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43 pages 1 hour read

Osamu Dazai, Transl. Donald Keene

The Setting Sun

Fiction | Novel | Adult | Published in 1947

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Background

Authorial Context: Osamu Dazai

Born as Shūji Tsushima on June 19th, 1909, in Kanagi, Aomori Prefecture, Osamu Dazai grew up in a wealthy landowning family. His early life was marked by privilege and isolation, a paradox that would deeply influence his novels such as The Setting Sun. His father, a prominent politician and landowner, died when Dazai was young, leaving his upbringing largely in the hands of his severe mother and elder siblings. The traditional Tsushima household often clashed with Dazai’s sensitive, rebellious nature.

In 1927, Dazai entered Aomori High School and later moved to Tokyo to attend Hirosaki University, initially studying French literature. However, he lost interest in conventional education and became increasingly involved in bohemian circles. Dazai idolized the writer Ryūnosuke Akutagawa, whose death by suicide in 1927 deeply affected him. Dazai’s early adult years were turbulent. In 1929, he attempted death by suicide after a strained relationship with his family and a failed engagement. This marked the beginning of a pattern of self-destructive behavior that would characterize much of his life. Despite these struggles, Dazai began to gain recognition as a writer. His early works, such as Bannen (The Final Years), displayed his talent for blending autobiographical detail with literary artistry. In the 1930s, Dazai developed substance misuse disorder due to a dependence on morphine.

In the 1930s, Dazai’s attempts to reconcile his leftist ideals with the rise of militaristic nationalism in Japan led to disillusionment. Later, he balanced autobiographical fiction with satirical commentaries on post-war Japan. World War II and its aftermath profoundly influenced Dazai’s later works. His novel The Setting Sun (1947) captured the despair of Japan’s post-war generation, symbolizing the decline of traditional values and the struggles of a country in transition. Another of his works, No Longer Human (1948), is an introspective account of alienation and self-destruction, often interpreted as a thinly-veiled autobiography. The protagonist, Ōba Yōzō, mirrors Dazai’s experiences with substance misuse disorder, depression, and his inability to connect with society.

Despite his literary success, Dazai’s personal life remained in disarray. His first marriage ended in divorce and during his second marriage, he began an affair with Tomie Yamazaki, a war widow. His alcohol and substance misuse disorders worsened. In June 1948, shortly after completing No Longer Human, Dazai and Yamazaki died by suicide by drowning themselves in the Tamagawa Canal. Dazai was 38 years old. Osamu Dazai remains an influential writer in Japan, with The Setting Sun considered a classic of modern Japanese literature.

Cultural and Historical Context: Japanese Culture and World War II

The Setting Sun was published in the aftermath of World War II. The nation’s defeat in 1945 marked a turning point in its political, social, and cultural history. The devastation wrought by the war and the atomic bombings of Hiroshima and Nagasaki left a deep psychological scar on the Japanese people. Writers sought to process this trauma through literature, often focusing on themes of despair, disillusionment, and the collapse of traditional values. The post-war years were marked by an outpouring of works that captured the physical and emotional suffering of the Japanese population.

The Allied Occupation (1945-1952) imposed sweeping reforms on Japan, including democratization, the disbanding of the military, and the promotion of individual freedoms. Many writers began to question the authoritarian structures and traditional values that had led Japan into the war, exploring themes of identity, moral ambiguity, and the role of the individual in society. One of the most iconic works of this period is Osamu Dazai’s No Longer Human (1948). The novel, deeply introspective and semi-autobiographical, epitomized the alienation felt by many Japanese people in the wake of the war. 

The democratization of Japan under the Allied Occupation created an environment where new ideas and voices could flourish. Censorship, which had suppressed free expression during the militaristic years, was lifted, allowing writers to explore controversial and previously taboo subjects. Themes such as pacifism, feminism, and individualism gained prominence. Additionally, proletarian literature, which had been suppressed during the militarist era, experienced a revival. Writers like Kōbō Abe (The Woman in the Dunes) and Kazuo Hirotsu explored themes of social inequality and existential despair, reflecting the struggles of a nation rebuilding itself from the ruins of war. Japan’s post-war period saw an influx of Western ideas, brought about by the Allied Occupation and the nation’s increasing engagement with the global community. 

Simultaneously, Yukio Mishima blended traditional Japanese aesthetics with modernist experimentation. Works such as The Temple of the Golden Pavilion (1956) and Confessions of a Mask (1949) explored themes of beauty, obsession, and the tension between tradition and modernity. Mishima’s reactionary stance and tragic death in 1970 highlighted the cultural divide between those who embraced Westernization and those who longed for a return to traditional values.

Literary Context: Mono No Aware

Mono no aware (物の哀れ) is a Japanese literary and philosophical concept that translates roughly as “the pathos of things” or “an awareness of impermanence and the transient beauty of life.” Rooted in traditional Japanese aesthetics, it reflects a deep sensitivity to the ephemeral nature of existence and the emotions that arise from it. Central to mono no aware is the recognition that beauty and sorrow are intertwined, as fleeting moments and inevitable endings imbue life with profound poignancy. This concept has its origins in the classical Heian period (794-1185), most notably in The Tale of Genji by Murasaki Shikibu, where it encapsulates the bittersweet emotions associated with love, loss, and the impermanence of life. However, mono no aware evolved beyond its classical roots to become a recurring theme in modern Japanese literature, particularly in the works of authors like Osamu Dazai.

Mono no aware is grounded in a few key principles. Central to mono no aware is the Buddhist-inspired recognition that everything in life is fleeting. This impermanence is not lamented but accepted as an intrinsic aspect of existence. Mono no aware also emphasizes the feelings evoked by fleeting moments. Whether it is the sight of cherry blossoms scattering in the wind or the melancholy of an unfulfilled relationship, the experience elicits a poignant mix of beauty and sadness. The concept celebrates an acute awareness of beauty in transient things, with their ephemeral nature heightening their emotional and aesthetic impact.

Osamu Dazai’s works are often semi-autobiographical and suffused with themes that resonate with mono no aware. His narratives frequently explore the impermanence of happiness, the fragility of human connections, and the inevitability of suffering, all while retaining a sense of beauty in these struggles. The Setting Sun examines the decline of the Japanese aristocracy in the post-war period through the lens of a struggling family. The impermanence of traditional values and the inevitable changes brought by modernity are key themes. The protagonist, Kazuko, embodies the tension between holding onto the past and embracing an uncertain future, encapsulating the bittersweet essence of mono no aware. The novel’s title, which evokes the sunset, also reflects the pathos central to mono no aware.

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