logo

68 pages 2 hours read

Sebastian Barry

The Secret Scripture

Fiction | Novel | Adult | Published in 2008

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 2, Chapters 15-17Chapter Summaries & Analyses

Part 2, Chapter 15 Summary: “Dr. Grene’s Commonplace Book”

Dr. Grene writes about the recent accusation of sexual assault against John Kane. His accuser, a woman in her early 50s from Leitrim, arrived recently after suffering “a psychotic episode” in which she believed herself to be the new Messiah. Having failed to save the world, she became convinced that she had to “scourge herself” and used a piece of barbed wire to accomplish the task (163). Her sister walked into her room the other morning, found her with a bit of blood on her legs, and suspected the worst. There was a staff meeting during which Kane was discussed because he had been suspected of such a thing before “and let off” (163). Dr. Grene wonders if he would even still be capable to perform such an act, given that he’s so old.

This news came in the same week that John was told that his throat cancer had returned. They keep him on at the hospital because no one has thought to suggest retirement. Furthermore, the job is too menial to fill and John “shows no desire to lay down his brush of his own free will” (164). There’s also the matter of the hospital’s closing, though Dr. Grene doesn’t think too much of this or of other matters. He’s still preoccupied with memories of Bet. He’s become overwhelmed by his nerves. The night before, he laid awake in bed. Bet’s phone started ringing in her old room upstairs. It didn’t go to the message service, as it usually did. Then, Mr. Grene remembered that he asked the phone company to discontinue to line. Amid this thought, he heard a voice through the floorboards answer the phone. He heard Bet’s voice. Dr. Grene nearly wet himself from fright. He thought that he had made “some awful mistake,” had maybe “buried her alive” (166). The voice then called out his name.

Dr. Grene left his bedroom door and walked down the hall. He got to “the little entry to the stairs to the attics” and climbed (167). When he got to Bet’s door, he stood there for a moment. His knees were weak; he felt his bowels slosh; and he wanted to throw up. He knew that he had transformed from a sedate psychiatrist into “[a] wild-eyed, foolish sixty-five-year-old man in his dead wife’s bedroom, gone daft from grief, looking as usual for forgiveness and redemption the way normal people look for time” (168). Dr. Grene is thinking of all this while sitting in Roseanne’s room, but he knows that he can’t share these thoughts with her. He had come to assess her, a task that now seems absurd to him, given that his own sanity was now dubious.

The narrative shifts to “Roseanne’s Testimony of Herself.” She recalls how she and Tom were married “in Dublin, in the church at Sutton” (169). The priest was Tom’s friend. They had become friends during the time Tom studied briefly at Trinity College. After the wedding, Tom drank so much whisky at lunch that he couldn’t perform sexually in the hotel that night, though he made up for it on the second night when they “went to a dance at the Metropole, because Tom knew the bandleader there, and danced together nearly for the first time” (169). She recalls that he was “the nicest lover” and insists that this “is the truth” (169).

While lying in the dark of their Dublin hotel room, Tom mentioned how nice the city is and asked Roseanne if he could ever succeed in Dublin. He acknowledged, though, that he would have missed western Ireland. Roseanne then asked him if he loved her. He said he did, which pleased her, because she loved him, too. He teased her, saying that her remark showed good taste. Then, seriously, he redeclared his love, assuring that he wasn’t merely talking. Roseanne recalls her husband as “the decentest [sic] man” and thinks “it is important to say that” (170).

At that time in Ireland, there was no market for lambs because of Eamon de Valera’s “famous economic war” (170). So, farmers had to kill their lambs in the fields, leaving the corpses to perish. Tom was upset by this whenever they went through the country by train. He felt that De Valera and his men were no different from “gunmen and murderers taking over the country” (171). He declared all of Ireland “a madhouse,” while all the great men, chief among them, Michael Collins, had been killed during the Troubles (171).

Roseanne and Tom “set up house in a small corrugated place out in Strandhill” (171). The house was close to the dancehall, but “kept [her] out of Sligo” (171). On the other hand, Tom could easily travel back to town. They had a nice view and “roared into town” on Saturdays to go to the movies (173). Roseanne, otherwise, spent the week “in quarantine at Strandhill, till he could get his mother to relent in her hostility to [Roseanne]” (172).

At the cinema, young men noisily quarreled with each other, sometimes over politics. During the showing of Top Hat, Roseanne made her way to the ladies’ room and encountered John Lavelle. He was wearing only black, which “gave him a very cowboylike look” (173). He greets her and tells her that she looks “lovely” (174). Roseanne is surprised by his compliment; he had never spoken that way to her before and she connected him only with the tragedies in her life.

John tells Roseanne that he’s “out on Knocknarea most Sundays,” which is near her home (174). Roseanne, in hindsight, doesn’t understand what her relationship was with John. She dreamt about him often. In those dreams, he was always “being shot and dying, like his brother had in real waking life” (175). In the dreams, Roseanne held his hand, as though she were his sister.

Roseanne never told Tom about the dreams. Tom, she recalls, loved what he knew about his wife. He loved her rear end and complimented her on it. Though Tom wasn’t much of a romantic, and Roseanne now thinks that “[m]en […] have different priorities,” she enjoyed Tom’s company (175). She liked drinking tea with him and “kissing his ears” (175). She wonders if her error had been that she regarded herself as her husband’s equal, imagining that they were like Bonnie and Clyde, “expressing their love in curious ways” (176). The following Sunday, Roseanne went to Queen Maeve’s cairn on Knocknarea, where John awaited her. She knows now that it was “a mistake” (176).

The narrative shifts back to “Dr. Grene’s Commonplace Book.” He recounts how, in the early years of their marriage, he and Bet went to Bundoran, a town in County Donegal, Ireland, for their holidays. They liked the town for all the things other people hated about it—“damp B&Bs, foul rain, bad food and all” (176). He recalls how going back to Bundoran every year “made a sort of clock of Bet’s face” (176). Bet worried about growing old and invested in several night creams to try to reverse the process. Dr. Grene recalls how “deeply intelligent” she was, how “she knew great swathes of Shakespeare from her schooldays” (176). All of her fuss over her wrinkles was trivial but reflected her desperation to usurp control over nature and change.

Knowing this, Dr. Grene wonders why he had to betray Bet “in Bundoran of all places” (177). It occurred during “a psychiatric gathering” where the topic was “geriatric psychosis” (177). Dr. Grene was presenting a paper on types of memory, which he found “revolutionary” at the time but, in hindsight, “a sort of middle-aged nonsense” (177).

He cheated with a woman named Martha—a colleague with a husband and four boys at home. They drank too much wine and went back to their rooms, kissing and fumbling at each other’s clothes. It was all over very quickly, then Martha returned home and told her husband what had happened. Dr. Grene supposes that she confessed out of regret. Both ended up losing their beloved spouses in some sense.  

Part 2, Chapter 16 Summary: “Roseanne’s Testimony of Herself”

Roseanne narrates about how Dr. Grene was just in her room. He sat down and said nothing at first. He then asked if she remembered Fr. Garvey. Roseanne says that she does; he was the chaplain at Roscommon twenty years ago—a “little man with the hairs in his nose” (185). Dr. Grene recalls that Roseanne didn’t like visits from Fr. Garvey. He asks her if there was any reason for that. Roseanne says that she simply doesn’t care to interact with clergy members because “[t]hey are so certain about things, and [she is] not” (185).

Roseanne then goes back to writing her testimony. In it, she recalls her visit to Knocknarea to visit John Lavelle. She writes about picking up “a nice smooth stone from the rainy path” (186). Though it was very long ago, she feels as though she’s still stooping there and feeling the stone. Halfway up the mountain, there was a small group of people coming down—upper-class people from Sligo. Roseanne recognized one of the women as a frequent customer at Café Cairo. She told Roseanne that she had heard about her marriage to Tom. Roseanne considered this nice of the woman, given that her marriage was hardly big news. She figured that, if people did discuss it, the subject wouldn’t have brought out “nice talk” (187).

The group continued down the hill, and Roseanne hiked up. She wondered why she had agreed to meet John—“[a] jailbird that was digging Sligo ditches” (188). She figured that she was drawn to him out of “a sort of infinite curiosity” related to her love for her father (188). She reached the top, but didn’t see anyone. She thought that she heard “a swell of old American jazz” (189). Then, a voice called her name. It was John. Roseanne walked down to him. He was standing in what appeared to be “a little bare bed of stones” (189). He had been sunning himself there and invited her to feel the front of his black shirt, which was very warm. Roseanne heart pounded quickly. She insists, in her writing, that it was beating not out of love for John, but for love of her dead father. She wonders if she’s insane.

John admitted that he was drawn to Roseanne because she looked exactly like his dead wife, Kitty. He told her the story of how Black and Tan soldiers had shot Kitty in the head, shot one of his sons, and caused their other boy to fall out of her arms and hit his head on “the threshold stone” (191). Seanín, the surviving son, moved in with his maternal family who lived on the island of Keane, from which they took their surname. John told Seanín that, if anything were to happen to him, Seanín was to look after Roseanne. However, he didn’t think that his son understood what he was asking of him or even knew where Sligo was.

John told Roseanne that he would go back to being a rebel because he didn’t care for digging roads. He then told her that he had never seen anyone lovelier than she, except his wife, and that he loved her. Roseanne heard voices coming up the path. It was nearly teatime. She bolted. On her way downhill, she saw a group of priests. She orders John to hide so that no one will see her with him. It was too late; “[t]he gaggle of holy men” had discovered them (192). Father Gaunt was among them and looked at Roseanne “with a blank, heart-hurting look” (192).

Roseanne made her way back home. Tom wasn’t there. He had driven to Sligo for General Eoin O’Duffy’s visit. Part of Roseanne’s dread over meeting John Lavelle was that he was technically an enemy of O’Duffy. She heard the start of cars and rushed to a window. She saw Tom at the front of a cavalcade of Fords, driving his own vehicle. She then laid down on her “cool sheets and tried to be calm” (193). She had the curious feeling of not being herself, as though her identity was slipping away from her.

She thought about the effects of the recent wars on Ireland. The war of Irish independence hadn’t only killed soldiers and policemen “but also tinkers and tramps and the like,” people who were “dirtying up the edges of things” for those who wanted things to look nice (193-94). She thinks of those in Belfast—people “so poor they had never seen a lavatory”—that fled out to the country to escape German bombs (194). No one wanted the refugees in their homes. Those who remained in Belfast got burned out, like the rats Joe Clear had lit on fire.

Roseanne writes in her testimony that she didn’t know anything about Germans or politics back then. All she knew was that the leader of Germany at the time was like the one in Italy and some of the politicians in Finland. They were “noisy men” who wanted everyone to be “clean and fit and pure” so that they would go out and “extinguish the lousy, the ragged, the morally unsound” (194).

Roseanne awoke in the wee hours. Tom was home. While in a state between dreaming and wakefulness, she heard him moving around the room. The moon was large and bright over Knocknarea, shining light upon the cairn. There, she believed that she spied “a figure atop the cairn, in black clothes, with a great fold of bright wings behind him” (195). Roseanne sat up, noticing blood on Tom’s face. He told her that there was a brawl with some Sligo guards who had probably been brought in from Collooney. General O’Duffy screamed at them that they had no permit to march in Sligo, though he had been “the head of the same guards only a few years ago” (195). In all, Tom said that he had a nice time and that there was a crowd unlike any he had ever seen. He told Roseanne that she ought to have come then asked how she spent her day. She said that she went walking. Tom held her to him. Somewhere, “between the blood and moonlight,” they fell asleep (196).

Dr. Grene begins writing in his commonplace book. He notes that there was “panic” at the hospital the day before (196). The woman whose sister had found her bloodstained boarded a bus to Leitrim in her hospital gown. Her husband called, angry at the hospital for not looking after her properly. Dr. Grene regrets that they couldn’t provide the woman with better care but wishes her well.

He went up to Roseanne’s room—he’s more comfortable now calling her by her first name—feeling “quite light-hearted” (197). He remarks on how thin her skin is. Her veins look to him “like roads, rivers, towns, and monuments on a map” (197). He also noticed a red rash on one side of her face and that she spoke as though her tongue were swollen. He makes a note to have Mr. Wynn, the medical doctor, give her a check-up.

Dr. Grene decided to talk to Roseanne about her child but then changed his mind. He’s been thinking a lot about it because, if there is truth to what Father Gaunt wrote in his deposition, which Dr. Grene’s old acquaintance, an administrator named Percival Quinn dug up, then there could be a problem with Roseanne’s internment.

Dr. Grene is at home and feels calm. He’s grateful to be alone, though he still loves his wife. He recalls his exchange with Roseanne earlier that day. He sensed that it was the day when she would have revealed herself to him completely, if he had asked, but he had opted instead for her silence.

The narrative shifts back to Roseanne’s testimony. She writes about how Dr. Grene entered her room in good spirits. This surprised her; she engaged him in conversation. He talked for a while, remarking on the lovely spring day. He then broached the question about her father being in the police. For the second time, she told him that Joe Clear was never a policeman. Her brother-in-law, Eneas, was the only policeman in her family.

Dr. Grene then asked about her child, which caused Roseanne to start crying quietly. Dr. Grene assured her that he hadn’t meant to upset her. He looked at her “with a face so miserable” that Roseanne could only laugh aloud (200). He joined her in laughter, though they did so “softly and quietly, like [they] didn’t want anyone else to hear” (200).

Roseanne later thinks about her memories, which seem strange even to her. She wonders if anything she remembers is even real. She has faith in some memories, using them as guide posts. By nightfall, she knew something was wrong. She felt “a swelter of love for [her] husband” (201). She continued to wait patiently for his return. 

Part 2, Chapter 17 Summary

Roseanne recalls that, two nights later, she may have still been sitting at home, waiting for Tom. She has difficulty reasoning this, imagining that she must have eaten something and used the toilet at some point, but she can’t remember; all she remembers is that it was a Saturday. Though it was still too early for the evening dance, cars were arriving from Sligo. She went out to the Plaza, where Tom performed. She recalls that people danced there as though it were their religion. The band played “Honeysuckle Rose,” then “The Man I Love,” a slower tune. Old Tom was playing the solo at the beginning of the piece, but then Roseanne’s Tom, who was a bit drunk, cut in with his clarinet. Toward the end of the song, Tom put his clarinet down, stepped down off stage, and went to his dressing room.

Roseanne stepped toward Tom but was restrained by Jack, who coldly asked her what she wanted. Roseanne was confused by the question. She asked to go see Tom, but Jack told her that her husband didn’t want to see her. When she asked what he meant, his voice warmed. He told her that their mother had spoken on the matter of Roseanne and Tom’s marriage and insisted that Tom would make good. To calm Roseanne, who was becoming hysterical, he then assured her that Mrs. McNulty could change her mind. Roseanne began to scream “for Tom, for mercy, for God” (210). Jack put his arms tightly around her waist and asked her to calm herself. Roseanne kept wailing, feeling love for Tom and hatred for the future.

She returned home. She was in agony. Roseanne writes that, had she been a horse, someone would’ve shot her to put her out of her misery. Ironically, in those days, even shooting a person was no big deal. Tom planned to ship out with General O’Duffy’s army, which was aligned with Francisco Franco. In the Irish Civil War, many people had been shot, enough “to murder the new country in its cradle” (210).

The next morning was “absurdly beautiful” (210). A sparrow had gotten into the house because Roseanne, in her grief, had forgotten to close the front door. She walked the bird into a corner and then picked it up. Its “wild beating” made it feel “like a flying heart” (211). She then walked outside and released “the little useless grey bird back into the sunshine” (211).

Just then, Father Gaunt walked into her iron hut as though he owned it. Roseanne, thinking back on those times, figures that priests believed that they owned the new country. Jack followed him. Roseanne retreated. Father Gaunt asked how Cissy was doing, but Roseanne didn’t know. She found the question strange, given that it was Father Gaunt who wanted Cissy committed. Still, she hoped that her mother was all right. She figured that she knew where Cissy was, just not how she was.

Roseanne looked at Tom, who appeared healthy, clean, and well-shaven, though she knew “he had been drinking spectacularly for a few weeks past” (212). Father Gaunt ordered Roseanne to remain in her hut until he brought things between her and Tom to some resolution. He then promised to inform her of her position with Tom and “make arrangements for the future” (214). She expressed her desire to be with her husband, though Father Gaunt admonished her that she “should have thought of that before” (214). Roseanne noticed that Father Gaunt looked embarrassed, as he had on the night when Willie Lavelle’s corpse lay in the temple at the cemetery. This was the second time, she realized, that she had caused him “[d]ispleasure and disquiet at the nature of woman” (214). Father Gaunt tells her to be content with her own company, assuring her that she had nothing to fear other than herself. Then, the two men left the hut and left Roseanne feeling nothing but “dark rage” (215).

Roseanne figures that her rage was “a small thing” (215). The history of the world contained so much grief. Still, that night, “alone and unfathomably angry,” she seemed to be the only one in pain. She beat her breast until there were bruises. Her “breast looked like a map of hell, a map of nowhere,” or as though Jack and the father’s words “had actually burned [her]” (215-16).

Part 2, Chapters 15-17 Analysis

Roseanne’s defense of Tom’s lovemaking and decency give the reader pause. Her insistence and the information she provides about him give less credence to his decency and facility as a lover than they do to his being a controlling and distant husband. On the other hand, Roseanne’s vision of John Lavelle is more flattering, though their relationship isn’t a romantic one but a bond formed out of the fated meeting which led to both of their lives changing permanently. John reappears to her “cowboylike,” which associates him with heroism (173). One night, after Tom returns from greeting Eoin O’Duffy in Sligo, Roseanne imagines seeing an angelic figure dressed in black on top of the cairn. She is dreaming of John Lavelle, whom she senses as a truer protector than Tom. Later, Dr. Grene will have a very similar vision of John Kane who, in later years, not only usurps his father’s previous role as Roseanne’s protector but also takes his first name. On the day in which Father Gaunt reappears, after Tom has found out about her meeting with John, Roseanne finds a sparrow in her home and lets it out. Its fluttering feels like the fluttering of a heart. She identifies with its vulnerability because Father Gaunt has returned, yet again, in a moment of weakness to bully her into abiding by his wishes.

Eoin O’Duffy, Tom’s hero, was a conservative and opponent to Eamon de Valera’s government. In the 1930s, O’Duffy would fall out of favor, because of his support of fascism and his formation of the Blueshirts—members of the Army Comrade Association, comprised of former Irish Free State Army soldiers. In 1936, O’Duffy took around 600 Blueshirts to fight in the Spanish Civil War on the side of the Nationalist rebels, who were also supported by Benito Mussolini’s fascist government in Italy and Adolf Hitler’s Nazi Party. 

blurred text
blurred text
blurred text
blurred text