66 pages • 2 hours read
Margaret AtwoodA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Roz wakes from a dream about being naked and searching for clothes; at least it was not a dream about Zenia or Mitch, she thinks. As she stumbles out of her big, frilly, four-poster bed—“The bed looks like a bassinet or a wedding cake” (79)—she thinks about making some life changes, starting with her bedroom décor. Roz performs her morning ablutions but is still dissatisfied with her reflection in the mirror. With Mitch gone, she struggles to relax comfortably into middle age. She thinks about dying her hair gray from its current red, hoping it will bestow some air of respectability. She goes downstairs to the kitchen where her twin daughters await. She bemoans the passage of time, remembering them as toddlers to whom she read fairy tales before they became cynical teenagers given to obscene insults. Despite this, she loves them fiercely and wonders how they feel about Mitch. Thinking of him, she begins to weep.
Roz eats a spare breakfast while thinking of Mitch and Zenia—specifically, Zenia’s fake breasts and Mitch’s infatuation with them. Roz would rather age gracefully than fight nature with constant nips and tucks. She finishes breakfast and walks past Larry, her eldest’s room. Larry, a college graduate, is asleep. He is reassessing his life, but he seems adrift, and Roz wonders how many ways she has failed her children. She worries about Larry’s sensitivity and his vulnerability to women like Zenia. She does not care much for his previous girlfriends with their “shifty little mascara-encrusted eyes” (92). As she dresses for her lunch date with Tony and Charis, she hopes for a nice girl for Larry who appreciates his strengths, is pretty, and loves kids.
Roz’s wealth is recently acquired, unlike the stodgier, generational “old money,” and she takes comfort in the fact that the old money WASPs “are no better than they should be. No better than her” (95). Now the president of her father’s company, Roz considers the pitfalls of being a female in authority: Other women resent her, but, if she was a man, they would gladly fetch the coffee without complaint. In her office, she meets with Boyce, her executive assistant, who gives her daily stock advice. She and Boyce then attend a meeting with a small cosmetics company looking for an investor. The product excites her, and she decides to invest as long as she has a controlling interest. Back in her office, she shows Boyce a picture of Zenia, asking his opinion: He sees a woman who looks like she is trying too hard.
Roz drives to The Toxique and parks her Mercedes Benz in a supervised lot. She witnesses the human victims of economic recession all around her and her cynicism rises to the surface: “They hate me for my money.” She thinks of how she and Zenia used to be friends and how Zenia’s hedonism was infectious. When she was with Zenia, Roz longed to indulge in her wealth without the burden of guilt.
Roz approaches the restaurant, dispensing cash to the homeless as is her assumed duty. Inside, she greets Tony and Charis and is relieved to be in their company of friends who want nothing of her and know all her secrets. She is both fascinated and a bit repelled by The Toxique with its oddly dressed staff and eccentric clientele. She knows Larry has been here, which is another reason to check it out: She wants to unravel some of the mystery of her son, who she believes may have a romantic interest in one of the servers.
Over lunch, Roz, Tony, and Charis discuss current events and their effect on the world of business. Roz admires Tony’s knowledge and cool-headed assessment of the world. She has a sudden inspiration: lipsticks named after famous rivers—Delaware, Ganges, Volga, Styx—a marketing strategy for the cosmetics company in which she plans to invest. At that moment, Zenia enters, and Roz marvels at her reconstituted façade, no less effective for its artifice. Despite having nothing left, she fears Zenia is on the hunt for something—specifically, something from her.
Roz says goodbye to Tony and Charis. All three are shaken by Zenia’s reappearance. Unlike the other two, however, Roz vows to fight Zenia on her own terms, “and [she’s] much less vulnerable, because this time there’s no Mitch” (114). In the parking lot, she finds a message—“Rich Bitch’’—scratched into her car door. She weeps tears of anger, but with no place to put the rage, she wipes her eyes and peels out of the lot, spraying gravel in her wake.
Back at her office, Roz contacts a private detective and hires her to keep tabs on Zenia. However, even that action doesn’t quell her restlessness, her curiosity, and, she reluctantly admits, her envy.
As Atwood examines Roz in detail, what emerges is a tough, savvy businesswoman brimming with insecurities beneath her glossy exterior. She worries about her adult son—too dutiful and sensitive for this world, she fears—and her twin teenage daughters. These are typical parental fears in light of the problems of 20th century life, including climate change and economic downturns. At the office, Roz is confident and decisive thanks to support from Boyce, but at home she worries about the loss of Mitch and its effect on her family. While on the surface she seems the most well-equipped to deal with Zenia, she is just as shaken as Tony and Charis are. Unlike the other two, however, Roz is proactive, refusing to wallow in her fear and anger, and channeling these emotions productively. She vows to fight “dirty” this time and hires a private detective to find out more about Zenia. Roz is the product of a harsh, demanding mother and the demanding work ethic of her immigrant father. While her prior encounter with Zenia brought her old anxieties bubbling to the surface, maturity and experience will bring out the street fighter in her.
Thus far, Atwood has given her readers finely detailed portraits of three women whose lives are linked by a common, tragic thread. Although their personalities are widely divergent, their lasting bond suggests that a single commonality may be enough to overcome those differences. Although Roz seems the most independent, ironically she values her friendship with Tony and Charis the most. Tony would be happy enough surrounded by her books and research; Charis often retreats from the hard conversations that engage Tony and Roz; but Roz treasures these lunches with her friends, when she doesn’t have to assume the mantle of Ms. President, and she can let her guard down and be vulnerable.
Atwood devotes the first 16 chapters primarily to character development, with the only real plot point being the reemergence of Zenia. In this regard, The Robber Bride is primarily a character study of three distinct women and how their worldviews and personalities will dictate their responses to conflict. Charis may wither under the pressure—as seems likely at this point—or she may find hidden reserves of strength. Tony will work to break free of her logical dispassion and engage Zenia on her own terms. And Roz will either become the warrior she pretends to be, or she will show that her tough exterior is all an act. The mysteries of Zenia and of Tony, Charis, and Roz’s hidden pasts drive the narrative and provide fertile ground for exploring human behavior in the face of psychological and emotional conflict.
By Margaret Atwood