, she gives up on the window, “defeated” (21). Kyle checks on Uncle Matt; he is asleep in his wheelchair. The news reports that the North Tower fell, but this must be a mistake: “It was the South Tower. I watched it go down” (2). But the news keeps saying North Tower, and Kyle realizes the explosion on the bridge might have been the other tower collapsing. He tries his parents but cannot get through.

Part 1, Chapter 3 Summary: “You…Dah…”

The news reports that both towers collapsed, a third plane hit the Pentagon, and a fourth plane believed to be on a path for the White House went down in a Pennsylvania field. One reporter indicates that planes refusing to land might be shot down. Kyle finds panicky voicemails from his mom on his phone. She and Kerri are at LAX (Los Angeles International Airport), their flight canceled. She wants Kyle to call and let her know he is okay. She has no cell phone, so she makes the calls on a stranger’s phone. Kyle can’t reach the number when he tries. He thinks about trying Uncle Paul but doesn’t. Uncle Paul, Kyle’s dad, and Uncle Matt all became police officers, and Uncle Paul harasses Kyle to become one as well. Uncle Matt was in the Emergency Services Unit before his accident caused a spinal cord injury and the use of a wheelchair. Uncle Matt calls for Kyle. Uncle Matt curses the terrorists in slurred speech and asks about Kyle’s dad. Kyle says he can’t get through. Because Uncle Matt’s caretaker, Karina, did not arrive this morning, Kyle uneasily maneuvers Uncle Matt onto the toilet.

Unbeknownst to Kyle, the girl found Uncle Matt’s medications on the bathroom counter and pocketed a bottle of Valium. Now she wants a glass of water.

Part 1, Chapter 4 Summary: “Zen Koans”

Kyle can still smell smoke in the girl’s clothing, so he runs them through the wash a second time. Nothing makes sense; in his literature class, the teacher taught zen koans: “Riddles that don’t have right answers” (41), like the question about a falling tree making a sound if no one is there to hear it. Kyle washes off the girl’s combat boots; the amount of ash on them makes him think she must have been very close to the first building when it fell. He gets through to his dad’s voicemail and leaves a message, relaying that Mom and Kerri are at LAX and that he is taking care of Uncle Matt. He does not tell about the girl. Kyle helps Uncle Matt off the toilet; neither notice the missing Valium. Kyle tells Uncle Matt how his school evacuated that morning; then he reveals he brought the girl home he found on the bridge. Uncle Matt tells him to call Missing Persons instead of trying to walk to any precincts. Kyle avoids the closed door to his sister’s room and tries to rest: “Here’s a zen koan: If there’s a girl down the hall and I ignore her, is it like I never met her and brought her home?” (48).

The girl asks for water from Kyle when he does check on her, but he does not bring it.

Part 1, Chapter 5 Summary: “Fugue”

The girl finds Kerri’s diary, and inside it is a photo of Kyle and Kerri, younger. She envisions a stage with a heavy drape and walks toward it as if sleepwalking.

Kyle realizes he forgot the girl’s water, but she is asleep when he brings it. He starts lunch: three small pizzas in the toaster oven. He tries searching online for info about amnesia and learns that fugue amnesia causes the patient to forget their identity and past, and it can be brought on by sudden, intense trauma.

In the girl’s verse, she sees someone on a shoreline and wants to get to them but cannot. In the scene in her mind, the air turns smoke-scented. She sees the water Kyle brought and saves a drink to wash down the pills but pauses just before taking them.

Kyle burns the pizza, tosses them out, and starts over. He goes to get the girl’s clothes and hears something batting around in the dryer. It is an empty ID sleeve with a pink ballet shoe charm attached. He takes the girl a pizza, knocks, and opens the door.

Part 1 Analysis

At 16, Kyle is a kind, thoughtful, intelligent boy who nonetheless is ill-equipped to deal with the conflicts that mount rapidly on September 11, 2001. Kyle finds it difficult to process the inciting incidents of the morning easily. His sweeping outer conflict is evident from the first line as the action begins in media res: “I move with the crowd, away from downtown Manhattan” (3). Fear, disbelief, shock, bewilderment, and the beginnings of grief fill this crowd on the bridge, and when he turns upstream to investigate a new conflict (a girl wearing wings), some in the crowd speak in consternation to him: “Are you nuts, kid?” (5). Kyle trusts that he saw something, though, and he shows both a ready acceptance for those in need and a desire to affect some form of control on this impossibly out-of-control morning when he leads the bird-girl home.

Initially, he is terrified that his father is hurt on the scene of the building collapse and that his mother and sister are in a plane somewhere after taking off from LAX. Soon, Kyle hears voicemails from both parents, but while their messages reassure him that they are alive, he cannot establish any communication link with either of them through the patchy phone service. While the outside world conflict is undoubtedly one of shock and terror without any easy answers, his safe apartment quickly becomes a surreal microcosm that is paradoxically confining and confusing, thanks to the ever-present news loops, the namelessness of the girl, and his uncertainty over how to handle her and his Uncle Matt. His uncle needs the same level of care as a toddler but has a sharp mind that zeroes in almost immediately on Kyle’s greatest fear: the current status of his father. Kyle wants to keep some semblance of normality in the day—so he must rid the clothes of their smoky smell and make lunch. He does this for himself as much as for the others. Kyle shows his distraction; he struggles with short-term memory loss (forgetting the water) and basic tasks (burns the mini-pizzas). Kyle tries diligently to juggle his fears and worries with tasks he believes have fallen to him, but both answers and finesse elude him.

The anonymous girl’s sprinkling of clues to her background builds up in stream-of-consciousness reactions; these increase in frequency and tempo and provide dramatic irony as the chapters of Part 1 come to a cliffhanger-style close, and she stands ready to down “not a lot, but enough” of Uncle Matt’s prescription Valium (55) just as Kyle walks into the room. Between the pills, the bridge, and the attempt to open Kerri’s bedroom window, the suggestion of suicidal tendencies is broached but not proven. More firm evidence exists that the girl is or was a dancer. Her references to the stage, curtains, and music make sense when Kyle finds the pink ballet shoe charm in her laundered clothing, and her mental notes about the staged scene in her imagination or memory solidify a role: “Danse de fançailles./ Allegro temp guisto” (52) refers to the wedding or engagement dance in Tchaikovsky’s Swan Lake, with the music direction meaning steady merry time (very ironic, considering her current situation is devoid of steadiness and merriment). The lake on the stage in her mind’s eyes represents a link to the real world, but as a symbol, it is coupled with the loss or disappearance of someone close to her when she becomes stuck in the mud of the bank as the person fades into the distance. However enigmatic the girl is, she also shows down-to-earth qualities when she peeks at Kerri’s diary and smiles at the younger girl’s warning to keep out.

With its events considered cumulatively, Part I of The Memory of Things is like a zen koan: plenty of riddles and mysteries without many answers. The day’s attacks launch both protagonists out of their ordinary worlds and on a journey toward restoring the pieces of their lives, some known (like Kyle’s parents coming safely home) and others still obscure (such as the person whom the girl cannot reach)

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